Duologi is a trading name of Specialist Lending Ltd, which is authorised and regulated by the Financial Conduct Authority (register number 774712 ). a variety of organisations including PA Media, Virgin Atlantic, Save the Children, The Guardian, Cyclist, The Daily Telegraph, Getty Images, Sport England, Helvetic Airways, Guitarist, Rock Sound, RAC, NME, and many others. Because I don't have fast flash heads, my studio work is arguably poorer than my natural light work. The Godox MS300 Monolight is a 300-watt, 5600K daylight-balanced manual monolight, designed to be a compact, non-TTL studio strobe that is also part of the 2.

I was recently sent the Godox MS300 for review and I am going to start by saying I was honestly shocked by this light. The former are deleted when your browser session ends, while the latter remain on your device for a specified period of time or until you manually delete them. Small issue in sending wrong colour was swiftly dealt with by an awesome after sale team who were so easy to communicate with and now resolved.Wireless X SystemUse wireless trigger X1 as well as power remotes XT16, XPro, and X2 to wirelessly control the head's power, modeling light, triggering, and more.

Anti-preflash Function] Its anti-preflash function guarantees the synchronization of cameras capable to fire a preflash. The modelling lights are usable but, to be honest, the only modelling lights I’ve ever used that were really bright enough are on Profoto’s Acute D4 and rate at 500w. The Godox MS200 and MS300 were provided to me at no cost by Pergear Tech for the purpose of review however all words and opinions are my own.

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I have an AD200 that I use with the X Pro trigger and thinking of upgrading to one of these 2 so the one trigger will fire them all off. Radiant Photo – Radiant Photo superior quality finished photos with perfect color rendition, delivered in record time. But I generally recommend for a first/only speedlight to get a TT685/TT685 II so you'll also have TTL for on-camera flash for event/social shooting and chasing kids/pets around the house, as well as M for studio work. Power output is variable from 1/32 to full power, adjustable in 50 steps, while the 150-watt modelling light is adjustable from 5 to 100 per cent, allowing you to preview your lighting effects. When I shoot portraits with my AD600 as main, I routinely use it at 1/4 - 1/8 power for f/8, ISO 100 in a 90cm octa a meter from the subject.Park Cameras is authorised and regulated by the Financial Conduct Authority, register number 1449928 and act as a credit broker and not a lender. The umbrella mount looks very similar to the one on the AD600 Pro although the tension is higher so actually grips umbrella shafts better. They are AC powered so you are not going to take them out on location unless you have a power source available. It is a complete tool that is characterized by an efficient battery, wireless remote control and the possibility of using. When I'm shooting portraits in natural light, I tend to shoot in bursts - because the tiny changes in expressions that people have are fleeting.

Just head over to our dedicated Sell or Part Exchange page, fill out the details, and we'll get back to you with an offer for your old gear. Unlike the lithium powered units these will only power down to 1/64th but keep in mind the units are only 200 or 300 watt seconds so that is not really a negative. Slave 2 means it will fire on every other flash which is based on whether or not your camera uses a preflash. I've been using these Interfit EX 400Ti studio heads and they've done me proud, work well and still going but I'm thinking of upgrading them. I am mostly a portrait photographer so that flash duration is great, especially when working with wiggly little humans.

This unit is AC powered and comes with a 20-foot long high-quality power cable which is great when in the studio. Fat Llama is a peer-to-peer rental platform — we connect people who need stuff with people who have stuff. I'm thinking the SK400ii are the better heads to get as they're the same power to what I have been using already and they are fan cooled, something that I think is kinda important when they're left on for a period of time between shoots. In a softbox, I really can't imagine a situation where that's too much power unless you're placing it a foot from the subject.