Everything Everywhere All at Once [Blu-Ray] (English audio. English subtitles)

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Michelle Yeoh as Evelyn Quan Wang, a dissatisfied and overwhelmed laundromat owner; and as several other versions of Evelyn in alternate universes. Nordyke, Kimberly (January 10, 2023). "Golden Globes: Full List of Winners". The Hollywood Reporter. Archived from the original on January 11, 2023 . Retrieved January 11, 2023. Teo, Sharlene (March 16, 2023). "The Oscar Success of Everything Everywhere All At Once is the Ultimate Validation of Asian Narratives". Harper's Bazaar . Retrieved April 1, 2023. a b Worthington, Clint (March 24, 2022). "Everything Everywhere All At Once Is A Lot, and That's a Good Thing: Review". Consequence. Archived from the original on April 18, 2022 . Retrieved April 17, 2022.

Domestic 2022 Weekend 18". Box Office Mojo. May 8, 2022. Archived from the original on May 10, 2022 . Retrieved May 10, 2022. Everything Everywhere All at Once: Domestic Weekend". Box Office Mojo. Archived from the original on June 23, 2022 . Retrieved July 6, 2022. a b Radulovic, Petrana (April 11, 2022). "Michelle Yeoh's personal guide to Everything Everywhere All at Once's vast multiverse". Polygon. Archived from the original on April 17, 2022 . Retrieved April 17, 2022. a b c Nicholson, Amy (March 24, 2022). " 'Everything Everywhere All at Once' Review: A Maximal Take on the Absurd". The Wall Street Journal. Archived from the original on June 15, 2022 . Retrieved April 17, 2022. Buchanan, Kyle (October 21, 2022). " Everything Everywhere, All Through Awards Season?". The New York Times. Archived from the original on January 29, 2023 . Retrieved January 25, 2023.Everything Everywhere All at Once". British Board of Film Classification. Archived from the original on May 21, 2022 . Retrieved May 21, 2022. D'Alessandro, Anthony (June 10, 2022). " 'Everything Everywhere All At Once' Becomes A24's Highest Grossing Movie Of All-Time At Global Box Office". Deadline Hollywood. Archived from the original on July 29, 2022 . Retrieved June 10, 2022. Feinberg, Scott (January 10, 2023). "Austin Butler, Colin Farrell, Brendan Fraser, Jeremy Pope, Ke Huy Quan, Adam Sandler and THR's Actor Roundtable". The Hollywood Reporter. Archived from the original on January 10, 2023 . Retrieved January 10, 2023. Buchanan, Kyle (October 12, 2022). "Under the Skin of Jamie Lee Curtis". The New York Times. ISSN 0362-4331. Archived from the original on October 13, 2022 . Retrieved October 13, 2022. Mahale, Jenna (May 13, 2022). "An interview with Everything Everywhere All At Once stars Stephanie Hsu, Ke Huy Quan and the Daniels". i-D. Vice Media Group. Archived from the original on December 6, 2022 . Retrieved December 6, 2022.

The film was released on digital streaming platforms on June 7, 2022, and was released on Blu-ray, DVD, and Ultra HD Blu-ray on July 5, 2022, by Lionsgate Home Entertainment. [80] [81] Reception Box office Nayman, Adam (March 28, 2022). " 'Everything Everywhere All at Once' Fulfills the Promise of Its Title". The Ringer. Archived from the original on June 4, 2022 . Retrieved April 10, 2022. Nordyke, Kimberly (January 15, 2023). "Critics Choice Awards: Full List of Winners". The Hollywood Reporter. Archived from the original on January 16, 2023 . Retrieved January 16, 2023. a b c Rubin, Rebecca (May 1, 2022). "A24's Everything Everywhere All at Once Hits Impressive Box Office Milestone". Variety. Archived from the original on May 1, 2022 . Retrieved May 1, 2022. a b Bramesco, Charles (March 22, 2022). " Everything Everywhere All At Once review – ambitious, exhausting trip to the multiverse". The Guardian. Archived from the original on June 15, 2022 . Retrieved April 8, 2022.The musical score was composed by Son Lux, whose members are Ryan Lott, Ian Chang, and Rafiq Bhatia. [57] Daniels asked them to approach the score individually, and not as a band. Lott said, "I think that the complete picture of not only who we are as a band, but also who we are as individuals and what we have accomplished and the places we've gone creatively individually, meant for them that there was a possibility that many of these universes of sound could be within reach with this particular trio." [58] The reaction to the film's Best Picture win was not without criticism, with Justin Chang of the Los Angeles Times feeling that the Academy "chose the wrong best picture" and believed that now, as a result, "films that enter the race reeking too obviously of traditional Oscar quality — a group that includes not only The Fabelmans but also two earlier Spielberg pictures, The Post and West Side Story — run the risk of falling by the wayside," and compared its win to that of CODA at the previous ceremony. [132] Cannes Film Festival president Thierry Frémaux was also happy with the result but felt mixed, saying: "I thought the ceremony was very good and I was happy to see Michelle Yeoh rewarded. And disappointed that Steven Spielberg wasn't, because his film is a love letter to cinema." [133] See also

