Fujifilm X-M1 Camera - Black (16.3MP, 16-50mm Lens Kit) 3 inch LCD

Product Information

The flash settings on the Fujifilm FinePix X-M1 are Auto, Forced Flash, Suppressed Flash, Slow Synchro, Red-eye Reduction Auto, Red-eye Reduction & Forced Flash and Red-eye Reduction & Slow Synchro. These shots of a white coloured wall were taken at a distance of 1.5m.

The Fujifilm X-M1 mirrorless interchangeable-lens camera was released on June 24, 2013 together with the Fujinon XC 16-50mm f/3.5-5.6 OIS lens. After the success of the X series cameras including the X100, X-Pro1 and X-E1, Fuji decided to expand the line of interchangeable lens mirrorless cameras by introducing a more affordable mid-range version, the X-M1. While the X-Pro1 and X-E1 are targeted at professionals, enthusiasts and serious amateurs, the X-M1 is designed to attract a broader audience. Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) Smaller, lighter and less expensive than the X-E1, the X-M1 dispenses with any kind of viewfinder, either optical or electronic, and it doesn't accept a hotshoe mounted viewfinder either, making image composition a hold-at-arms length affair. While this is perhaps inevitable given the significant decrease in size and weight, and is in-line with the X-M1's main competitors, it does feel rather strange using a Fujifilm X camera that you can't hold up to your eye, especially when Fujifilm have made such a big play of their innovative viewfinder technologies.

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Let’s talk about a very important feature that is missing on the X-M1 – the electronic viewfinder (EVF). Being a mid-range mirrorless camera, the X-M1 was designed to be used like traditional point and shoot cameras, by looking at the LCD of the camera for framing. Unfortunately, there is no option to attach an electronic viewfinder either, like on some Micro Four Thirds cameras. While for some people it is not a problem, this is almost a deal-breaker for me. I am so used to composing images through the viewfinder, that I just cannot frame an image by looking at the LCD. It took me a while to get used to the X-M1 for that reason – I kept wanting to look through the viewfinder that is not there! If you are a DSLR junkie like me, just keep this in mind.

Unlike the other X-system cameras, the X-M1 has no eye-level viewfinder at all, nor any option for a plug-in electronic viewfinder. Instead it uses an articulating rear screen, which is a 3-inch, 3:2 aspect ratio unit with 920k dot resolution. It can tilt to face almost directly downwards for overhead shots, or upwards for waist-level shooting. The X-M1 also has a 'focus peaking' feature that highlights high-contrast edges to assist manual focus. Fujifilm is announcing another lens at the same time as the X-M1 and XC 16-50mm F3.5-5.6 OIS: the tiny XF 27mm F2.8 prime. This offers a 40mm-equivalent angle of view, making it a 'perfect' normal lens which will offer a very natural-looking perspective. It's far and away the smallest X-mount lens to date, such that there's no space for an aperture ring (which is why there's no 'R' in the lens name). Firmware updates for the X-Pro and X-E1 will allow these cameras to set the aperture using the rear control dial.

Helping to keep the image quality high is the new 16-50mm zoom lens. With a plastic mount, slower apertures and no aperture ring, at first glance it seems to be a poor alternative to the 18-55mm f/2.8-4 OIS optic, but its low weight and compact size are better suited to the smaller X-M1. It still offers the added benefit of built-in optical image stabilisation to help keep your images sharp, and most importantly doesn't skimp on image quality, making it a cut above the kit lenses that ship with most interchangeable lens cameras. Videoklipy můžete natáčet v rozlišení Full HD (1920 x 1080) při frekvenci 24 snímků/s. Kromě toho můžete nyní při natáčení videa využít černobílý režim nebo režim simulace filmu adokonce využít výhod velkého snímače přístroje X-M1 asvětelných objektivů řady XF pro záznam videa skrásným efektem bokeh. Do zdířky pro mikrofon/dálkovou spoušť můžete připojit externí mikrofon (běžně dostupný) pomocí konektoru ?2.5 mm azaznamenávat zvuk slepší zřetelností apodáním. X-M1 vám tak umožní nahrávat video, aniž byste se museli obávat, že ve zvukové stopě budou zaznamenány zvuky ovládání fotoaparátu nebo hluk motoru objektivu. Bezdrátový přenos snímků umožňuje okamžitě sdílení dat The X-M1 delivers the same excellent image quality as its big and more expensive brothers. Noise is noticeable only by its almost complete absence throughout the ISO range of 100-25,600, while the Dynamic Range function helps to boost contrast and detail. The new 16-50mm lens is also worthy of mention, as although it has a cheaper build quality, it still offers sharp results throughout the focal range. The X-M1 is certainly right up there with the best APS-C sensor cameras on the market, and some full-frame models too, so if image quality at an affordable price is paramount, the X-M1 certainly fits the bill.Red-eye removal OFF Auto / Forced Flash / Suppressed Flash / Slow Synchro / Rear-curtain Synchro / Commander Red-eye removal ON Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Suppressed Flash / Red-eye Reduction & Slow Synchro / Red-eye Reduction & Rear-curtain Synchro / Commander As we increase ISO, the amount of noise also increases – ISO 1600 only marginally increases noise over ISO 800. ISO 3200, on the other hand, adds more noticeable noise that looks significantly worse in comparison to ISO 1600 – shadow details are getting lost as a result.

When it comes to dynamic range, from what I can tell from the JPEG images, the new X-Trans CMOS sensor seems to deliver good dynamic range in photographs at even high ISO levels. It is no Nikon D800, but you can still recover plenty of details from the shadow areas without adding too much noise. I have been waiting for test results from DxOMark, but they have not released any information on any of the new Fuji mirrorless cameras with the X-Trans sensor, probably due to RAW file support issues. X-M1 + XC16-50mmF3.5-5.6 OIS @ 18.2mm, ISO 200, 1/320, f/8.0 At ISO 6400 some details get washed away and we are starting to see some artifacts here and there. Still, the performance at ISO 6400 is excellent. Whatever Fuji does with its JPEG processing is very impressive. High ISO Performance “Boost” (ISO 12800-25600) – JPEGVideo output - Digital interface USB 2.0 High-Speed HDMI output HDMI mini connector (Type C) Others Remote release terminal for RR-90 (sold separately)