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Enter Companion Mode by attaching L0-LA59's legs, Hover Mode by attaching her stand, or On the Go Mode by removing her from either base and pretending she's zooming through the galaxy
Stars: Once again, this short takes place on a singular planet — and a desert one at that! (Star Wars does love its deserts). Not many stars, even when it turns to night. So what happened to Leia's little red companion as she grew up? Why isn't it hovering next to Leia as an adult, ready to deliver the Death Star plans instead of R2-D2? The real-world answer, of course, is that Lola didn't exist in Star Wars canon until this year. But thanks to a single sentence in the most recent Star Wars novel, we have an in-universe answer for why Lola isn't around during the events of A New Hope and what fate befalls this cute little toy-like companion.
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Visions: The animation has this lovely painterly quality, with certain shadows and lighting looking particularly cool. But the best part is towards the end, where a character you would not really expect to be a Jedi whips out a lightsaber and fights the Sith inquisitor who has come to collect Rani. Of course, beyond lightsabers, there were other elements of the Star Wars galaxy that Blaas and the El Guiri Studios team wanted to include to make the story more authentic. “I really wanted to dig in and make something that felt real, like you were inhabiting that space, especially through how we showcased technology,” Blaas says. “One of the things that I love in Star Wars is that certain props or sets don't work quite right, requiring someone to hit it, like the Millennium Falcon’s engine. These are the small things that make those characters human and relatable.” The one big takeaway from just about everyone who watched this show is that Young Leia actor Vivien Lyra Blair absolutely nailed the role. Her immediate entry to Star Wars royalty has led to several big convention appearances since the show's release, where she finds herself regularly autographing 3D-printed replicas of her co-star L0-LA59, or "Lola" as it's called on the show. In Companion and Hover Mode, this Star Wars toy opens and closes her mouth, moves the panels on top of her head, and tilts her head from side to side
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Wars: Lola’s old Sith master finds her and hunts her down with a group of Sith cronies. It’s not a full-on war exactly, but it is a very heated battle. They're based in convenient locations including supermarkets, newsagents and train stations. Plus they're often open late and on Sundays. Stars: The bulk of this one takes place on a distant planet outpost, so we don’t see too many stars. However, the final moments involve Lola, the main character, blasting away into space, the full expanse of the galaxy unfolding before her.
Deborah Chow] didn't even pitch the entire show to me, but just said, 'There's a little girl and she's going to have this droid that's like a toy or companion. This would be the baby version of R2-D2." ―Jon Borland [11] Star Wars: Timelines dates the events of Obi-Wan Kenobi to 9 BBY. Therefore, the events of " Part II," including the death of L0-LA59 above Daiyu, must be set in 9 BBY.Wars: All we really know is that the Empire is conquering this planet and that they are looking out for Force sensitive children to capture. It’s not an explicit war, so much as it is a reminder of the Empire’s omnipresence. Does it work? Seeing this side of the Rebellion — one relying on subterfuge and reconnaissance instead of fighter pilots and guns — is incredibly fascinating. From the dance hall to the dancers themselves, “The Spy Dancer” paints an evocative picture of how espionage would work in this setting. The characters are also very compelling, especially Loi’e, a seasoned spy who has a personal reason to hate the Empire and a mission she wants to fulfill. “The Bandits of Golak”
Stars: Not a lot here since 95% of this short takes place in a towering dance hall. Think that scene in Revenge of the Sith where Palpatine and Anakin talk about Darth Plagueis (and also watch Squid Lake). At some point the Force-sensitive Lola came under the tutelage of a Sith Master named Kutu, and pledged her allegiance to him. Ultimately she broke her promise, and fled her master's company. [1] Moving on [ ] Stars: No stars here! This one takes place on a metropolitan planet, so it’s all city buildings and narrow streets instead. The visual style of the short is, indeed, incredibly distinctive within the galaxy at large, utilizing a coarse, painterly approach to its worldbuilding. Both Lola’s and the Sith Master’s lightsabers are sputtering and dripping with paint, and the world that surrounds their duel is constantly shifting, like an artist’s canvas. On creating this style for his story, Blaas’ goal was to have Lola’s world be completely linked to the story’s rich visuals. Blaas says, “We wanted to have a character that was so connected to her art and to painting that we could physically show her process: how she wakes up and gets inspiration. She uses the Force and other elements of the Star Wars mythology to form her own world, her own safe bubble.”Visions: One of the most intriguing things about this short is the dancing — and how that translates into the climactic fight. Loi’e, the principal dancer and head spy, does an impressive routine using aerial silks. When she fights the Stormtroopers, she uses those silks as weapons. Her protege, Hétis, has a similar balletic fighting style. It’s fun to see a Star Wars fight that doesn’t rely on lightsabers or blasters. On the transport, Kenobi was able to calm himself down, despite the dire circumstance, and fix Lola. He handed the toy to Organa, who would keep it on her until they reached a Mapuzo mining village, where she presented Lola to the loader droid NED-B, telling her to greet him. [3] Visions: The best shots of this one happen when the prisoners in the pit look up at the sky above them. It’s chilling, especially when juxtaposed with the more glamorous shots of a nearby city.
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