A gem of a collection [...] a highly accessible guide delivered in a light, informative tone. Quietly authoritative, the author sustains our attention through the pithiness of her essays and the verve of her storytelling" Hettie is curator of the Hayward Gallery Touring exhibition Acts of Creation: On Art and Motherhood which will open at the Arnolfini in Bristol on 9 March 2024. Her book of the same title will be published globally by Thames & Hudson in summer 2024.

Lapidarium: The Secret Lives of Stones | NHBS Good Reads Lapidarium: The Secret Lives of Stones | NHBS Good Reads

Fascinating for Latin learners and for Tolkien fans of all ages, The Hobbit has been translated into Latin for the first time since its publication 75 years ago. This will allow me to finally focus on my passion project On Art and Motherhood - a book for which I have long struggled to find publishing support.Ugaz’s case is all too familiar in Peru, where powerful groups regularly use the courts to silence journalists by fabricating criminal allegations against them.’ Have you ever gazed into a stone and wondered as to the stories it stores? The powers it possesses? In her fascinating book, Lapidarium: The Secret Lives of Stones, Hettie Judah explores the hidden history of these lithic marvels, from their role in ancient cultures to their modern-day influences and uses.

Lapidarium) - Goodreads Books by Hettie Judah (Author of Lapidarium) - Goodreads

Elektron is a Greek name for amber (it migrated into Latin as electron). In the third century b.c.e., the natural philosopher Theophrastus observed amber's static electricity, a "power of attraction" which he likens to a magnet. He also describes the curious substance lyngourion, which shared amber's powers-indeed it was simply the stone by another name-"some say that it not only attracts straws and bits of wood, but also copper and iron, if the pieces are thin." Lyngourion was supposedly formed from lynx urine: "better when it comes from wild animals rather than tame ones and from males rather than females." Theophrastus's On Stones remained a source for lapidaries until the Renaissance, and the formation of lyngourion a popular fixture for illustration. Het boek doet wat denken aan het boek van Kassia St Clair over kleuren , maar dan met bevlogen verhalen over gesteenten die toch wat deden nadenken Bv over de invloed van de prijs van de aflaten of over de PlayStation war , die de verhalen niet altijd even licht maken . Yet stone ruins are, in themselves, a potent symbol of the impermanence of power: the empire fallen, the despot toppled, the rubble of a plantation house watched over by its ghosts. Geology is a story-telling science, requiring great leaps of poetic imagination,’ writes Hettie Judah in Lapidarium: The Secret Lives of Stones. Stones that come to us hard and cold and unchanging are the product of immense geological heat and upheaval. They provide glimpses into the inhuman abyss of time and are windows onto past epochs. And stones and minerals underpin every part of every civilisation, explaining and revealing, showing that the pinnacles of wealth, luxury and artistic achievement are often allied to misery, despoliation and violence. A beautifully illustrated collection of insightful essays...[ Lapidarium]elegantly mixes archaeology, mythology, literature, and philosophy" — Publishers Weekly *Starred Review* From the Publisher

The earliest scientists ground and processed minerals in a centuries-long quest for a mythic stone that would prolong human life. Michelangelo climbed mountains in Tuscany searching for the sugar-white marble that would yield his sculptures. Catherine the Great wore the wealth of Russia stitched in gemstones onto the front of her bodices. The struggle for territorial power is often the struggle for mineral wealth: ore, fuel, construction material and other precious substances extracted from the Earth, enriching monarchs (and corporations) hundreds of miles distant. The science of geology does not play a neutral role: there is power bound up in the acts of analyzing, categorizing, and naming things. In the nineteenth century, geological surveys made the race to extract resources more efficient, and provided fuel and materials for expanding empires: the East India Company's 1851 Geological Survey of India identified coal and iron ore to supply the railways. Following the defeat of the Nazis in 1945, the idea took hold that Austria had been the first casualty of Hitler’s aggression when in 1938 it was incorporated into the Third Reich.’

Lapidarium: The Secret Lives of Stones — Hettie Judah Lapidarium: The Secret Lives of Stones — Hettie Judah

Through legend, stones came not only to express power, but also to bestow it. The Lia F‡il marking the ancient seat of the Kings of Ireland in County Meath was a coronation stone, said to roar when touched by the rightful king. St. Edward's Sapphire in the British Crown Jewels was supposedly worn by Edward the Confessor. The godly monarch found himself without alms for a beggar so gave the ring from his finger. Years later, two pilgrims stranded in the Holy Land were offered shelter: their host produced the sapphire ring with a message from John the Evangelist that the King would join him in heaven. The stone was thus considered to endow divine authority. The children’s version of Lapidarium: The Secret Lives of Stones will be published by Laurence King in 2025 with illustrations by the amazing Jennifer N.R. Smith

A storybook, and a delightful one [...] The essays are shaped with great skill and Judah finds curious and pleasing symmetry and coincidences in the varied stories she tells [...] a portrait of our whole world created from the contents of the ground" Inspired by the lapidaries of the ancient world, this book is a beautifully designed collection of true stories about sixty different stones that have influenced our shared history Here's the thing: I wanted to be able to come away from each chapter able to say a couple of sentences about each stone, but this book will leave you with a half–remembered sentence on someone who owned the stone in a century you probably won't remember. It's just a wholly unbalanced book. I wanted to love it – I think there should be loads of books encouraging us to reconnect with the natural world, to come away with some general knowledge about our planet and our surroundings and how it's shaped human civilisation at large. These tales do none of this. They're much too niche, poorly pulled together and not particularly interesting. As much as I liked the Rani of Kapurthala's crescent-shaped emerald, I really can't say I know anything about emeralds in general after reading this book. And that was one of my favourite chapters.