Blackmagic Studio Camera 4K Pro

Product Information

Because the most common location to place microphones is near to cameras, the Pro model includes the best audio ever designed into a studio camera. The professional 2 channel balanced XLR inputs support +24 dBu line level and have an ultra low noise microphone preamplifier with P48 phantom power alongside an equivalent input noise (E.I.N.) of ‑131 dBV(A). That's followed by two 117 dB high dynamic range analogue to digital converters, so you get the high end audio demanded by broadcasters and audio engineers. This means any microphone plugged into the XLR inputs will have a higher level of noise than the camera's audio. Are you switching from a different system? If this is the case, it's well worth looking into whether there's any potential for compatibility between your existing and new system (i.e. using lens mount adapters). ‘Migrating’ an existing system is much simpler and cheaper than starting again with a whole new setup. Our comprehensive range of live system cameras provide options for 4K, 2K, High Frame Rate (HFR) and High Dynamic Range (HDR), and have been specifically designed to meet the varied needs and requirements of live production.

Resolution (ISO-12233):We use a resolution chart based on ISO-12233 from Applied Image inc to indicate the limit of the camera’s vertical resolution at the centre of the frame. The higher the value, the better the detail resolution. Panasonic’s studio camera systems give you the freedom to capture live events in incredible detail. Delivering a highly cost-effective solution for 4K and HD live production, they are readily being used in a variety of different situations – for broadcast studios, live sport productions, live event capture, and for higher education, too. x USB Type‑C 3.1 Gen 1 (up to 5Gb/s) expansion ports for external recording and focus / zoom demand connection. Software updates using USB‑C Port A. For stills, then, I rank it as Canon's best camera. However, while it was the first camera to bring 8K video to the con/prosumer market, it does fall short of more recent rivals when it comes to 8K (thanks to its well-documented recording restraints and overheating limits).DSLR or mirrorless? While it does sometimes feel like mirrorless is taking over the world, the best DSLR cameras do still have their advantages and some, like the Canon EOS-1D X Mark III, are breaking new ground. Read our guide to DSLR vs mirrorless cameras if you're still not sure. That said, when it does come time for a professional to upgrade, they invariably go mirrorless. The three flagship cameras – Canon EOS R3, Nikon Z8 / Nikon Z9 and Sony A1–along with bodies like the Canon EOS R5 and Nikon Z7 II are among the most popular. How many megapixels do professional photographers use? This one is effectively a toss-up between the Nikon Z8 and the Nikon Z9. The Z8 is, after all, being pushed by Nikon as "a baby Z9", with an almost identical feature set.The only real difference right now is that it has a more compact body (without the Z9's "pro" vertical grip and bigger battery) and it costs over a grand less. Personally, I prefer the smaller body and smaller price tag, so the Z8 gets my vote! This all-round performance comes with a few caveats, however,the first one being cost. It's more expensive than the 100MP medium format Fujifilm GFX 100S, for example –apples and oranges, we know, but the very comparable Nikon Z8 and Z9 also come in considerably cheaper.

Added support for custom presets and LUTs to be retained after software updates from this release onwards. We test camera resolution, dynamic range, and noise under scientifically controlled conditions using two key testing tools: Imatest Master and DxO Analyzer. All DSLRs and mirrorless cameras are subjected to these tests and, in some instances, high-end compact cameras. While the world is increasingly a mirrorless one, a huge number of pro photographers still use DSLRs. This is partly because professionals are less interested in spec-chasing than enthusiasts; cameras are simply tools to do a job, and DSLRs are still excellent tools. So workhorses like the Canon EOS-1D X Mark III, Canon EOS 5D Mark IV, Nikon D850 and Nikon D6 are still very often seen in the hands of the pros.My colleague Jon Devo has spent much more time using the two cameras than I have, so I'll quote his five-star review: "With its most direct competition coming from its stablemate, the more specialized S5 II X faces some fundamental challenges from a consumer perspective. Touchscreen camera settings and menus with rotary settings dial, program button, F1, F2 and F3 assignable function buttons, brightness contrast and peaking dials. So if it's supreme video resolution you need, look to the Sony A1 and Nikon Z8/9. For the best stills performance, though, I genuinely think the R5 stands alone. The ferocious autofocus is capable of ten kinds of recognition: human eyes, faces, heads, and upper bodies; animal eyes, heads, and bodies; and cars, aircraft, planes, trains, and motorbikes. Though, in my experience, the AF occasionally faltered where Canon and Sony's didn't.