Penguin's Poems by Heart

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And then there's Kaiti Soultana, winner of the Poetry By Heart Competition in 2013, whose successfully committed a chunk of the early English poem Sir Garwain and the Green Knight to memory. He'll find out from her how the poetry learning initiative of the last few years has fared and whether his passionate enthusing will be well received. And then there's Michael Rosen, former Children's Laureate, who continues to encourage kids not only to read and learn poetry but to write it as well. The competition opens on National Poetry Day, the first Thursday of October, and the closing date for competition entries is the end of March. Finalists are announced mid May with the grand finale taking place at the end of June. Dr Julie Blake, FEA, FRSL(Hon), co-directs Poetry By Heart, the national poetry speaking competition for schools. She researches and writes about the history of poetry for children, creates digital and print anthologies of poems for children and young people, teaches poetry pedagogy and has an encyclopaedic knowledge of poetry in the school English curriculum. In Poetry By Heart children choosing to learn a poem with others usually think they’re taking the easier option. In fact, speaking a poem with others demands cooperation, trust and coordination – and to do it well involves breathing together, being in the moment together and becoming part of something beyond yourself. Understanding Poetry By Heart, the national poetry speaking competition for students in England, recently announced the line up for the Grand Finale of the competition. Now in its tenth year, this was the biggest competition yet, with over 2,000 entries and more than 37,000 young people taking part in schools across England.

The poems we learn when we’re young stay with us for the rest of our lives. They become embedded in our thinking, and when we bring them to mind, or to our lips, they remind us who we are as people, and the things we believe in. We call it learning by heart, and I think such learning can only make our hearts bigger and stronger.” Simon Armitage, Poet Laureate Many of his poems are about the natural world, with woods and trees featuring prominently in some of his most famous and widely anthologised poems (‘The Road Not Taken’, ‘Stopping by Woods on a Snowy Evening’, ‘Birches’, ‘Tree at My Window’). Elsewhere, he was fond of very short and pithy poetic statements: see ‘Fire and Ice’ and ‘But Outer Space’, for example.This heart-breaking piece is about how a lady breaks up with the speaker. Their relationship has ended abruptly or quite humorously. In this poem, Bukowski describes how the lady toys with his heart. One day, she suddenly comes by and ends everything for a silly reason: In the poem ‘The Hope of My Heart,’John McCrae describes the love that exists beyond the grave and a speaker’s worry for his little, fair maiden. The speaker describes how he was forced to leave her loved one behind. He cared for her deeply. When he is absent, he thinks she is unsafe in this world. Hence, he prays to God to protect her. He has to make sure when she dies comes to heaven. The poet’s love for the maiden is best expressed in these lines: Between 2013 and 2016 Poetry By Heart was the principal educational initiative of The Poetry Archive, developed with The Full English and supported by the Department for Education. It was co-founded by Andrew Motion (Co- Director of The Poetry Archive) and Dr Julie Blake (Co-Director of The Full English and Education Director of The Poetry Archive) in February 2012. Since 2016 Poetry by Heart has been directed by The Full English. Like Housman, then, Frost favoured traditional verse forms but also a plain-spoken yet lyrical style. And although many people know the words in the final stanza of this poem, a good many people misinterpret them – and how well does anyone know the rest of ‘The Road Not Taken’? Why not commit this classic poem about opting for the road ‘less travelled’ to memory…

Robert Frost (1874-1963) is regarded as one of the greatest American poets of the twentieth century. And yet he didn’t belong to any particular movement: unlike his contemporaries William Carlos Williams or Wallace Stevens he was not a modernist, preferring more traditional modes and utilising a more direct and less obscure poetic language. He famously observed of free verse, which was favoured by many modernist poets, that it was ‘like playing tennis with the net down’. Julie Blake, co-director of Poetry By Heart, said: “In the last couple of years many teachers have asked us if we could develop some resources for younger children and we are delighted to have done that now. His first port of call is the Duchess of Cornwall, Patron of the Royal Society of Literature, who shares a passion for poetry, and more particularly poetry learned by heart. He also calls on Dame Judi Dench for advice on learning and some insights into how she sustains her reservoir of learned verse. The organisers of the Poetry By Heart competition, aimed at 14- to 18-year-olds, has published a set of 65 poems to support the teaching of poetry to younger children.Pupils who succeed in learning and performing a poem by heart, however short, feel an incredible sense of achievement. We think it’s to do with a tangible sense of mastery: the child either gets to the end of their poem or they don’t, and they can measure for themselves how well they’ve done it. This can be especially powerful for children with Special Educational Needs, low literacy levels and those who otherwise struggle to access the curriculum. Enjoyment Poetry By Heart is the poetry recitation competition for English schools. We are open to students in Key Stages 2-5 across a variety of competition categories including showcase (with the opportunity to enter self-written poetry or poems in other languages) and freestyle, where you can get really creative with different elements such as music, animation and more! There is also a special round for teachers and librarians to get involved. Children consistently tell us that learning a poem is fun. That can mean many things but includes the freedom to choose a poem for themselves, the difficulty of the challenge, the risk and the dare of performing their poem, and the immediate gratification of the respect of their friends and relatives when they take that risk. Focus