Breakfast at Tiffany's

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Finally, Holly emerges and tells O.J. that the narrator is a writer, though O.J. is uninterested. Gradually, the living room fills with men who all seem surprised by the crowd, each one having thought Holly invited him exclusively. The narrator identifies the most boisterous and confident person in the room as Rusty Trawler, who gregariously makes martinis while the narrator stands by the wall and pretends to read the books on Holly’s shelves. As he does so, he finds a newspaper clipping about Rusty, which explains that his parents died when he was a boy, turning Rusty into a highly-publicized millionaire orphan. Ever since then, Rusty has gotten a scandalous divorce and gone through legal battles that have appeared in the tabloids. He is also a widely-suspected Nazi-sympathizer. As the narrator reads these things, Holly approaches, deflecting the narrator when he asks about her visit to Sally Tomato that week. While the real-life similarities between Holly and Marilyn practically write themselves (“I’ve never had a home,” Monroe once told Capote, “not a real one with all my own furniture”), Martin Jurow—producer of the Breakfast at Tiffany’s film—was merely unconvinced that Monroe was a strong enough actress for the role. “Holly had to be sharp and tough, and as anyone who saw Marilyn could sense, she was about as tough as a tulip,” Wasson wrote. “It was difficult to imagine a personality like that living like Holly, all on her own in the big city.” And, of course, there were very practical matters of film production to take into account. For all that we’ve come to love and appreciate about Marilyn now, she did have a reputation for chronic lateness and an almost pathological inability to remember dialogue, sometimes requiring upwards of 50 takes for a single line. “It’s not that she was mean,” remembered Billy Wilder, director of The Seven Year Itch. “It’s just that she had no sense of time, nor conscience that that three hundred people had been waiting hours for her.”

Breakfast at Tiffany’s Study Guide | Literature Guide | LitCharts

Later, Capote claimed that the inspiration for Holly Golightly came from a German refugee, a young girl of just 17 years who arrived in New York City at the beginning of World War II. “Very few people were aware of this, however, because she spoke English without any trace of an accent,” he said. “She had an apartment in the brownstone where I lived and we became great friends.” He claimed that Holly’s friendship with gangster Sally Tomato was fictionalized, but based on true events that happened to the real Holly. Gerald Clarke said that Capote told him a similar story. “But in the version I heard she was Swiss. He even gave me her name. I could never find any of his friends who remembered her.” Clarke was also well aware of women who continued to claim they were the real Holly Golightly even decades later, all of them alleging they were friends with Capote at one time or another. “There were lots of women like that in those days,” he said, “and my guess is that Holly owed something to any number of them.”While there are several “swans” who are believed to have contributed to the fictional creation of Holly, including Gloria Guinness, Oona O’Neill Chaplin, Carol Marcus, and Gloria Vanderbilt, there is one in particular that is thought to have gone above and beyond in terms of inspiration: Babe Paley, the wife of William S. “Bill” Paley, founder of the CBS television network.

Breakfast at Tiffany’s: How Hollywood retold a gritty story Breakfast at Tiffany’s: How Hollywood retold a gritty story

The moment when you finally understand why the book is called "Breakfast at Tiffany's" is the one when you find out Holly's biggest dream and the main purpose in life. The main idea of the book is expressed in Holly's words "Never love a wild thing, Mr. Bell,[…] If you let yourself love a wild thing, you'll end up looking at the sky." In this book, "the wild thing" is a metaphor for Holly, a person who listens only to her heart, breaks the rules and doesn't really care about the future. She is that kind of woman which can't be tamed and who is in a continual search for the place which she calls "home". Although on the surface Paley had everything she could have ever wanted and more, she and Bill had a relentlessly unhappy marriage. According to Capote’s testimony to Clarke, Babe had twice attempted suicide, once with pills and once by attempting to slit her wrists, and both times Capote claimed to have saved her. “Babe was caught,” Wasson wrote. “Truman would fashion Breakfast at Tiffany’s so Holly Golightly wouldn’t be.” I was madly in love with her,” Capote told Gerald Clarke, author of the 1988 biography Capote. “I just thought she was absolutely fantastic! She was one of the two or three great obsessions of my life. She was the only person in my whole life that I liked everything about. I consider her one of the three greatest beauties in the world, the other two being Gloria Guinness and Garbo. But Babe, I think, was the most beautiful. She was in fact the most beautiful woman of the twentieth century … [S]he was also the most chic woman I have ever known.” That evening, Holly is arrested because of her associations with Sally Tomato, who used her to run a drug ring from inside prison. O.J. who posts her bail. When the narrator goes to get Holly some clothes, he finds a man in Holly’s apartment. The man gives the narrator a letter from José, in which he explains that he can’t be with Holly because it would ruin his political career. The narrator delivers this letter to Holly, and she tells him she lost her baby while riding after him that day in the park. She then says she plans to go to Brazil when they let her out; not to chase José, but to avoid a prison sentence. The narrator hates this idea, but he brings her suitcase and cat to Joe Bell’s bar as instructed. There, Joe calls a limo to take Holly to the airport. On the way, Holly tells the driver to stop in Harlem, where she lets out the cat. After doing this, though, she screams at the driver to stop and frantically tries in vain to find the cat. The narrator promises to keep looking for the cat after she’s gone, so Holly leaves.The movie “Breakfast at Tiffany’s” written by George Axelrod and directed by Blake Edwards came out in 1961. Starring Audrey Hepburn and George Peppard as the main characters, the movie was bound to be successful. And so it was. It soon became Hepburn’s most memorable role and one of the most beloved Hollywood films. Holly talks to the narrator about why she left O.J. behind in California, saying she doesn’t feel guilty even though she knows she should. Still, she says that she was only thinking of becoming an actress because she didn’t know what else to do. She then tells the narrator that fame would be too much for her at the moment—after all, she’s not yet attached to her own life. That’s why her apartment is so sparsely furnished and why her cat doesn’t have a name. Going on, Holly says she sometimes gets “the mean reds,” which is different than having the blues. The mean reds, she says, is a kind of “angst,” and the only way she knows how to deal with it is by taking a cab to Tiffany’s jewelry store and gazing at its beauty. This makes her feel calm, she says, because it feels like nothing bad could ever happen at Tiffany’s. Holly claims that if she could find a place in real life that made her feel like this, she would settle down immediately.