Never Mind The Quality, Feel The Width

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Never Mind the Quality, Feel the Width is a British television sitcom first broadcast in 1967 as a single play in the Armchair Theatre anthology series, later becoming a series of half-hour episodes, which ran until 1971.

I don’t believe that everything is perfect, but within that imperfection there are some absolutely fantastic gems, and there are some things that we should be very thankful for, and we should celebrate a bit more. Quality was often not my top priority, just getting through by the ‘skin of my teeth’ was more in line with my thinking, but to be honest it was there niggling away that if as a team we didn’t look after the quality of care we offered it could be so much worse. I’ve been an outsider all my life; so if people think that they can bully me, they got another think coming. The site carries no advertising, and I rely on donations to help with running costs and to keep the site running for your entertainment and education.Just grabbing the job description, seeing the job title, thinking to themselves, yeah we’ve got plenty of those on our database and then bombarding the client with mainly irrelevant candidates – a bit like my experience with estate agents – infuriating and time wasting, but sadly oh so common an event. THE first contact with the religious department came when Mr Ahmed was invited to act as executive producer for the BBC’s first-ever Islam season. Almost twenty years later, the two men thoroughly respect each other as tailors but are utterly incapable of understanding the other's religious and patriotic beliefs, and are constantly at each others' throats. Manny Cohen and Patrick Kelly are unlikely partners in a back-street tailoring business in Whitechapel, in London's East End. When they answer, listen for nuggets of truth and avenues for solutions and possibilities you may not have ever considered.

Even if Mr Ahmed is avowedly thick-skinned, he admits to finding his critics “a bit disrespectful” for ignoring his professional record.John Bluthal had previously supplied the voice for Commander Zero in the Gerry Anderson puppet series, Fireball XL5. They are involved in the rag trade, but he was determined to become a graphic designer, sitting up late at night to draw album covers and football programmes. You can also manage how Google and other technology partners collect data and use cookies for ad personalisation and measurement.