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Oceanic

Oceanic

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The simple vocabulary and rhymes paired with the colourful images of sea life make it an easy poem for children to follow. It will also hopefully help them to use their imaginations to visualise some of the creatures that can be found under the sea! The sea’s withdrawal is not a matter of human desire, but of its own motion: the tides decide, not the speaker. The line from this expression of the sea’s independence of human desire and of the limits of the human when confronted by the sea would ultimately find its expression in the “undulating Rooms” of Fr. 1446A, the “abhorred abode,” of Fr. 1542[B], and the “syllableless sea” of Fr. 1689[A]. Is this the greatest English poem about a sea-voyage? Coleridge’s friend and collaborator was sceptical about its merits, and toyed with removing it from subsequent editions of their landmark collection Lyrical Ballads (1798). It will continue to be a huge open place ideal for contemplation. ‎Here’s a compilation of some amazing ocean poems for you, ranging from a simple observation of the water to a mirror of our own life.

In each case, the form finds the poem’s content—and vice versa—with such ease and grace that one almost wonders how poems concerning the end of summer (“End-of-Summer Haibun”) or separation from a child (“Travel Mommy Ghazal”) ever found other shapes to begin with. We ride in ships on the surface of the ocean and relax on beachfront watching the waves crash against the shore. One of the wonderful aspects about the ocean is that we cannot build on it. Poetry is unique because there is no word limit or specific formula that must be followed, so children can get creative and have free reign. It teaches children that you can say a lot in a few words, and it encourages them to think about the impact and importance that each word has within a poem.If drowning is suggested through indirect means in Fr. 1446A, it is the explicit subject of Fr. 1542[B]. In this poem, which survives in entirety only in a transcript by Mabel Loomis Todd, the human is effaced in these waves altogether: The ocean has played an important part in poetry from its inception, which explains why there are so many ocean poems in literature. It’s simple to understand why. ‎ The call of the running tide / Is a wild call and a clear call that may not be denied;” writes Masefield in Sea-Fever. Likewise, the Marshall Islands’ claim to a liveable future in the face of rapidly rising tides is – or ought to be – irresistible. Ocean water encompasses three main quarters of the earth’s surface. The ocean is home to billions of species that collaborate in ways we can never completely comprehend. Much of the ocean is enigmatic. ‎

The English Bible: King James Version, The New Testament and Apocrypha. A Norton Critical Edition. Edited by Gerald Hammond and Austin Busch. W. W. Norton, 2012. Marshallese poet Kathy Jetn̄il-Kijiner’s collection Iep Jaltok confronts the existential challenge of sea-level rise for island nations. In 2 Degrees, her infant daughter’s fever prompts a bitter reflection on the arrogance of fossil fuel-consuming nations: the difference between 1.5C and 2C “Seems small … just crumbs / like the Marshall Islands / must look / on a map”. Jetn̄il-Kijiner was the Marshall Islands’ climate envoy at Cop27, and criticised the failure to phase out fossil fuels even as developing nations celebrated the loss and damage fund. Let us now look at some ocean love poems. When you sit by the ocean and stare out at the sea, you relax your thoughts and senses from sensory overload, enter a state of mindfulness, and are able to think more clearly about your loved ones. These poems about the ocean and love reiterate the same thing. 1. Salt

11. The Ocean by Nathaniel Hawthorne

With unparalleled ease, she’s able to weave each intriguing detail into a nuanced, thought-provoking poem that also reads like a startling modern-day fable.” —Poetry Foundation The ocean has had a very significant role in poetry since the dawn of poetry itself. It’s easy to see why. The ocean — both wild and calm, dangerous and beautiful — is a made up of contradictions and mystery. Ocean poems can not only be dedicated to capturing the heart of sea, but to metaphors for love and trauma, among many other things. More than that, the ocean has played a role in the history of many cultures, making it a setting that is both intimately personal, and vastly universal. This resource is perfect to help teach students how to use figurative language with these metaphor poem templates, encouraging children to fill in the gaps. Acrostic poems are a brilliant starting point for beginner poets, providing the first letter of each line to spell out a keyword. Although these can start as simple word associations at first, why not encourage students to get more sophisticated with their writing and work on building metaphors and similies using oceanic language? Unlike W. B. Yeats in ‘Lapis Lazuli’, where the poet sees the robustness of civilisation embodied by the rebuilding of culture and societies over different historical periods, Housman emphasises the ultimate futility of building empires or making anything.

