Joined in 2023 
82 
63 About this deal
RDiaz, you're not alone. I'm inclined to agree, in fact. The entry ports she has now are beautiful, but it looks to me like the weight of the evidence is against their having been there in 1805. Then there's the question of the entry ports. The big, ornamental entry ports that are on the ship today aren't on the model. I'm among those who think Heller was probably right on that point - but I can't claim to be certain. Anyways, I have three more kits to finish before I start with this one - I hope I'll learn a thing or two in the process, otherwise more kits will have to be done. I really want to do the Heller kit justice. I lean in the direction of believing that the ornamented entry ports were added in the 1920s. But I have no proof of that whatsoever. Specific to Victory, a survey of carpenter’s stores dated 12th May 1804 records that Victory carried 2cwt 3q 15lb of Venetian (presumably red) paint, 3cwt 0q 17lb of yellow and 2cwt 2q and 1lb of Port Red (dry) paint. Ten months later, in March 1805, a further survey records identical quantities of Venetian and port red, 93lbs of yellow paint and 1,137lbs of white lead paint.
An interesting point: the people responsible for the upkeep of the ship herself have been remarkably silent on this matter. I know they hired a carver who (superbly) made new canopies over the entry ports for her pre-2005 restoration. And several publications issued by those folks show the entry ports.
That's quite a list. And I have to say that I balk at paying that kind of money for a kit and immediately junking several hundred of its parts (and spending hard-earned money for aftermarket replacements). But the good old Longridge book will clarify how all those things (except the entry ports and the poop and forecastle bulwarks) are supposed to look.
Mighty nice looking model. Rigging a model to such a tiny scale isn't easy, but this one looks impressively to scale. And I like the sails. (Those who frequent this Forum know I don't often say that.) As an artist myself to get a pure yellow color it is common practice to put a base coat of white with a layer of yellow over the top. The shade of yellow paint employed by the British fleet prior to Trafalgar appears to have varied from ship to ship. Some ships used yellow neat, others mixed yellow with white in a ratio of 2:1 or 3:1, whilst others mixed yellow and white at 1:1.
Revell | No. 05819 | 1:450
Measuring at a depth of 400 millimeters and a height of 330 millimeters, this ship model is compact yet intricate. It is scaled at 1:225, making it a faithful replica of the original H.M.S. Victory. I thought I’d post this information here rather than on a specific build thread to make it easier for people to search for and retrieve the information. The Revell H.M.S. Victory is an advanced level ship model that offers an engaging construction experience for model making enthusiasts. With a total of 269 pieces, this assembly kit allows hobbyists to recreate the iconic naval ship in stunning detail. The model is designed to represent the historical vessel, H.M.S. Victory, which originated from the United Kingdom.
The scale on the Revell Victory is stated as 1/225, though I made some measurements that indicate the scale is actually closer to 1/256 - but I might be wrong. Beyond the archaeological evidence, we have details of what paint was carried on board Victory, and the quantities in which it was consumed. The accounts of carpenters stores for Victory in the run up to Trafalgar also gives details of use of paint, and some indication of how it was mixed, but this is actually quite difficult to decipher due to the manner in which the quantities are recorded against the work undertaken.
Join the conversation about this product
If you enjoy building ship models that are historically accurate as well as beautiful, then The Nautical Research Guild (NRG) is just right for you. I ended up using this as a test bed to learn rigging, using Lennarth Petersson's wonderful book. This is actually my second ship model, first was the Revell Santa Maria. All of the available evidence was reviewed by the Victory Technical Committee, then chaired by Martyn Heighten the then Director of National Historic Ships UK, also a member (and still a member) was Jonathan Coad, who had served on the Victory Committee for almost forty years at that point. The recommendation to change the colour was not, therefore, made on an ad-hoc basis, but subject to extensive scrutiny before the Board of the HMS Victory Preservation Company took the decision to change colours when the ship was next repainted. Yellow ochre as supplied to ships was a dark colour that was commonly mixed with white (1804 handbook of instruction for RN officers). It must be borne in mind that this was an earth pigment and the actual colour varied widely.
Great Deal 
New Comment