That's how I felt when I sprayed on the newest version of Cabochard. Yes, there is already known, and yet... it already wanted to spread the unfortunately so often experienced disappointment, if once again a fragrance classic reformulated to pretend as if he was the ancestor. Well well, the money is to be taken care of, you can use it now and then and consume it in such a way... but it's a shame.

I find the fragrance round, gentle and very well cared for. After the many descriptions of the older editions I would have imagined him to be more "adventurous" or "unruly" - but I don't experience that at all: For me he is something for every occasion. Special and rather harsh than sweet, but not pushy; friendly and affectionate. Recently, I’ve tried an EDT sample of Molinard’s Habinita (recommended for the same reasons)…..yessss…..like it for it’s warm but spicy smell on my skin and it seems to have some lasting power…..bit heavier than my Cabochard….and it is winter…..right now, I think it a lovely warm, fall/winter scent and glad I found it.

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I don't really get it all apart at all. It is an interwoven fragrance reminiscent of old times. Slowly the scent settles into something suede-like and powdery-sweet at the same time. Reminds something of make up. Ok, enough daydreaming, now refocus and get on with the numbers part. Oh no, no fragrance will help... What did others see in myself that I could not? Deep in my DNA, even in 1972 when I first discovered Cabochard, there existed a spirit which wouldn’t be subjugated, sublimated, vanquished: a warrior poised on the brink of never-ending skirmish. Gentle until no recourse remained but the dagger, willing to go to war for a noble cause, follow a leader worthy of the task. I don’t think I actually glimpsed that person until I had resumé photos taken in preparation for an audition with opera impresario Boris Goldovsky – and they frightened me. I avoided the camera. What I’d mistaken for ‘resting bitch face’ was pure resolve in the face of adversity and distrust of the lens’ scrutiny. Jaye: Have worn Cabochard (mostly vintage EDT or 50th Anniversary EDT) every day for years, ever since I found it oh-so-cheap in TJMaxx…. many years ago…to this day, stopped in grocery store aisles and asked what is that marvelous fragrance you’re wearing…..I am no perfumanista but I do know ” my nose”…..and what smells good “on me”, and apparently lovers, friends and total strangers agree…..OTOH….tried more than once, a sample of Chanel Cuir de Russie, so recommended to me by many because of my love of Cabochard…..OMG….it was a heavy, powdery floral on me that reminded me of being 8yo and my elderly, matronly aunts visiting and enveloping me in their heavy fur coats as they gave me a suffocating “hug”…..save me!….

Just this fresh green start alone: Beautiful. Very green, very awake, not unsweet, a little bit herbaceous but nevertheless very well maintained. A bit like tall, ripe grass at the edge of the forest. Not only was Cabochard very successful at the time of its release in 1959, its leather chypre composition inspired many subsequent fragrances. Therefore, its inclusion among the legends of French perfumery by Michael Edwards is only to be expected. … Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor. Cabochard is often described as a softer take on the animalic darkness of Bandit. Indeed, if Bandit were to be polished to remove its rough edges, to soften its aggressive nature, and to mute its smoky leather, the result would be Cabochard, a leather chypre that is as assertive as it is graceful. A mélange of rich green notes, which is reminiscent of sliced green peppers and succulent leaves, creates an elegant transparent layer, under which an accord dominated by smoky leather is evident from the start. The leather reminiscent of a similar note in Chanel Cuir de Russie is subtle at first, hinting gently as to what might be present underneath the verdant radiance. Its strength grows over time, and as the hesperidic effervescence fades, calm darkness overtakes the composition. Mme. Alix Grès launched her design house, Grès, in Paris in 1942, and maintained control of her perfume line until the early 1980s. Parfums Grès has had a complicated ownership history since then. In 2002, it was sold by the Escada Group to Silvio Denz, and as far as I can figure out, his company still owns it.

OK, my comparison values are AE and Scherrer - both rather durability monsters as well as Sillage monsters ...). Slowly the smell leads me deeper into the forest and closer to the ground. It becomes more woodsy, heavier, sweeter, warmly spicy and a little bit earthy, but never musty or stuffy; I always feel the scent as somehow "fresh", as if a mild wind is blowing in the forest landscape. Little by little he becomes softer, almost a bit resinous, cuddly, peaceful like a purring (wild or forest) cat. Slowly - much too fast - it fades away. Cabochard starts with citrus and deep green notes. It is a dark fragrance right from the start, and the leather is apparent almost immediately. The floral notes are muted: when smelled from a distance they are barely noticeable, from up close, the jasmine is more obvious but still seems to weave in and out. It dries down to an animalic leathery chypre with woods, moss, and a touch of smoke. It stays very dry for the first hour, then starts to take on a hint of sweetness from the patchouli. Notes: bergamot, mandarin, galbanum, ylang ylang, jasmine, Bulgarian rose, clove, oakmoss, tobacco, musk, iris, sandalwood, vetiver, leather, castoreum, patchouli, labdanum