The Ramrod" (Charlie Furby) is a tough-looking man who is really a fantasist. He insists that he has been transported to planets such as Ispan, whose location only he knows, but later admits he did this entirely in his fantasies. He is accompanied by two women who may both be his wives, part of a polygamous sect. Look, I know y’all seem pressed by the apparent change in the poem — and given the timing of this repetitive chatter, pressed by the change in my translation. The plain fact is that this is the Wanderer we have now, no other version exists, nothing at all. Anyone one of us can like it or not, but to say “no depth of thought” is just presumptious & actually not a critically supportable idea. Who are any of us to judge the poetic expression of a culture we actually dont have that many clear ideas about? We have literally no idea about what aesthetic principles guide this culture’s lyric expression at this moment (a moment we cannot really date beyond its appearance in the Exeter Book).

The Wanderer: The Sunday Times Thriller of the Month The Wanderer: The Sunday Times Thriller of the Month

Second, the Exeter Book is a miscellany of both religious & more secular contents — and while the book was produced in a monastic milieu, its very existence attests to the complex reading tastes of a certain audience [It is far from a sure thing to say it was a product of Benedictine monks, however]. In his article on "The Wanderer", John L. Selzer examines the elegy through the lens of the meditative tradition stemming from the work of St. Augustine, which the Anglo-Saxon audience would have been very familiar with. Selzer observes that the Wanderer begins his tale with an evocation of memory by recalling his past actions, lost friends, and an older way of life. His description of how he looked for another lord is also in the past tense, signifying that he is no longer looking for one. Instead, the Wanderer is now suffering at sea and dreaming of happier times. Sadly, "in the midst of physical and mental exhaustion, he lapse[s] into deeper memories, even hallucinations, in his interior quest for his lord, so that the memory of his kinsmen mingle[s] with the real seabirds to produce the illusion that the birds [are] his kinsmen." A Good Day to Run, by James Nicoll, at JamesDavisNicoll.com; published March 12, 2017; retrieved March 12, 2017 There are scarce words in these four lines that a modern English speaker would understand within these lines. Because of these sonnets’ interpretation troubles and partially because of some confounding entries, frequently Old English/Anglo-Saxon verse has various capture attempts. This surely remains constant between the various interpretations. Siân Echard finished the interpretation utilized in this analysis. Summary of the Poem The WandererLee, Stuart D. (2009). "J.R.R. Tolkien and 'The Wanderer: From Edition to Application' ". Tolkien Studies. 6: 189–211. doi: 10.1353/tks.0.0060. S2CID 171082666. Yeah, well, I hope I don’t get in trouble for that. A couple of us went out to run some plays, some passes, and I got nailed. It was an accident.”

Book “The Wanderer” Summary and Analysis | GradeSaver Exeter Book “The Wanderer” Summary and Analysis | GradeSaver

Wanderer. Genre: epic song, sometimes described as an “elegy” or lament for things and/or persons lost to death. Is The Wanderer about God? He’s genuinely, intellectually, and sincerely alone. He adds that his “gold-friend,” here and there interpreted as “lord,” passed on in the following refrain, and now he’s searching out another. Without a “lord,” the Anglo-Saxon champion had no wellspring of assurance or pay. Likewise, readers ought to observe the utilization of representation in these lines when the speaker says that the “darkness of the earth/covered my gold-friend.” In these lines, the speaker transitions. He describes what he’s learned from his various contemplations. His words are emotional and repetitive as he wonders over the loss of things that have disappeared over time. The speaker is concentrated on the things one might see in a great hall, such as that of his deceased lord. There are several decent spots along the coast for tourists—Coos Bay is a nice area. You planning to hang around?”

Beaston, Lawrence (2005). "The Wanderer's Courage". Neophilologus. 89: 119–137. doi: 10.1007/s11061-004-5672-x. S2CID 171181175.

The Wanderer by Josie Williams | Goodreads The Wanderer by Josie Williams | Goodreads

I\\\’ve always really loved this piece ever since I first read it long ago in an English Lit class in college. It\\\’s so enigmatic and mysterious because of its age and the difficulty of fully understanding it because of this fact. Reading your translation and the various comments about it in this thread made me curious about the Exeter Book as I don\\\’t know much about it. My understanding of it is that it is a very early book of largely secular poetry and riddles written/scribed by Benedictine monks in the tenth century just prior to the Norman Conquest. This was a period of relative calm, though England was split between Anglo-Saxon and Danish (Viking) rulers.The Wanderer now expands his ruminations towards the supernatural. He says that the Creator of Men has made the world unpredictable, and that hardships can happen to anyone at any time. Things can go from bad to good in a moment. The Wanderer hypothesizes that the Creator of Men, who created human civilization and conflict, is also wise. Even He has memories of battles, remembering one certain horse or man. He, like the Wanderer, also must lament the loss of treasure, festivities, and glorious leaders. The Wanderer contemplates the way that all these things disappear in time, leaving behind nothing but darkness.

The Wanderer Study Guide | Literature Guide | LitCharts

The Wanderer’is a long Old English poem in which the speaker details the life and struggles of a wanderer.The following lines state that expressing sorrow helps no one. The “troubled mind” doesn’t “offer help.” So, he adds, he had to “bind” his thoughts with “fetters,” or chains, since he was far from his homeland. He’s physically, mentally, and emotionally alone. In the next stanza, he adds that his “gold-friend,” sometimes translated as “lord,” died, and now he’s seeking out another. Without a “lord,” the Anglo-Saxon warrior had no source of protection or income. Readers should also take note of the use of personification in these lines when the speaker says that the “darkness of the earth / covered my gold-friend.” This is how God, the Creator, has “laid waste” to the region. The old buildings he’s been so interested in in the previous lines are now useless. They were the work of “old giants.” Even great, gigantic creations still eventually fail. By this point, the speaker’s fully engulfed in a dark vision of the world. “This wall-stead” is another point of contemplation. They represent the broader losses the world suffers. The unknown writer of ‘The Wanderer’ engages with themes of suffering, loneliness, and religion in the text. These themes are quite frequent within the best-known Anglo-Saxon verse. The speaker in this piece is well acquitted with sorrow and describes a “wanderer” experience. This individual is discrete from their” lord”, the person around whom they structured their life. Before Gina could weigh in the door to the diner opened, the bell tinkling to announce Ray Anne in her version of the Realtor’s business suit — too short, too tight, too much boobage. She scowled. “Sarah, that dog should be on a leash!”