Seeing the Across the spider-verse movie got me feeling that I want to work myself up and be reintroduced to Miles Morales again. And with all stories we have to start at the beginning...

As for the content of the book itself, the content is a perfect partner to the aesthetic appeal of this volume. Peter's coming of age and learning to live with _responsibility_ (and power) is handled with so much heart and crucially focuses on every aspect of his life, not just when he's in the Spidey suit. Aunt May is a standout character but so are Gwen Stacey and MJ. Both are modernised so that they're not idiot damsels who can't figure shit out for themselves. They challenge Peter. The Ultimate Marvel line was launched to give creators the freedom to update these classic origin stories and continue on uninterrupted and unbound by continuity. The result here is a modernised and fleshed out story of Peter Parker in the early 21st century with excellent characterisation. Spiderman surgió originalmente en los años 60s y al ser tiempos mas inocentes y conservadores quienes lo moldearon, sus argumentos se acoplaron a eso. Si bien se ha ido adaptado según su época en cuanto a estilo y modas, siempre habia ido siguiendo la línea original hasta que llegaron estos tirajes.Letztendlich war es Bendis' Name, der mich zu diesem Omnibus greifen ließ, und ich habe es nicht bereut. Fourth, its about youth, and the painful desire to cling to innocence as well as an urge to develop maturity. There are plenty of sexy bodies on display, some absurd and sexist along the way, but perhaps (I can't say) balanced by a fair share of opportunity to ogle the Spiderman physique. The girls in his life are minor roles, but then again so are the boys, and at least the girls fight their own good fights. Der Kalte Krieg, Vietnam und Kommunismusangst wurden getilgt, ebenso anderen Anklänge, die zu sehr den 60ern verhaftet waren.

Bendis’s other projects include the Harvey, Eisner, and Eagle Award-nominated Powers (with Michael Avon Oeming) originally from Image Comics, now published by Marvel's new creator-owned imprint Icon Comics, and the Hollywood tell-all Fortune and Glory from Oni Press, both of which received an "A" from Entertainment Weekly. HANDS DOWN THE MOST INFLUENTIAL SPIDER-MAN SERIES AND ARGUABLY THE MOST CONSISTENT RUN FOR THE CHARACTER!!At the end of the book there is a section dedicated to sketches and creator interview and even deleted scenes, to my knowledge this volume is the only way to get these awesome extras. This era of Spider-Man is just prime to me, Bendis took years of history and merged it all together to make a modern (of that time) take, use all the good stuff leave out all the bloated and just run with it. Brian is currently helming a renaissance for Marvel’s AVENGERS franchise by writing both New Avengers and Mighty Avengers along with the successful ‘event’ projects House Of M, Secret War, and this summer’s Secret Invasion. So, during the course of this you get a speedy origin story, Peter Parker's closely protected home life, a rolling array of villains major and minor, and a gradual and credible interweaving of other Marvel stalwarts. There are a few things however which elevate this above perhaps any of its stablemates. Second, he is a smart kid. The story doesn't shy away from the fact that Parker cherishes his not quite genius-level intellect even though on the surface his powers are basically super-athleticism. And with the smart comes the tragedy of the Spiderman: the recognition of a responsibility to do what you can with the powers available to you. If only there were a snappy aphorism to convey that.

