Odenkirk embodies the fit-but-not-swole ideal and could pass for an actual middle-aged operator. At the movie’s beginning, he’s raising a family with wife Becca (Connie Nielsen) and keeping the books at his father-in-law’s machine shop. No one except his wife knows his past, and no one takes Hutch seriously. The quiet life implodes when his family falls victim to a home invasion, and Hutch chooses not to employ his skills in front of children. His son thinks Dad is a wimp, but our operator is prepared to live with that until he discovers that his daughter’s kitty-cat bracelet is missing. Experience NobodyInParticular's Mona spaces on his builder profile: https://monaverse.com/user/nobodyinparticular

Sci-fi, big time. Also fantasy. Growing up, they were always my go-tos for make-believe and using my imagination Inside MSS-Pandora Mona Space by NobodyInParticular Walk me through MSS-Pandora. Where did you get the idea, and what are some of its features? Unfortunately, one of the young thugs dies, and he’s the son of a mobster (Russian star Aleksey Serebryakov, making a big first impression in American movies). That mobster doesn’t much like his son, but he feels compelled to take revenge even though he should be focused on his current responsibilities in protecting a large horde of mob cash.What you’ve got here is a total blast of a movie with plenty of mayhem and a strong self-awareness of how absurd its story can be. The bonus is that everyone plays it pretty much straight, so they let the ridiculousness speak for itself with zero nudge-wink bits that ruin the humor by drawing too much attention to the joke.

Hutch also has an adopted brother (RZA from the Wu-Tang Clan) and a retired FBI-agent father (Christopher Lloyd). The entire family has some serious operator skills that fuel an epic showdown at the movie’s end.

The unusual career of Odenkirk, who in his 50s has experienced an unlikely transformation from “oh that guy” character actor to Emmy-nominated lead of a hit show, makes him a compelling action hero, confident enough to command yet with a skillset that’s more extensive and more versatile than just pure physicality. He plays the improbably named Hutch Mansell, a milquetoast everyman whose daily routine has grown as tired as his chilly marriage. When his house is set upon by a couple of low-rent thieves, he’s set on a mission to right a wrong, revealing an adeptness for violence that’s been kept far away from his family. Odenkirk is a surprisingly physically adept anchor and while sure, the trope of a man only really being a man when he embraces his violent side is … not great, he tries his best to work around the regressive nature of the genre, turning Hutch into a man somewhat earnestly trying to figure out the right balance of alpha and beta. There’s little to do for Connie Nielsen as his confused wife but Christopher Lloyd gets to have some fun as his gun-toting father and along with RZA as his equally armed brother, there’s an intriguing little family dynamic that will probably be explored in the inevitable sequel (Nobodies, perhaps?). It’s all very been here, seen that yet there’s something infinitely pleasing about a film doing very little but doing it very well, knowing just how high to aim without aiming any higher, aware of exactly what it can and can’t do. In a tight 91 minutes, without any bloat, Nobody gives us exactly what we want. As readers of former SEAL Stew Smith’s excellent Military.com fitness column already know, real-life operators aren’t necessarily the muscleheads we see in the movies. The most important skills are awareness, tenacity and a level of balanced fitness that allows a warrior to adapt to any situation.