The ocean’s grandeur and beauty are breathtaking. From scientists and chemists to explorers and mariners, the ocean and its complete ecology captivate, enthrall, and delight multitudes of people all over the world. This act of “glancing down” resonates in powerful consequences. The final lines of “Invitation” offer a question—“Who knows what will happen next?”—that also presents a significant opportunity. What happens next, it turns out, is not only the possibility of a different perception of the sea but also the potential for sensing the world itself entirely and radically anew: In this oceanic spirit, Nezhukumatathil’s poems wander an abundance of the planet’s most “humming” places, transporting readers from the Pumpkin Festival in Clarence, New York to the existential sadness of a whale washed ashore on Germany’s North Sea coastline—from the Monte San Salvatore funicular in Switzerland to the Harvard Museum of Natural History’s famous Glass Flowers—and from the elephants and bamboo forest of India’s Periyar National Park to the “cicada-electric Mississippi night.” Likewise, they devote considerable attention to spaces and places that hum in quieter ways: a fresh manicure, a shared brambleberry tart, a childhood bedroom, Prince’s “Starfish and Coffee.” These, without exception, are poems replete with images that last and linger: “the toothy grin of an apple-fed horse,” “the penny-taste of the garden hose,” the “blush-green current of auroras across [a penguin’s] claws.”Fig 3. While the original manuscript of this poem is lost, the above fragment (AC 169, about 1880?) is extant. Courtesy of the Amherst College Archives & Special Collections. For link, see: https://acdc.amherst.edu/view/asc:1433 We might say a poem is a bit like a boat, a vessel borne aloft by rhythms that surge or eddy. It is also like the sea itself, with its deep places and ever-receding horizon. “The sea has many voices,” observes Eliot in The Dry Salvages. More than anything, the many voices of oceanic poetry declare the vitality of life even in the midst of crisis. “There is a lullaby in all of us,” Burnett writes, “a call of sea”. If only we would listen.

Oceanic is a generous, romantic, and ambitious look at the different stages of life, and how we experience the love and wonder that lead us to become more fully realized and compassionate as we grow each decade… [it’s] Nezhukumatathil’s most cohesive collection to date, as she takes her prior preoccupations and dissects them in new ways that invite, as all of her work does, a sense of marvel and astonishment.” — Tin House only my mind is not present and I can't control where I go, I can't remember where I go, im mindless. Im walking on an ocean. An ocean of happiness I can't baptize myself in. The ocean gets more wet except the ocean is filled with sweat, sweat from running from all my problems. Exhaustion fills my body. That is the pure moment I realize I am asleep, the wetness is beads of sweat on my forehead from the 16th night terror this week. Reading is tidal, and each tide brings with it new associations. It is difficult now to read John Masefield’s Sea-Fever without thinking of bleaching coral, or Samuel Taylor Coleridge’s The Rime of the Ancient Mariner without picturing Chris Jordan’s photographs of dead albatross, their stomachs full of brightly coloured plastic. “‘ Hope’ is the thing with feathers,” but avian flu is decimating seabird populations. Contemporary Pacific Islander poetry most commonly includes oral and written poetry composed by authors who are genealogically linked to the indigenous people of the areas of the Pacific known as Polynesia, Melanesia, and Micronesia. While many of these poets live within the “Pacific Basin,” there are also many residing in the United States. Because Pacific Islanders are one of the fastest growing populations in America, it is essential that we read Pacific literature, which has for too long been invisible within discussions of American and Global poetry.Let us now go through some poems on ocean in English. These poems about the sea remind us that oceans have an impact on our lives and livelihoods of our loved ones, no matter how far off the beach we reside. 1. The Ocean Poetry is a great alternative method for children to express themselves. There are no rules to poetry – the words don’t have to rhyme, and don’t even necessarily have to make sense to other people. Poetry allows people to be creative and imaginative and write how they feel and what they are thinking in whatever way they like. European Eels, as mentioned in Steve Ely’s poem about their transatlantic migration to their spawning grounds in the Sargasso Sea. Photograph: Nature Picture Library/Alamy Cultural strands are woven into the DNA of her strange, lush… poems. Aphorisms… from another dimension.” — New York Times Adiba Jaigirdar is an Irish-Bangladeshi writer, poet, and teacher. She resides in Dublin, Ireland and has an MA in postcolonial studies. She is currently working on her own postcolonial novel and hopes that someday it will see the light of day outside of her computer screen.



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