Collects Ultimate Spider-Man (2000) #1-39 and #1/2. In the year 2000, Marvel launched the Ultimate Universe, reinventing Spider-Man and his mythos for a new millennium! Now, the first three years of Brian Michael Bendis and Mark Bagley’s fan-favorite, award-winning take on the web-slinger are collected in one oversized volume! Relive Peter Parker’s early days as Spider-Man, learning to fight crime by trial and error as he struggles to balance his new life with the demands of high school: puberty, homework and dating! Even with the help of his best friend Mary Jane Watson, Peter has a heavy load to bear. But the neophyte Spider-Man is making enemies left and right — including the Green Goblin, the Kingpin, Doctor Octopus, Kraven the Hunter and the maniacal Venom — and unless he can rise to the occasion, Spidey may not survive until prom! And so begins the read of the record-breaking longest collaboration on a run in Marvel comics between a writer/artist duo. And possibly the most famous and acclaimed run on Spider-Man, outside of the original Stan Lee and Steve Ditko. L'araignée radioactive? Elle vient D'Osborne Corporation. Plusieurs scientifiques qui formeront la galerie de vilains de Spiderman y sont aussi, mais se retrouvent sans emploi quand Norman Osborne devient le Green Goblin. Bref, on a un beau fil conducteur qui était absent des comics originaux. So this was terrible. I was expecting something really different to this. I'm pretty sure I absolutely detest the ultimate universe, this confirms it. The old Stan lee stories were ten times better than this.Sixth, the Marvel heavyweights who crop up - Fury, mutants, Fantastic Four, Ultimates - do so pretty much always in service of Spiderman's storyline, and while it feels like a definite power up when they share the action, they work alongside him to varying extents in a way that never feels crowbarred in. This influenced every single film that has come out since the original Sam Raimi trilogy (and if memory serves Raimi and Tobey even make a cameo in later issues as they were filming at the time). Learning Curve (#8-13). Bendis really take USM to the next level with his second arc, and that's likely in part because the training wheels come off: we no longer know what's going to happen. But we also really get Bendis at his best, mixing together Peter and a crime narrative. The brutal reality of Ultimate Peter's life as Spider-Man is terrific, and so is his quest to take down the Kingpin. Meanwhile, we get improving characterization of supporting cast as Peter joins the Bugle, and then a terrific entire issue focusing on Peter and Mary [5/5]. Ultimate Spider-man has the fantastic creative team of Brian Michael Bendis and Mark Bagley. Bendis is at his best in this series and is able to wonderfully capture the spirit of Spidey, from his guilt to his quips directed at his foes. As for Bagley, the art is great at capturing the swell of these epic conflicts between our young hero and his foes. Not only that but Bagley is also able to capture the individual spectrum of emotions for each character, from Kraven to MJ. I will continue to avoid the ultimate marvel universe like the plague. The only thing worse than this is Ultimate X-Men and if you like that there's something wrong with you.

The artwork is terrible (so bad it's on here twice) to the point that they draw Peter Parker posing like a girl in his pants wtf! Though he started as a writer and artist of independent noir fiction series, he shot to stardom as a writer of Marvel Comics' superhero books, particularly Ultimate Spider-Man. First off, I would like to say that the Marvel Omnibus format has to be my favorite, compared to all other trades Marvel releases. Letztendlich war es Bendis´ Name, der mich zu diesem Omnibus greifen ließ, und ich habe es nicht bereut. Bendis first entered the comic world with the "Jinx" line of crime comics in 1995. This line has spawned the graphic novels Goldfish, Fire, Jinx, Torso (with Marc Andreyko), and Total Sell Out. Bendis is writing the film version of Jinx for Universal Pictures with Oscar-winner Charlize Theron attached to star and produce.

These initial 6 arcs contained within these 39 issues vary from good (slightly dated) to wonderful. Lanzado en el 2000 vemos a un Peter realmente adolescente con todo lo que significa: diálogos mas directos en cuanto a sexualidad, los problemas familiares y personales además de lo agregado por la condición "especial" del protagonista. Se cambian algunas cosas de la historia original como la introducción de Mary Jane y Gwen Stacy o el origen de Green goblin y Venom por ejemplo, pero a pesar de esto logra funcionar bien y es divertido de leer. Bei aller Modernisierung hat Bendis an Peter Parkers Charakter festgehalten, der der unsichere Highschool-Schüler bleibt und mindestens soviel mit seinem Privatleben zu kämpfen hat wie als Spider-Man mit den Bösewichten; Ein sympathischer, tragischer Teenager, mit dem sich auch heute noch junge Menschen identifizieren können. Die Schule und die Bullies haben sich natürlich verändert, aber die Stimmungslage ist weitestgehend dieselbe geblieben. MJ und Gwen haben ihre Rollen tauschen müssen und die Kämpfe mit den albernsten Superschurken bleiben Spidey erspart (eine meiner Lieblingsszenen ist die, als Spidey mal wieder viel zu spät auftaucht um einen Superschurken zu stoppen und Iron Man den schon längst verarztet hat). Bendis is one of the premiere architects of Marvel's "Ultimate" line: comics specifically created for the new generation of comic readers. He has written every issue of Ultimate Spider-Man since its best-selling launch, and has also written for Ultimate Fantastic Four and Ultimate X-Men, as well as every issue of Ultimate Marvel Team-Up, Ultimate Origin and Ultimate Six.