Jane Austen 6-Book Boxed Set: Containing: Emma, Pride and Prejudice, Sense and Sensibility, Mansfield Park, Northanger Abbey and Persuasion - all illustrated (Collector's Library)

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Jane Austen 6-Book Boxed Set: Containing: Emma, Pride and Prejudice, Sense and Sensibility, Mansfield Park, Northanger Abbey and Persuasion - all illustrated (Collector's Library)

Jane Austen 6-Book Boxed Set: Containing: Emma, Pride and Prejudice, Sense and Sensibility, Mansfield Park, Northanger Abbey and Persuasion - all illustrated (Collector's Library)

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there was no story in it, except that Miss Emma found that the man whom she designed for Harriet's lover was an admirer of her own – & he was affronted at being refused by Emma & Harriet wore the willow – and smooth, thin water-gruel is according to Emma's father's opinion a very good thing & it is very difficult to make a cook understand what you mean by smooth, thin water-gruel!!

Emma, another live NBC TV broadcast in their Matinee Theater series, starring Sarah Churchill as Emma [76]

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Applicability of cancellation rights: Legal rights of cancellation under the Distance Selling Regulations available for UK or EU consumers do not apply to certain products and services. Mazzeno, Laurence (May 2017). "Traditional Approaches to Austen, 1991–2008". Jane Austen: Two Centuries of Criticism. Boydell & Brewer. pp.210–237. ISBN 9781571133946. JSTOR 10.7722/j.ctt81z9p.13. {{ cite book}}: |journal= ignored ( help) Burney, Fanny (1782). Cecilia: Or, Memoirs of an Heiress. T. Payne and son and T. Cadell. pp. 379–380. Gilson, David (1982). A Bibliography of Jane Austen. Oxford: Clarendon Press. pp. 97–98. ISBN 978-0-19-818173-6.

Carr, Flora (14 February 2020). "Emma. director Autumn de Wilde explains the film's unusual punctuation". Radio Times. Immediate Media Company . Retrieved 19 December 2020. Roberts, Sarah A.; Simpson, Deborah M.; Armstrong, Stuart D.; Davidson, Amanda J.; Robertson, Duncan H.; McLean, Lynn; Beynon, Robert J.; Hurst, Jane L. (1 January 2010). "Darcin: a male pheromone that stimulates female memory and sexual attraction to an individual male's odour". BMC Biology. 8: 75. doi: 10.1186/1741-7007-8-75. ISSN 1741-7007. PMC 2890510. PMID 20525243. The novel was originally published anonymously, as were all of Austen's novels. However, whereas her first published novel, Sense and Sensibility was presented as being written "by a Lady," Pride and Prejudice was attributed to "the Author of Sense and Sensibility". This began to consolidate a conception of Austen as an author, albeit anonymously. Her subsequent novels were similarly attributed to the anonymous author of all her then-published works. The Bingleys present a particular problem for navigating class. Though Caroline Bingley and Mrs Hurst behave and speak of others as if they have always belonged in the upper echelons of society, Austen makes it clear that the Bingley fortunes stem from trade. The fact that Bingley rents Netherfield Hall– it is, after all, "to let"– distinguishes him significantly from Darcy, whose estate belonged to his father's family and who through his mother is the grandson and nephew of an earl. Bingley, unlike Darcy, does not own his property but has portable and growing wealth that makes him a good catch on the marriage market for poorer daughters of the gentry, like Jane Bennet, or of ambitious merchants. Class plays a central role in the evolution of the characters and Jane Austen's radical approach to class is seen as the plot unfolds. [23]In the novel Eligible, Curtis Sittenfeld sets the characters of Pride and Prejudice in modern-day Cincinnati, where the Bennet parents, erstwhile Cincinnati social climbers, have fallen on hard times. Elizabeth, a successful and independent New York journalist, and her single older sister Jane must intervene to salvage the family's financial situation and get their unemployed adult sisters to move out of the house and onward in life. In the process they encounter Chip Bingley, a young doctor and reluctant reality TV celebrity, and his medical school classmate, Fitzwilliam Darcy, a cynical neurosurgeon. [84] Michie, Elsie B. "Social Distinction in Jane Austen, Pride and Prejudice, 1813, edited by Donald Gray and Mary A. Favret, fourth Norton critical edition (2016). pp. 370–81. Emma at Aurora Theatre Company in Berkley". Culturevulture.net. November 2004. Archived from the original on 12 May 2012. Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like." [3] In the first sentence, she introduces the title character as "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and a happy disposition... had lived nearly twenty-one years in the world with very little to distress or vex her." [4] Emma is spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives; and her imagination and perceptions often lead her astray. Schmidt, Katrin (2004). The role of marriage in Jane Austen's 'Pride and Prejudice' (thesis). University of Münster. ISBN 9783638849210. compare the different kinds of marriages described in the novel

