Credit is provided by Novuna Personal Finance, a trading style of Mitsubishi HC Capital UK PLC, authorised and regulated by the Financial Conduct Authority. In the Focus Bracketing/Stacking menu I have my focus differential set to 3 or 4 and the flash recharge time set to 0. In regard to the optical design, extra-low dispersion and high refractive index glasses are used to control a variety of aberrations and a ZERO coating has applied to suppress flare and ghosting to improve contrast and colour accuracy.

A lens of this length on a MFT body does feel a bit awkward, but handling characteristics aren’t bad especially if your camera has a decent grip. My use of full frame gear for macro photography was so infrequent that I don’t have any images remaining in my archives that I can share in this article.I know it gets boring but if you must compare lenses across formats then comparing apples to apples does not seem unfair. The uniform reviews allow you now to read a detailed evaluation for each lens reflecting exclusively my personal opinion.

I am majoring in marine biology and minoring in journalism and Spanish, as I hope to pursue a career in wildlife photography and conservation.Micro Four Thirds is at an inherent disadvantage when it comes to bokeh, due to the 2x crop factor, but the 60mm f/2. A reclusive photography genius, known only as “Dmitry”, has proved to the world, by using some novel methods[1], that: smaller format cameras have a depth of field advantage over full-frame and larger format cameras. This morning you are on a mission… That mission is to find as many dew soaked insects as you can, rushing to beat the sun before it pokes its head above the horizon and wakes the world up. and liked the sharpness of it, but practiced first with inanimate objects indoors like coins to get the hang of the way focussing works.

For my photography, I can’t imagine the use of the recently announced (in development) Olympus macro “around” 100mm. I experimented with close-up photography with my Nikon 1 kit… using the wonderful 1 Nikkor 30-110 mm f/3. Once I mastered the distance dial and I became comfortable using manual focus for macro images, this lens really came alive. I start by carefully moving any vegetation that’s directly blocking my way and begin to visualize my composition. Why not sign up to our newsletter and receive info on exclusive offers each week that are not available to the public.Also, it was a little windy and the leaves were shaking a little, I needed the bump in shutter speed to completely freeze any motion.