Top ten books parents think children should read". The Telegraph. 19 August 2012 . Retrieved 22 August 2012.

The Lion, the Witch and the Wardrobe (The Chronicles of The Lion, the Witch and the Wardrobe (The Chronicles of

THE LION, THE WITCH AND THE WARDROBE by Lewis, C.S. (novel); Baynes, Pauline (illustrations) Condition I’ve seen a lot of hate over these books because of the Christian allegories involved in the storytelling. Now I find this somewhat stupid. I’m not a Christian, far from it, but you can’t really criticise a book because of this. It’s incredibly naïve. It would be like judging Jane Eyre based on its feminism aspects or Shakespeare’s exploration of colonialism in The Tempest. It’s silly. This book is, undeniable, full of Christian dogmatism. But it’s what the author wanted it to be. If you read Tolkien’s work there are so many allusions the world wars; this doesn’t affect the overall storytelling. It’s simply what is there. Read this with an open mind, as an English Literature student, I read the bible. I don’t believe the words inside, but I can still enjoy the experience. And this story is no different. Take it for what it is. When Lucy, Edmund, Susan and Peter take a step through a sea of fur coats, they find themselves in a land of talking animals, magic and more. This book made me feel emotional.

Narnia… the land beyond the wardrobe door, a secret place frozen in eternal winter, a magical country waiting to be set free. Novels were not a part of my life until my mid teens and therefore I missed out wonderful reading experiences like the Chronicles of Narnia but while I wish I had read more as a child I am having an absolute ball catching up on all these enchanting books when I can appreciate them on a different level In chapter 13 of the American edition, "the trunk of the World Ash Tree" takes the place of "the fire-stones of the Secret Hill". [58]

Cover is the Best?: The Lion, the Witch and the Which Narnia Cover is the Best?: The Lion, the Witch and the

One of the most significant themes seen in C. S. Lewis's The Lion, The Witch and The Wardrobe is the theme of Christianity. [50] Various aspects of characters and events in the novel reflect biblical ideas from Christianity. The lion Aslan is one of the clearest examples, as his death is very similar to that of Jesus Christ. While many readers made this connection, Lewis denied that the themes of Christianity were intentional, saying that his writing began by picturing images of characters, and the rest just came about through the writing process. [51] While Lewis denied intentionally making the story a strictly Christian theological novel, he did admit that it could help young children accept Christianity into their lives when they were older. [52] Find the hottest teen books, connect with your favorite YA authors and meet new friends who share your reading interests!A 2004 U.S. study found that The Lion was a common read-aloud book for seventh graders in schools in San Diego County, California. [26] In 2005, it was included on TIME 's unranked list of the 100 best English-language novels published since 1923. [27] Based on a 2007 online poll, the U.S. National Education Association listed it as one of its "Teachers' Top 100 Books for Children". [28] In 2012, it was ranked number five among all-time children's novels in a survey published by School Library Journal, a monthly with a primarily U.S. audience. [29] In August 1948, during a visit by an American writer, Chad Walsh, Lewis talked vaguely about completing a children's book he had begun "in the tradition of E. Nesbit". [16] After this conversation, not much happened until the beginning of the next year. Then everything changed. In his essay "It All Began With a Picture", Lewis continues: "At first I had very little idea how the story would go. But then suddenly Aslan came bounding into it. I think I had been having a good many dreams of lions about that time. Apart from that, I don't know where the Lion came from or why he came. But once he was there, he pulled the whole story together, and soon he pulled the six other Narnian stories in after him." [17] The Narnia Chronicles, first published in 1950, have been and remain some of the most enduringly popular children’s books ever published. The best known, The Lion, the Witch and the Wardrobe, has been translated into 29 languages! However, when Edmund talks to Lucy about where they’ve been, and he learns that the White Witch is bad news, he denies that Narnia even exists when Lucy is telling Peter and Susan about it. He accuses her of lying. But eventually all four of them go through the wardrobe into Narnia. When Lucy takes them to visit Mr Tumnus, however, they find that he has been arrested. The major ideas of the book echo lines Lewis had written 14 years earlier in his alliterative poem "The Planets":

The Lion, the Witch and the Wardrobe - Wikipedia

In 2012, Michael Fentiman with Rupert Goold co-directed The Lion, the Witch and the Wardrobe at a Threesixty 'tented production' in Kensington Gardens, London. It received a Guardian three-star review. [76] I can't say too much about the storyline itself, I think it is overly familiar to most and for the rest The Lion, the Witch and the Wardrobe is a quite classical tale of Good versus Evil, with some very clear Christian symbols. Yench, Belinda. "Welcome to the lion's den". The Blurb [Australian arts and entertainment] (theblurb.com.au). Archived from the original on 8 September 2007 . Retrieved 11 December 2010. . This review mistakenly identifies C.S. Lewis as the author of Alice in Wonderland.

Hardy, Elizabeth (2013). Milton, Spenser and The Chronicles of Narnia: Literary Sources for the C.S. Abingdon Press. ISBN 978-1-4267-8555-9. pp. 138, 173. When the Pevensie children - Peter, Susan, Edmund and Lucy - step through a wardrobe door in the strange country house where they are staying, they find themselves in the land of Narnia. Frozen in eternal winter, Narnia is a land of snow and pine forests, and its creatures are enslaved by the terrible White Witch. Edwards, Owen Dudley (2007). British Children's Fiction in the Second World War. p. 129. ISBN 978-0-7486-1650-3.

Editions of The Lion, the Witch and the Wardrobe by C.S. Lewis

The real world is boring; it’s mundane, unimaginative and dry. So humans create fantasy as a means of escape. We watch movies or go to the theatre to see something more interesting than the standard realities of the everyday. We paint pictures and gaze up at the stars. We play video games and roleplay. We dream. Authors like C.S Lewis and J.K Rowling show us this miserable world; they show us its tones of grey. Then underneath it all they reveal something spectacular: they reveal fantasy.In the Middle Ages, monks compiled 'Bestiaries', which described the roles of dragons, unicorns, and real animals in Christian synbolism; there were even century-spanning debates about whether dog-headed men were descended from Adam. These books were rarely accurate, but allowed Christian theology to adopt many stories and superstitions from earlier periods; for instance, the connection between unicorns and virginity or the belief that pelicans fed their own blood to their young, in imitation of communion. Walker-Cook, Anthony (25 November 2019). "BWW Review: THE LION, THE WITCH AND THE WARDROBE, Bridge Theatre". Broadway World . Retrieved 27 May 2022. In 1940, four siblings – Peter, Susan, Edmund, and Lucy, whose surname we will learn in a later book is Pevensie – are among many children evacuated from London during World War II to escape the Blitz. After a long and happy reign, the Pevensies, now adults, go on a hunt for the White Stag who is said to grant the wishes of those who catch it. The four arrive at the lamp-post marking Narnia's entrance and, having forgotten about it, unintentionally pass through the wardrobe and return to England; they are children again, with no time having passed since their departure. They tell the story to Kirke, who believes them and reassures the children that they will return to Narnia one day when they least expect it. Nicholson, Mervyn (1991). "What C. S. Lewis Took From E. Nesbit". Children's Literature Association Quarterly. 16: 16–22. doi: 10.1353/chq.0.0823. S2CID 143700282 . Retrieved 1 December 2014.