Untrue

Product Information

The 2007 Pazz & Jop Critics Poll". The Village Voice. New York. 6 February 2007. Archived from the original on 19 January 2016 . Retrieved 18 July 2016. I don't know how long I was out for, but waking up in however many minutes later that I did was the most beautiful experience I can recall ever having. Their debut 'The Killing Jar', which was released in 2012, was hailed by many as 'one of the best debut album's you'll hear all year' - it even made it onto Kerrang's top 50 albums of the year. Now with an expanded (guitar) lineup to expand the riffage comes the follow up, 'Condemned To Hope.' Arriving at the area where they were to serve us the free food with a couple of friends, we found ourselves disappointed. Cold hamburgers, greened hot dogs, placid buns, and sour macaroni and cheese was to be our diet until we opted to spend money on expensive park food later (which, to my distaste, was quite unsatisfying). There was at least an hour before they would allow us to enter the actual park, so we traversed around through the City Walk area. Restaurants and coffeehouses appealed to us, but they appeared to be barricaded off, as if a message that we had no choice but to go by what park administration said we, teenagers of Florida, should be consuming. The few places we did bide our time with until the park opening were loud, smokey clubs with nothing but Top 40 songs playing. I can't even begin to count how many times I heard "Poker Face", "Down", and "I Got a Feelin'" than on this one evening. Even the Karaoke Bar was replaced with lame, teen club music.

a b c Rosenberg, Tal (13 December 2007). "Burial: Untrue". PopMatters. Archived from the original on 15 December 2012 . Retrieved 2 March 2008. Burial: Melancholic Electronic Dub". NPR. 17 December 2007. Archived from the original on 15 December 2013 . Retrieved 18 August 2013. Wuethrich, Matthew (5 November 2007). "Burial – Untrue". Dusted. New York. Archived from the original on 7 April 2014 . Retrieved 2 April 2014. a b c d e f Sherburne, Philip (13 November 2007). "Burial: Untrue". Pitchfork. Archived from the original on 23 August 2013 . Retrieved 18 August 2013.Reynolds, Simon (26 October 2017). "Why Burial's Untrue Is the Most Important Electronic Album of the Century So Far". Pitchfork. Archived from the original on 26 October 2017 . Retrieved 18 August 2013. a b c d Mann, Chris (5 December 2007). "Burial – Untrue". Resident Advisor. Archived from the original on 21 September 2013 . Retrieved 18 August 2013. a b c d e f Hancox, Dan (26 October 2007). "Only five people know I make tunes". The Guardian. London. Archived from the original on 5 October 2014 . Retrieved 18 August 2013. The last voice we hear on Tunes 2011 to 2019 is that of The Wire’s inscrutable villain Marlo Stanfield: “Don’t rush me on shit. I’ll get at you when I’m at you.” Stanfield goes from being untouchable to considered a diminished force, but fundamentally stays undefeated. Given that all his moves seem loaded in one way or another, it’s easy to imagine Burial wielding this sample with deliberately renewed purpose. He’s there when he wants to be, out of the shadows, often at a moment and in a form you don’t expect. He was the beneficiary of an unrepeatable set of cultural and technological circumstances, but he’s massaged the myth adroitly. It makes following him as fun as any other musician working today—so we remain hooked, even if we kid ourselves that we’re over it.

The Stylus Decade / Top Albums 40–21". Stylus Magazine. Archived from the original on 11 November 2013 . Retrieved 18 August 2013.

Rate/Catalog

Ultratop.be – Burial – Archangel" (in Dutch). Hung Medien. Archived from the original on 13 January 2014 . Retrieved 18 August 2013. The 100 Best Albums of the Aughts". Slant Magazine. 1 February 2010. Archived from the original on 18 June 2013 . Retrieved 18 August 2013. The best 50 albums". The Observer. London. 9 December 2007. Archived from the original on 7 April 2014 . Retrieved 18 August 2013. In the years following its release, Untrue has since been viewed as a landmark album in the dubstep genre, and in electronic music in general. In a 2017 article, Pitchfork called the album "the most important electronic album of the century so far".

Top 50 Albums of 2007". Pitchfork. 18 December 2007. p.5. Archived from the original on 2 September 2013 . Retrieved 18 August 2013. Battaglia, Andy; Matos, Michaelangelo (17 November 2009). "The best electronic music of the '00s". The A.V. Club. Archived from the original on 16 January 2016 . Retrieved 16 August 2015. Burial – 'Untrue' ". De Jongens van Hemmes. Archived from the original on 25 October 2007 . Retrieved 18 August 2013. Levine, Noah (13 December 2007). "Burial – Untrue". URB. Los Angeles. Archived from the original on 29 February 2008 . Retrieved 29 February 2008. Additionally, you can opt out of some of these services by visiting the Digital Advertising Alliance’s opt-out portal at: http://optout.aboutads.info/.Stelfox, Dave (13 November 2007). "Burial's Untrue: Dreamlike dubstep, anonymous but optimistic". The Village Voice. New York. Archived from the original on 12 October 2013 . Retrieved 18 August 2013. Album Releases by Score: 2007". Metacritic. Archived from the original on 13 November 2013 . Retrieved 18 August 2013. Reading about how Burial liked to test his tunes by driving around South London in the dead of night, to see if they had the quality of “distance” he sought, always reminded me of the tales of Joy Division producer Martin Hannett making similar psycho-geographic jaunts through the post-industrial zones of Manchester in the late ’70s, listening to contemporaries like PiL and Pere Ubu in his car. Both Hannett and Burial share an obsession with using reverb and near-subliminal sound effects, often taken from the real world, to conjure an atmosphere of eerie space. Rewind: Records of the Year Top Ten". The Wire. No.287. London. January 2008. p.36 . Retrieved 25 June 2020– via Exact Editions. Complete List of Finalists 2001–2007". Shortlist Music Prize. Archived from the original on 12 February 2013 . Retrieved 18 August 2013.

Self-indulgent is me. I've just explained to you a night that I experienced only a couple of weeks ago. One might wonder why people would decide to write about such unnecessary things in place of where a review for an album should be. But to be frank, not a single word or thought expressed here is off-topic; for you see, it was at the moment that I had this beautiful and wondrous senior year memory that I yearned to hear Untrue. A certain user once said that Burial isn't a band that you listen to while partying, but rather is a gem that you should reserve for the ride home after the party. Quite personally, I was reminded of his words when I realized my present state, and I made a date with myself to have it turned on as soon as I would get into bed. I only prayed that the feeling wouldn't be diminished from the hours inbetween. RA Poll: Top 100 albums of the '00s". Resident Advisor. 25 January 2010. Archived from the original on 14 August 2013 . Retrieved 18 August 2013. a b "Burial – Untrue – November 2007". Hyperdub. October 2007. Archived from the original on 18 August 2013 . Retrieved 18 August 2013. Birchmeier, Jason. "Burial". AllMusic. Archived from the original on 5 January 2014 . Retrieved 18 August 2013. Christgau, Robert (28 January 2008). "2007: Dean's List". MSN Music. Archived from the original on 15 August 2013 . Retrieved 18 August 2013.

Raw, rolling drums and sub is the sound I love... and if you don't get that then you won't ever get it. a b Reynolds, Simon (17 September 2008). "Elbow, Burial receive Mercury sales boost". Digital Spy. Archived from the original on 14 December 2013 . Retrieved 18 August 2013. Reynolds, Simon. "Burial: Untrue". Blender. New York. Archived from the original on 8 February 2008 . Retrieved 18 August 2013.