That isn’t to say heartbreak doesn’t feature prominently; the rousing synths of ‘Who’ underpin frustration and rejection, and the Robyn-like ‘Never’ opens with the defining: “I don’t know if I like love, I think I’ve had enough. It’s marked by a newfound creative assurance and technical ability, both in terms of McPherson and Maskin’s arrangements and production as well as Gavin’s songwriting, which is as propulsive as ever, but here opens up into new moments of perspective and grace. We are three of the most depressed people you could ever come into contact with, depending on the day," McPherson said, with a smile.

The trio, made up of Katie Gavin (lead vocals/production), Naomi McPherson (production/guitar/synths/vocals), and Josette Maskin (lead guitar/vocals). I can not believe how much this Muna vinyl LP and their first LP are selling here now for both over 400. Here, more than ever, Muna musters their unique powers to break through the existential muck and transport you, suddenly, into a room where everything is possible — a place where the disco ball’s never stopped throwing sparkles on the walls, where you can sweat and cry and lie down on the floor and make out with whoever, where vulnerability in the presence of those who love you can make you feel momentarily bulletproof, and self- consciousness only sharpens the swell of joy. Silk Chiffon,” Muna’s instant-classic cult smash, featuring the band’s new label head Phoebe Bridgers, hit the gray skies of the pandemic’s year-and-a-half mark like a double rainbow. The band's period of uncertainty and open questioning burned everything away, leaving a feat of an album - the forceful, deliberate, dimensional output of a band who has nothing to prove to anyone except themselves.All image and audio content is used by permission of the copyright holders or their agents, and/or according to fair dealing as per the UK Copyright, Designs and Patents Act 1988. Since the beginning of their career, Muna has embraced pain as a bedrock of longing, a center of radical truth, a part of growing up, and an inherent factor of marginalized experience - the band's members belong to queer and minority communities, and play for these fellow-travelers above all.

They'd made their first album themselves, with free plugins, in a home studio; they'd made the second one in proper sessions with co-producers, thinking they ought to professionalize.Instead ‘Saves The World’ sees them look inwards, gliding from the melancholy of ‘Navy Blue’ to the hope of the climatic ‘It’s Gonna Be OK, Baby’ - a track which depicts emotional healing with powerful accuracy. Every record is shipped in original factory-applied shrink wrap and has never been touched by human hands. So, unless you’re smart enough to get the release at the start, directly from the artist, you’re pretty much screwed when you don’t follow the artist and purchase directly from them for special product like these amazing vinyl releases. For Naomi McPherson, Muna's guitarist and producer, it was a "song for kids to have their first gay kiss to.