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Christgau, Robert (18 January 1994). "Christgau's Consumer Guide". The Village Voice. Archived from the original on 15 August 2013 . Retrieved 4 June 2013. Following the release of Achtung Baby, U2 staged a worldwide concert tour, titled the Zoo TV Tour. Like Achtung Baby, the tour was intended to deviate from the band's past. In contrast to the austere stage setups of previous U2 tours, Zoo TV was an elaborately staged multimedia event. [104] It satirised television and the viewing public's overstimulation by attempting to instill " sensory overload" in its audience. [62] [170] [171] The stage featured large video screens that showed visual effects, random video clips from pop culture, and flashing text phrases. The shows incorporated channel surfing, prank calls, video confessionals, a belly dancer, and live satellite transmissions with war-torn Sarajevo. [137] Creswell, Toby (2006). 1001 Songs: The Great Songs of All Time and the Artists, Stories, and Secrets. New York: Thunder's Mouth Press. ISBN 1-56025-915-9.Tyrangiel, Josh (13 November 2006). "All-Time 100 Albums: Achtung Baby". Time. Archived from the original on 25 October 2014 . Retrieved 5 September 2014. a b c Gettelman, Parry (6 December 1991). "U2, Achtung Baby". Orlando Sentinel. sec. Calendar, p. 8. Archived from the original on 2 September 2012 . Retrieved 15 October 2010. a b c Erlewine, Stephen Thomas. "Achtung Baby– U2". AllMusic. Archived from the original on 3 June 2012 . Retrieved 13 October 2009.

Magic in Achtung! Cthulhu isn’t anywhere near as dangerous for either body or soul as it is in most mainstream Lovecraftian mysteries, but the rules still give it a palpable aura of danger and power. Individual spells are powerful, but even the most basic of them are prone to failure, and if the roll goes badly enough the consequences can be dire. Top 100 Album - Jahrescharts 1992" (in German). Offizielle Deutsche Charts. Archived from the original on 6 January 2016 . Retrieved 31 January 2021. Jaaroverzichten – Album 1992" (in Dutch). dutchcharts.nl. Archived from the original on 10 November 2020 . Retrieved 31 January 2021. Bieger, Hannes (June 2012). "Hansa Tonstudio, Berlin". Sound on Sound. Archived from the original on 15 April 2021 . Retrieved 15 April 2021. Salaverrie, Fernando (September 2005). Solo Exitos 1959–2002 Ano A Ano: Certificados 1991–1995 (PDF) (in Spanish) (1sted.). Madrid: Fundación Autor/SGAE. p.4. ISBN 84-8048-639-2. Archived from the original on 4 April 2014 . Retrieved 21 January 2021.

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Godson, Lisa (2003). Stealing Hearts at a Travelling Show: The Graphic Design of U2 by Four5One Creative. Dublin: Four5One Creative°. ISBN 0-9545193-0-2. Top Selling Albums of 1991". Recorded Music NZ. Archived from the original on 31 December 2020 . Retrieved 22 February 2021. a b c Tesh, John (host) (19 November 1991). "November 19, 1991". Entertainment Tonight. NBC . Retrieved 10 September 2023. It is described as a 'roll' or 'trill'. Think of a growling dog or the sound produced when gargling. Greene, Andy (10 November 2011). "When U2 Chopped Down the Joshua Tree". Rolling Stone. No.1143. p.82. Archived from the original on 1 August 2018 . Retrieved 1 August 2018.

de la Parra, Pimm Jal (1994). U2 Live: A Concert Documentary. London: Omnibus Press. ISBN 0-7119-3666-8. a b Rayner, Ben (10 September 2014). "U2's Songs of Innocence delivers a few surprises". Toronto Star. Archived from the original on 10 September 2014 . Retrieved 11 September 2014. In April, tapes from the earlier Berlin sessions were stolen after the band reportedly left them in a hotel room, and they were subsequently leaked before the album was finished. [44] The recordings were bootlegged into a three-disc collection dubbed the "Salome – The [Axtung Beibi] Outtakes", named for a song that was prominently featured in the collection but did not make the album's final cut. The release is considered the most famous bootleg of U2 material. [45] Bono dismissed the leaked demos as " gobbledygook", and the Edge likened the situation to "being violated". [46] The leak shook U2's confidence and soured their collective mood for a few weeks. [47] Whereas the group were known for their earnest live act in the 1980s, their Zoo TV performances were intentionally ironic and self-deprecating; [62] on stage, Bono portrayed several characters he conceived, including "The Fly", "Mirror Ball Man", and "MacPhisto". The majority of the album's songs were played at each show, and the set lists began with up to eight consecutive Achtung Baby songs as a further sign that they were no longer the U2 of the 1980s. [172] U2 (1992). Zoo Station (CD). United States: Island Records. PR12 6715-1. {{ cite AV media notes}}: CS1 maint: numeric names: authors list ( link)a b c d e f g "U2". Official Charts Company. Archived from the original on 29 January 2016 . Retrieved 8 February 2022. Discos de oro y platino" (in Spanish). Cámara Argentina de Productores de Fonogramas y Videogramas. Archived from the original on 6 July 2011 . Retrieved 11 June 2019. Annual Top 10 Lists of Weekend Music Critics". The Washington Post. 27 December 1991. sec. Weekend, p. N08. a b c d Snow, Mat (December 1991). "U2: Achtung Baby". Q. No.63. Archived from the original on 29 September 2013 . Retrieved 30 January 2013. Jaaroverzichten – Album 1991" (in Dutch). dutchcharts.nl. Archived from the original on 31 December 2020 . Retrieved 31 January 2021.