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MXR M300 Reverb Electric Guitar Effect Pedal

£114.995£229.99Clearance
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There are dedicated controls on the front panel for adding harmonic intervals, shimmer reverb tails, and modulation to the core reverb sound, plus a footswitch to trigger an infinite reverb mode. When it comes to premium digital emulations of classic studio and amp reverbs in one portable place on your 'board, this Universal Audio pedal sets the standard. Three different choices in each category of spring, plate and hall reverbs can be found here, channeling the company's plugin prowess into pedal form for the first time. The Boss RV-6 is a massive improvement over its predecessor, offering all-new algorithms and a totally updated DSP. We’ve had one of these on our ‘board for years now, and considering the number of reverb types you get for the money, it’s without a doubt one of the best reverb pedals out there.

The knobs are a familiar and conventional set: decay, tone, and mix—essentially the same controls you see on a vintage Fender Reverb. The key to the wider universe within the MXR Reverb is the tone knob, which doubles as a push-button voice selector. Pushing the button illuminates one of the three LEDs in ether green or red. The color—and LED that is illuminated—indicates which of the six voices you’ve selected. One note of warning: You’ll have to use a light touch when making tone adjustments. The push switch is sensitive and it’s very easy to accidentally switch voices.First and foremost, we are musicians, and we want other players to find the right product for them. So we take into careful consideration everything from budget to feature set, ease of use and durability to come up with a list of what we can safely say are the best reverb pedals on the market right now. The lower left rotary switch knob on the Oceans 11’s front panel gives the strongest indication of the complexity lurking within this diminutive device. Here, users will find 11 different settings that consist of hall, spring, plate, reverse, echo, tremolo, modulated, dynamic, auto-infinite, shimmer, and polyphonic effects. Here atMusicRadar, we are experts in our field, with many years of playing, creating and product testing between us. We live and breathe everything music gear related, and we draw on this knowledge and experience of using products in live, recording and rehearsal scenarios when selecting the products for our guides. We always like to say there are no hard and fast rules on where you should place your pedals, but if you’re new to reverb, we’d start by placing it at the end of your chain. Reverb creates a sense of space in your sound, so if you place it before certain effects it can end up sounding mushy and distant rather than tight and focused. Of course, this may be the effect you’re going for but for the majority of styles, reverb works better at the end of the signal chain.

The sound quality of all of the effects is stellar, boasting smooth tails and pro-studio-quality noise-free performance. The spring reverb setting is based on a 1962 Fender 6G15 reverb unit and delivers some of the best spring reverb effects you’ll ever hear. Echo combines delay and reverb, while tremolo applies a tremolo effect to both wet and dry hall reverb. The Light Pedal is GCA’s attempt at redefining what a reverb pedal can be. Combining a real spring tank with an innovative infrared optical sensor system, the Light Pedal can be used to create brand-new sounds we guarantee you’ve never heard before. A reverb pedal simulates a space for the sound of your guitar to occupy. When you clap your hands in a large room, you’ll hear the sound of your clap bouncing off the walls and surfaces of the area around you. A reverb pedal does the exact same thing for your instrument, artificially recreating the sound as it if it were happening in that space.

About MXR Reverb & Delay Pedals

Finally, there's also a step-sequencer in the NightSky, presumably to add experimental options akin to those in the Hologram Infinite Jets and Microcosm. It's not clear that it's a USP in the context of the NightSky, which is more of a studio reverb workstation than an esoteric weirdo box. Presets are accessible in separate banks of three presets (A, B, and C), which are accessible via the pedal’s three footswitches and/or the rotary value control knob. The large LED displays preset info, including its number and a programmable name. The LEDs surrounding the rotary reverb-type control change color from green to amber to let users know when a preset has been modified.

Shimmer is an ethereal, octave-up reverb effect with a long, sustaining tail that produces a synth-like texture, and the polyphonic reverb applies two programmable pitch shifts to the reverb tail to also generate complex, synth-like sounds. The expression pedal input is really handy for adding swells or controlling the amount of ‘verb on the fly, and the whole thing is in a standard Boss casing that’s rugged and reliable. The spring mode is a little splashy we’ll admit, but considering how good the rest of the reverbs are, it’s a small price to pay. Several of these effects - tremolo, modulated, and dynamic - have three different sets of parameters that can be selected with the mode switch. The mode switch also selects tap tempo divisions for the echo setting and engages either interval or mix edit parameters for the Poly setting. Other controls include an FX level, time (decay), and tone knobs, with the latter two also providing a second set of parameters that are accessible by holding down the mode button for about one second. DESCRIPTION Six-voice digital reverb pedal with mono or stereo operation, true or buffered bypass, analogue dry path No one wants a pedal that takes ages to set up. Simplicity is key especially with things like reverb, that is why the MXR just has three simple controls. Mix which sets the dry/wet mix of the effect, Tone sets the feel of the effect rolling in more high end, the Decay control sets how long you want the reverb to last. Nice and simple to set up and get any tone you want. Here's what MXR say about the M300 Reverb PedalThere are three main modes. Sparse is a tap-delay-based reverb, Dense is more of a plate-style reverb, and Diffuse, as the name implies, is more of an ambient reverb. The tap delay mode can put you in the ballpark of more standard delays as well, further adding to the versatility of the NightSky. Reverb is, for the most part, a digital effect. This is because for it to be analog, you’d need something physical to play your sound through. Early reverb effects like the plate reverb required huge metal sheets through which the sound was played. Echo chambers had sounds played into them which were then captured by a microphone and added to the dry signal to create a sense of space on the recording. So as you can imagine, it’s pretty inconvenient to use an analog reverb outside of the studio or sound design spaces. Read more about how we test products and services and how we make our recommendations. Related buyer's guides

You could use this to just add a slight sense of warmth and depth to a basic clean tone, or you could make it sound like it’s being blasted into your ears via the depths of the cosmos. It’s an incredibly versatile effect, and you’ll find it on the pedalboards of pretty much every guitar player. Where should my reverb pedal go in the chain? There’s a ludicrous amount of reverb pedals available, doing everything from warm room tones and period-accurate spring reverbs, right through to ambient modulated synth sounds that reverberate infinitely. Choosing the best reverb pedal for you can be tough, so it’s important to do your research before pulling the trigger, especially as the majority of the pedals are relatively expensive.

Whether you want outstanding versions of bread-and-butter reverb effects, complex and unusual special effects, or a combination of both, the Electro-Harmonix Oceans 11 Reverb is a worthy and highly affordable contender for any pedalboard, large or small - and is easily one of the best Electro-Harmonix pedals in their lineup right now. We particularly love the shimmer mode with its angelic chorus of octave-up voices adding a synth-like quality to your guitar tone. The modulated mode is fantastic as well, adding a dark, warm wash with a lovely movement to it to your sound. You get a dynamic mode that responds to your playing touch, and even a nice delay plus reverb to throw in the mix.

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