The Time Traveller's Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century (Ian Mortimer’s Time Traveller’s Guides)

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The Time Traveller's Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century (Ian Mortimer’s Time Traveller’s Guides)

The Time Traveller's Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century (Ian Mortimer’s Time Traveller’s Guides)

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As lively as it is informative. His (Mortimer's) work of speculative social history is eminently entertaining but this doesn't detract from the seriousness and the thorough research involved Financial Times

He also writes in other genres: his fourth novel 'The Outcasts of Time' won the 2018 Winston Graham Prize for historical fiction. His earlier trilogy of novels set in the 1560s were published under his middle names, James Forrester. In 2017 he wrote 'Why Running Matters' - a memoir of running in the year he turned fifty. Mortimer, Ian (29 February 2012). The Time Traveller's Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century. Random House. ISBN 9781448103782.

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Traditionally, history has been accused of focusing too much on royalty and nobles. That's all in here, but there's plenty all the way down to the lowest villein, with lots of enjoyable little details (like women not using side saddles, as we might imagine). The detail is both the book's delight and its failing. We like to get intimate little details, but Mortimer feels it necessary for each of the areas he looks at (from what to wear through to eating and drinking) to detail what what would apply for each of the levels of the hierarchy - something that after a while gets occasionally tedious. I think it might have been better had he followed a real guide book more in being prepared to just focus in on some areas (perhaps varying from topic to topic), rather than trying to be comprehensive. (My favourite old guidebook, England on 10 Dollars a Day, for example is decidedly selective on where it covers.) There is some excellent information here, entertainingly presented. I do wish some parts had been expanded, though. Sumptuary laws are touched on, the origins and some detail given – but I think if a time traveller had to rely purely on this book as regards to what he is and is not allowed to wear he might end up in trouble: color, for example, was dictated as well as material. A great many of the dictates were moot, as crimson velvet or any material dyed purple was too expensive for most, but on the off chance a time traveller missed this and transgressed he could be subject to fine. Even how to avoid running foul of the law and what punishment might be meted out is made clear as well as the significance of religious observances. Medieval humour is also explored as well as, for those so inclined, where you might find the best er hum, sexual services (Southwark, the Stews, in London, in case you wanted to know). He also discusses how to entertain ourselves while we’re there (the Stews aside) and who, among the great figures known to us now, we might expect to encounter on our journey – Geoffrey Chaucer anyone? He has rooms above Aldgate. Food might have been plentiful in the spring and summer, but what about the winter? Porridge andvegetables (no potatoes, no rice, no spaghetti) must have got boring as the mainstay of every day. And whose clothes were sewn to last? The clothes of the wealthy, everyone else wore handmedowns or ragged outfits. Who of the poor had a tailor and the time to sew fine stitches after work was done given that it was only candle light in the evening?

It is generally said that medieval men are in their prime in their twenties, mature in their thirties, and growing old in their forties. This means that men have to take on responsibility at a relatively young age. In some towns citizens as young as twelve can serve on juries. Leaders in their twenties are trusted and considered deserving of respect.” You have come face to face with the contrasts of a medieval city. It is so proud, so grand, and in places so beautiful; and yet it displays all the disgusting features of a bloated glutton. The city as a body is a caricature of the human body: smelly, dirty, commanding, rich and indulgent. As you hurry across the wooden bridge over Shitbrook, and hasten towards the gates, the contrasts become even more vivid. A group of boys with dirty faces and tousled hair run towards you, and crowd around, shouting, 'Sir, do you want a room? A bed for the night? Where are you from?', struggling between them to take the reins of your horse, and maybe pretending that they know your brother, or are from the same region as you. Their clothes are filthy, and their feet even filthier, being bound into leather shoes which have suffered the stones and mud of the streets for more years than their owners. Welcome to a place of pride, wealth, authority, crime, justice, high art, stench and beggary. In 1300 the nobility speak French, not English! If you can't speak French, you can't command any respect. Only the lowly poor lowly peasants speak English. Nobody authorizes literature written in English. Not until 1350 when King Edward the III, who spoke English, expressed pride in the English language, did aristocrats begin to speak English as well as French.An original, entertaining and illuminating guide to a completely different world: England in the Middle Ages. An excellent history book. It really shines light on the lifestyles and times of the 14th Century. Borken down into 11 sections, they are as follows: Imagine a disease were to wipe out 40 percent of the modern population of the UK—more than 25 million people. Now imagine a historian in the future discussing the benefits of your death and the deaths of your partner, your children, and your friends … You would want to cry out, or hang your head in despair, that historians could blithely comment on the benefits of such suffering. There is no shadow of a doubt that every one of these people you see in 1348—whether they will die or survive—deserves your compassion. When you see women dragging their parents’ and children’s corpses into ditches, weeping and screaming—when you listen to a man who has buried all five of his sons with his own hands, and, in his distress, he tells you that there was no divine service when he did so, and that the death bell did not sound—you know that these people have entered a chasm of grief beyond description.”

