SAMSON SAC02 Pencil Condenser Microphone Pair

Product Information

Given some of its specific attributes, especially a good SPL level, the Samson CO2 gives a decent performance in the studio. It can work with a wide variety of instruments and vocals at a decent level. Therefore for those that are on a tight budget, it is an ideal option. In fact, considering the quality, it’s one of the most affordable condenser microphones on the market. The “switches” on the face of the mic aren’t really switches but rather indents that cannot be changed unless a sharp object is inserted into the holes where the “switches” should be. The MXL V67N has interchangeable capsules which are Cardioid and Omnidirectional, but you don’t need to buy them extra since they come with the microphone. The low end is very present yet not muddy, giving it a full and warm sound. The mids and highs really do sound open and airy, and even a side-by-side comparison between the C02 and the M5 on my acoustic guitar sounded almost identical.

If you’re looking for an alternative, the Samson C02 is very similar to the Behringer C-2. Although you do get a pair of mics along with two mic stands and XLR cables, they are almost double the price, don’t feature a hardshell case, and, most importantly, they won’t provide you with the audio quality that the C-2 will. Conclusion Although they do come at a cheap price, this doesn’t mean that they are aimed at beginners. The fact that the C-2 comes in pairs emphasizes this: It enables the user to record in stereo, which isn’t something beginners get into as soon as they start in music recording. As for the price, it’s very affordable, especially considering the fact you get two quality condenser microphones.Other than this, they feel very solid and well built. They have an excellent performance and maintain a very low self-noise and low handling noise. The mic’s frequency response is relatively flat in the mid-range, with a gentle rolloff below 100Hz, and broad 5dB peak at 8kHz.

What I’m trying to say is that you’d be better off using a dynamic (moving-coil) microphone like the AKG P5S if you were working in these conditions and wanted to record anything other than percussive instruments. If you want a small diaphragm condenser microphone that has a lot of added features such as a High-Pass Filter set at 150Hz and a -20dB PAD, while also coming in a decent aluminum storage box, then the MXL 606 might be the one for you. The Behringer C-2 are very similar to the C-4 both in price and quality, they have a few differences though; First of all, as mentioned, with the Behringer C-2 small diaphragm condenser model, you get two microphones, which is a useful setting for quality stereo recording. The aim here was affordability topped with quality and stereo recording possibilities, and the people at Behringer have certainly managed to excel here. These units have been around for some time now, which is definitely not a bad thing. The fact that they are still in production vouches for their quality.

Customer Reviews

Next on the list, we have small diaphragm condenser microphones which aren’t really labeled as “matched- or stereo- pairs” that will work perfectly if two are used simultaneously. MXL V67N MXL V67N Recording vocals with these is entirely possible and some producers choose them for certain vocal types, but where these really shine are loud acoustic instruments, like guitars, drums, violins, etc. Pros The frequency response is given as 40Hz-20kHz, and this tallies with the enclosed graph. There's a gentle presence peak centred at around 8kHz, which usually helps a mic sound airy without it becoming hard or edgy, below which the response is generally flat until the low end starts to roll off gently below 100Hz or so reaching -3dB at about 50Hz. The maximum SPL is a hefty 134dB, so drum kits and guitar amps aren't going to intimidate this mic, but at the same time you'll get plenty of signal from an acoustic guitar or other instrument of similar sound level. Overall the dynamic range is 112dB and there are no pad or roll-off switches on the mic. Studio Tests I think this microphone is good in terms of what you get for the money. They sound great and don’t color the sound at all. Alright, so there isn’t as much to say about microphones as other pieces of equipment, but I also wanted to create some contrast in regards to the Samson C02 pair.

I'm not really a "small condenser" guy, though, so if you're someone who uses small condensers for 99% of your work, you may want to invest in a pair of Neumanns or Telefunkens. I mostly use ribbons and large diaphragm mics like 90% of the time, and I only pull out small condensers once in a while. Usually for acoustic guitar. These mics are perfect for someone like me, who just needs a utility mic with a very flat response without breaking the bank. I'd sooner break the bank for a LDC or nice drum cymbal. Anyways thats my rationale, and I'm sure there are plenty of others who feel the same way. compared with two to four times more expensive, of Rode NT5 ( https://www.gearslutz.com/board/attachments/gear-shoot-outs-sound-file-comparisons-audio-tests/124929d1244972790-six-cardio-sdc-pairs-grand-piano-1.mp3 ), The Oktava MK-012 cardio ( https://www.gearslutz.com/board/attachments/gear-shoot-outs-sound-file-comparisons-audio-tests/124930d1244972790-six-cardio-sdc-pairs-grand-piano-2.mp3 ) And the Audio-Technica AT4041 ( https://www.gearslutz.com/board/attachments/gear-shoot-outs-sound-file-comparisons-audio-tests/127126d1246482748-six-cardio-sdc-pairs-grand-piano-5.mp3 )dropoff Window Although Behringer is famous for making quality high-end equipment, the company is also well-known for offering tempting budget gear. The Behringer C-2 is perhaps one of the best examples of this. It has a -20dB PAD which will allow you to use it in high SPL situations withstanding up to 155dB SPL.Each mic is six inches long and about ¾-inch wide. There is a foam windscreen included. This might reduce wind noise if you are using them outside. In terms of reducing plosives from vocals, it doesn’t. You will still need a pop filter. But that applies to any mic in use in a studio environment. Mounting It is going to be better at working with sounds that don’t require too much natural low end. Therefore, it’s one of the best microphones for acoustic instruments and percussion. The self-noise can be on the high side, so getting the mic in the best position and close to the instrument will make a difference. Where are they best used for?