Smith, Barrett Edwards (February 4, 2023). "Fighting With Kindness: Is Empathy the Biggest New Movie Superpower?". Game Rant. Valnet Inc . Retrieved April 4, 2023. a b c Scott, A. O. (March 24, 2022). " 'Everything Everywhere All at Once' Review: It's Messy, and Glorious". The New York Times. Archived from the original on April 18, 2022 . Retrieved April 18, 2022.The story centres around Evelyn Wang (played by Michelle Yeoh), as she struggles to maintain balance in her life. Not only is her laundromat business being audited by the IRS, but she’s also in the midst of a divorce with her husband Waymond (Ke Huy Quan), as well as dealing with her daughter Joy’s (Stephanie Hsu) dating life. Son Lux Scoring Daniel Kwan's & Daniel Scheinert's Everything Everywhere All at Once". Film Music Reporter. January 3, 2022. Archived from the original on January 4, 2022 . Retrieved January 6, 2022. Gates, Marya E. (March 12, 2022). "Everything Everywhere All at Once movie review (2022)". RogerEbert.com. Archived from the original on May 31, 2022 . Retrieved April 8, 2022. The world premiere was at the South by Southwest film festival on March 11, 2022. [69] Its limited release in theaters was on March 25, 2022, [70] and its nationwide release was on April 8, in the United States by A24. [71] On March 30, 2022, the film was released in select IMAX theaters in the U.S. for one night only. Due to its popularity, the film returned to select IMAX theaters for one week starting on April 29, 2022. [72] [73] The film was not released in most parts of the Middle East, including Saudi Arabia and Kuwait, due to censorship of LGBT issues in those countries. [74] The film was released in the United Kingdom on May 13, 2022. [75] The film was re-released in U.S. theaters on July 29, 2022, unchanged but adding an introduction by Daniels and eight minutes of outtakes after the credits. [76] [77] It was re-released again in U.S. theaters on January 27, 2023, on 1,400 screens to celebrate its Oscar nominations. [78] [79] Home media Domestic 2022 Weekend 15". Box Office Mojo. April 17, 2022. Archived from the original on April 19, 2022 . Retrieved April 19, 2022.

The New York Times named the character Jobu Tupaki, played by Hsu, one of the 93 Most Stylish "People" of 2022. [110] Legacy Fuster, Jeremy (March 12, 2023). "Oscars: A24 Is First Studio to Win Top 6 Awards in Same Year". TheWrap. Archived from the original on March 13, 2023 . Retrieved March 13, 2023. Wong, Stevie (December 2, 2022). " 'Everything Everywhere All At Once' Star Ke Huy Quan On Getting A Second Chance To Pursue His Dream: "I'm Always Grateful" ". Deadline Hollywood. Archived from the original on December 12, 2022 . Retrieved January 11, 2023.a b Li, Joyce (March 12, 2023). " 'Everything Everywhere All at Once' Makes History as the Most-Awarded Film Ever". Hypebeast . Retrieved March 14, 2023. Cheng, Anne Anlin (May 4, 2022). " 'Everything Everywhere All at Once' is a deeply Asian American film". Washington Post . Retrieved June 6, 2022. Consequence 's Clint Worthington wrote that "for all its dadaist absurdism and blink-if-you-miss-it pace, Daniels weaves the chaotic possibilities into the multiverse into a cohesive story about the travails of the road not traveled, and the need to carve out your own meaning in a meaningless universe." [49] Describing Jobu Tupaki's modus operandi, Worthington notes "the living contradiction that is the everything bagel: if you put everything on a bagel, what more is left? And if you've experienced everything that the multiverse can offer, what's the point of any of it?" [49] Kwan said that the everything bagel concept "did two things. It allowed us to talk about nihilism without being too eye roll-y. And it creates a MacGuffin: a doomsday device. If, in the first half of the movie, people think that the bagel is here to destroy the world, and in the second half you realize it's a depressed person trying to destroy themselves, it just takes everything about action movies and turns it into something more personal." [20] The writer George Gillett argues that the movie is "a coming-of-age film for the internet generation", with the multiverse resembling virtual environments which viewers increasingly exist within. [50]