Stern, William (1 March 2016). "Pride and protein". Journal of Inherited Metabolic Disease. 39 (2): 321–324. doi: 10.1007/s10545-015-9908-7. ISSN 1573-2665. PMID 26743057. S2CID 24476197. Pride and Prejudice is an 1813 novel of manners by English author Jane Austen. The novel follows the character development of Elizabeth Bennet, the protagonist of the book, who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness. Through their interactions and their critiques of each other, Darcy and Elizabeth come to recognise their faults and work to correct them. Elizabeth meditates on her own mistakes thoroughly in chapter 36:a b Spence, Jon (2003). Becoming Jane Austen: A life. London: Hambledon & London. pp.100–107. ISBN 1852855614. Miss Bates is a friendly, garrulous spinster whose mother, Mrs Bates, is a friend of Mr Woodhouse. Her niece is Jane Fairfax, daughter of her late sister. She was raised in better circumstances in her younger days as the vicar's daughter; now she and her mother rent rooms in the home of another in Highbury. One day, Emma humiliates her on a day out in the country, when she alludes to her tiresome prolixity. Emma, a stage adaptation by British playwright Michael Fry, first produced by the Cloucester Stage Company in 1991, and since then produced by a number of theatre companies in Britain and the US [85] [86]

At a ball, the family is introduced to the Netherfield party, including Mr Bingley, his two sisters and Mr Darcy, his dearest friend. Mr Bingley's friendly and cheerful manner earns him popularity among the guests. He appears interested in Jane, the eldest Bennet daughter. Mr Darcy, reputed to be twice as wealthy as Mr Bingley, is haughty and aloof, causing a decided dislike of him. He declines to dance with Elizabeth, the second-eldest Bennet daughter, as she is "not handsome enough". Although she jokes about it with her friend, Elizabeth is deeply offended. Despite this first impression, Mr Darcy secretly begins to find himself drawn to Elizabeth as they continue to encounter each other at social events, appreciating her wit and frankness. An undercurrent of the old Anglo-Norman upper class is hinted at in the story, as suggested by the names of Fitzwilliam Darcy and his aunt, Lady Catherine de Bourgh; Fitzwilliam, D'Arcy, de Bourgh ( Burke), and even Bennet, are traditional Norman surnames. [24] Self-knowledge [ edit ]Austen, Jane (2012). Justice, George (ed.). Emma (4th Norton Criticaled.). New York: W.W. Norton & Co. ISBN 978-0-393-92764-1. Jane Austen, Emma (ed James Kingsley); introduction and notes by Adela Pinch; appendices by Vivien Jones; series: Oxford World Classics (OUP 1998, 2003, reiss 2008); ISBN 978-0-19-953552-1 Austen power: 200 years of Pride and Prejudice". The Independent. 19 January 2013 . Retrieved 7 December 2018. Gilson, David (1982). A Bibliography of Jane Austen. Oxford: Clarendon Press. pp. 164. ISBN 978-0-19-818173-6.



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