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The English Soundtrack

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Roughly half of the current body recognised 'traditional' English rhymes were known by the mid-18th century. Lincolnshire has produced Martin Simpson, perhaps the most highly regarded folk guitarist of his generation.

E. Cray, The Erotic Muse: American Bawdy Songs (Champaign, IL: University of Illinois Press, 1968) and G. They were largely a phenomenon of the urbanised middle classes and known for the amateur nature of many performances. The shift to urban centres also began to create new types of music, including from the 1850s the Music hall, which developed from performances in ale houses into theatres and became the dominant locus of English popular music for over a century. These people, including Sam Larner, [24] Harry Cox, [25] Fred Jordan, [26] Walter Pardon, [27] Frank Hinchliffe [28] and the Copper Family, [29] released albums of their own and were revered by folk revivalists. Shanties were usually slow rhythmic songs designed to help with collective tasks on labour-intensive sailing and later steam ships.The 6-parter is set in 1890 middle America and tells the story of an aristocratic Englishwoman and a Pawnee ex-cavalry scout who come together to cross a violent landscape built on dreams and blood. The 1970s saw folk rock bands like Lindisfarne, and the more traditionally focused Jack the Lad and Hedgehog Pie. Francis James Child's (1825–96) eight-volume collection The English and Scottish Popular Ballads (1882–92) became the most influential in defining the repertoire of subsequent performers, and Cecil Sharp (1859–1924), founder of the English Folk Dance Society, was probably the most important figure in understanding of the nature of folk song. In the 1980s the anarchist rock band Chumbawamba recorded several versions of traditional English protest as English Rebel Songs 1381–1914. References have been found that suggest that morris dance dates back to the mid-15th century, but claims of pre-Christian origins are now largely dismissed.

For instance, English ballads, along with Irish, Scottish, and German musical traditions when combined with the African banjo, Afro-American rhythmic traditions and the Afro-American jazz and blues aesthetic led in part to the development of bluegrass and country music.List of selected, noteworthy folk musicians and bands (with an emphasis on artists from Britain and the U. Like many dances it was taken up in Scotland and Ireland and given a distinctive national character and moved to America with emigration. And in the long run, it doesn’t help me as an artist to try to convey that, because I’d get too tied up in that. dance Polka 2/2 and 4/4 dances Barn dance Highland Fling Hornpipe Reel Strathspey 3/4 dances Waltz 6/8 dances Jig Two-step 9/8 dances Slip jig Non-dance tunes Marches and airs which exist in various meters. Early music of Britain and Ireland, from the earliest recorded times until the beginnings of the Baroque in the 17th century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite.

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