The Time Traveler's Guide to Medieval England is not your typical look at a historical period. This radical new approach shows us that the past is not just something to be studied; it is also something to be lived. All facets of everyday life in this fascinating period are revealed, from the horrors of the plague and war to the ridiculous excesses of roasted larks and medieval haute couture. The plot is clear and voluminous. In non-fiction literature, the plot is usually built around the coverage of a topic, and in this book, the author describes in a logical and consistent way about all aspects of life in medieval England.

Table of Contents

After my second reading of this book in less than a year, I wish I had access to Dr Who’s Tardis because, with Mortimer’s well-thumbed book under my arm, I would head straight for Exeter, where the book opens, prepared for the ordure of the aptly named, Shitbrook, the breath-taking sight of the cathedral, avert my eyes from the remains of criminals clinging to the gallows, and be careful not to stare at the bright and strange clothes the people are wearing, while tripping along the cobbles, one hand firmly on my money so a cut-purse does not take it. Leitko, Aaron (14 February 2010). "Book review: 'The Time Traveler's Guide to Medieval England' by Ian Mortimer". The Washington Post . Retrieved 25 November 2018.

I found it endlessly fascinating, discovering new things. The author imparts his knowledge on the subject with such a light touch that it is never dull, always entertaining, and sometimes amusing (medieval fashions were bonkers - would you want to wear a pair of shoes that made it impossible to walk upstairs in?). What particularly sets this book apart though is not its lists or pictures or subject headings, however, but its thoroughness. You really do gain a sense that you are learning about specifics of the era, and finding out what you need to get around. In a sense--as the author tells you--you will be able to use this book as a "virtual reality" for travel from your own home to other locations. Medieval boys are expected to work from the age of seven and can be hanged for theft at the same age. They can marry at the age of fourteen and are liable to serve in an army from the age of fifteen.” One qualm was the constant references to Chaucer and “The Canterbury Tales”. Although Mortimer used a medium amount of sources for the book; Chaucer is readily quoted and referred to. If Chaucer was a brand and this book was a TV show, it would scream, “product placement”. Also, the chapter regarding laws and court systems was confusing, but admittedly, I’m not even interested in those topics in modern times so perhaps it just wasn’t my cup of tea, personally. People's lives are changing rapidly - from a world of superstition and religious explanation to rationalism and scientific calculation. In many respects the period sees the tipping point between the old world and the new as fear and uncertainty, hardship and eating with your fingers give way to curiosity and professionalism, fine wines and knives and forks. Travelling to Restoration Britain encourages us to reflect on the customs and practices of daily life - and this unique guide not only teaches us about the seventeenth century but makes us look with fresh eyes at the modern world.A butcher selling bad meat can expect to be dragged through the streets of the town on a hurdle and then placed in the pillory with the rotten meat being burnt under him. Likewise a baker selling bad bread. A vintner caught selling foul wine is dragged to the pillory on a hurdle, forced to drink a draught of the offending liquor, and then set in the pillory, where the remainder of the liquid is poured over his head. The sweetness of the revenge makes up for the sourness of the wine.”



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