Jaśnie wielmożni obywatele – ryknął całą siłą swych płuc ku tłumom, które go lżyć nie przestawały.... – Jaśnie wielmożni obywatelstwo! oto w tej chwili zaczynamy.

a b c d e Hill, Jim (April 5, 2001). "Getting the Gargoyles right proves to be a gruesome go..." The Laughing Place. Archived from the original on June 8, 2003 . Retrieved November 30, 2014. Milestones for Gary Trousdale". Turner Classic Movies. Archived from the original on December 18, 2014 . Retrieved November 30, 2014.

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According to the film's production notes, Quasimodo is "symbolically viewed as being an angel in a devil's body." He is "trapped between heaven above [and] the gritty streets of urban Paris viewed as Hell." The version of the alphabet Quasimodo recites in a daily ritual reflects Frollo's view of the world – full of abominations and blasphemy. He is also constantly called deformed, ugly, a monster, and an outcast who would be hated if he ever left the confines of the church. [45] Release

Three songs written for the film were discarded for the storyboarding process. Trousdale and Wise were not certain what musical number could be placed for the third act, though Menken and Schwartz conceived two love songs, "In a Place of Miracles" and "As Long as There's a Moon," between Esmeralda and Phoebus in the film. However, Trousdale and Wise felt the song took too much focus off of Quasimodo, [40] and ultimately decided to have Clopin sing about sentencing Phoebus and Quasimodo to death for finding their Roma sanctuary. [41] Menken and Schwartz had also written " Someday" originally for the film, but the directors suggested that a religious song be sung in the cathedral, and the song was instead featured in the end credits. [42] R&B group All-4-One recorded the song for the end credits of the North American English release, [43] and by the British R&B girl group Eternal in the British English version. Luis Miguel recorded the version for the Latin American Spanish version, which became a major hit. I love the book, and I love the 1939 film which I found beautifully made, memorably performed and very poignant and the Disney film for while it is not a true adaptation the animation and music more than make up for me and Frollo is one of Disney's most interesting characters. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. The Nutty Professor' weighs in at No. 1". Daily Record. July 2, 1996. p.23. Archived from the original on May 6, 2023 . Retrieved April 29, 2023– via Newspapers.com.It Happened Today: June 19". thisdayindisneyhistory.com. Archived from the original on March 16, 2017 . Retrieved October 23, 2011. Chicago Sun-Times film critic Roger Ebert rewarded the film 4 stars, calling it "the best Disney animated feature since Beauty and the Beast – a whirling, uplifting, thrilling story with a heart touching message that emerges from the comedy and song." [66] In his review for the Chicago Tribune, Gene Siskel awarded the film 3 + 1⁄ 2 (out of a possible 4) stars, describing the film as "a surprisingly emotional, simplified version of the Victor Hugo novel" with "effective songs and, yes, tasteful bits of humor." [67] Owen Gleiberman of Entertainment Weekly graded the film an A, labeling it as "the best of Disney's 'serious' animated features in the multiplex era, (...) an emotionally rounded fairy tale that balances darkness and sentimentality, pathos and triumph, with uncanny grace." [68] Some audiences expressed concerns about whether the film was appropriate for children. [79] Jason Alexander said that while "Disney would have us believe this movie's like the Ringling Bros., for children of all ages," he would not take his then-four-year-old child to view the film. [12] However, some newspaper publications reported child audiences being unaffected by the mature content and praising the film. [79] [80] Some audiences criticized the film for having "homosexual undertones," noticeably with the song "Out There," being the name of a gay pressure group and as a call to come out of the closet. [81] [82]