Initially, Carroll wanted to use his own manuscript illustrations for the official publication of “ Alice’s Adventures in Wonderland“. However, he was discouraged to do that and eventually admitted that he needed a professional illustrator. Hugo von Hofsten, Alice, published by Barse & Hopkins, no date (dated by inscription, 1915). 6 color plates after Tenniel. Several later editions have fewer plates. There is an edition, smaller format with different boards, by Brewer, Barse (Chicago), which is dated by inscription, in one copy, as 1910, so Brewer, Barse may be the first published edition. Mathematics and logic are central to Alice. [50] As Carroll was a mathematician at Christ Church, it has been suggested that there are many references and mathematical concepts in both this story and Through the Looking-Glass. [51] [52] Literary scholar Melanie Bayley asserts in the New Scientist magazine that Carroll wrote Alice in Wonderland in its final form as a satire of mid-19th century mathematics. [53] Eating and devouring [ edit ] Characters from the book are depicted on the stained glass windows of Carroll's hometown church, All Saints', in Daresbury, Cheshire. [127] Another commemoration of Carroll's work in his home county of Cheshire is the granite sculpture, The Mad Hatter's Tea Party, located in Warrington. [128] International works based on the book include the Alice in Wonderland statue in Central Park, New York, and the Alice statue in Rymill Park, Adelaide, Australia. [129] [130] In 2015, Alice characters featured on a series of UK postage stamps issued by the Royal Mail to mark the 150th anniversary of the publication of the book. [131] See also [ edit ]

Ray, Gordon Norton (1976). The Illustrator and the Book in England from 1790 to 1914. Oxford University Press; Pierpont Morgan Library. ISBN 0-19-519883-2. OCLC 2455685. Tove Jansson, Swedish edition, 1966; first English-language edition published in 1977 by Delacorte Press, New York; first UK edition by Tate Publishing in 2011Auerbach, Nina (1973). "Alice and Wonderland: A Curious Child". Victorian Studies. 17 (1): 31–47 (39). JSTOR 3826513. Alice is an example of the literary nonsense genre. [58] According to Humphrey Carpenter, Alice 's brand of nonsense embraces the nihilistic and existential. Characters in nonsensical episodes such as the Mad Tea Party, in which it is always the same time, go on posing paradoxes that are never resolved. [59] Rules and games [ edit ]

The influence Tenniel had on Carroll is illustrated by the fact that Carroll recalled the first edition of his book, only because Tenniel expressed dissatisfaction about the quality of the printing of the pictures. Also, Carroll dropped an entire chapter from his book on Tenniel’s suggestion. Floor Rieder [ nl], published by Pushkin Press 2020 (Originally appeared in Amsterdam published by Haarlem in 2014) In three of the images Alice retains the double-line of stitching at the bottom of her dress, but in others this has been omitted. Richard Ogle, Alice, Arandar Books, 1946. Green, orange and white illustrations, same palette as McManus. Alice in Wonderland statue". Time Out. Archived from the original on 20 September 2022 . Retrieved 18 September 2022.Guiliano, Edward (1980). Lewis Carroll: An Annotated International Bibliography, 1960–77. University of Virginia Press; Bibliographical Society of the University of Virginia; Lewis Carroll Society of North America. ISBN 0-8139-0862-0. OCLC 6223025.

Ovenden, Graham (1972). The Illustrators of Alice. New York: St. Martin's Press. p.102. ISBN 978-0-902620-25-4. Cohen, Morton N. (1996). Lewis Carroll: A Biography. Vintage Books. ISBN 0-679-74562-9. OCLC 36163687. Folio publishes Alice's Adventures Under Ground facsimile edition (limited to 3,750 copies, boxed with The Original Alice pamphlet).Collingwood, Stuart Dodgson (1898). The Life and Letters of Lewis Carroll (Rev. C. L. Dodgson). London: T. Fisher Unwin. OCLC 1048318425. Evelyn) Stuart Hardy, published by John F. Shaw (c. 1908). There are 8 illustrations but within 2 issues of the book (4 in one and a different 4 in another). There is also an undated edition from the same publisher with all eight illustrations. Gennady Kalinovsky, published by Inky Parrot Press, 2018, both books in limited editions of 140 & 120 copies respectively and available in a two-volume slip case