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A Poetics of Postmodernism: History, Theory, Fiction

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Carpenter, Anne (2015). Theo-poetics: Hans Urs von Balthasar and the risk of art and being. University of Notre Dame Press. ISBN 978-0-268-07706-8. OCLC 927188404. School of Foreign Languages and Literature, Shandong University of Finance and Economics, 7366 Erhuan Dong Road, Jinan, 250014, Shandong, People’s Republic of China The mythopoetics of the Oxford Inklings (C.S. Lewis, JRR Tolkien, Owen Barfield, Charles Williams, among others) would also be an example of classical theopoetics. Charles Williams gave the name "Romantic Theology" to his project of establishing a subclass of theology at the intersection of imaginative literature and classical theology. Others have called it Christian Romanticism, Mythopoetics or Theopoetics. Northwind Seminary offers a doctoral degree program in the Romantic Theology of the Oxford Inklings. [www.NorthwindSeminary.edu] Varsava, J. A. (1994). Review of Constructing Postmodernism by Brian McHale. Ariel: A Review of International English Literature, 25(3), 135–137. Gregory, M. (2010). Redefining ethical criticism: the old vs. the new. Journal of Literary Theory, 4, 273–301.

In the second school of theopoetics, the aim is drawn “from von Balthasar’s affirmation of poetic expression: when God speaks to us in the Incarnation, all qualities of human language—even being itself—are employed as created ‘grammar’ by which God expresses himself to us…With God at the center of expression, poetry becomes capable of an authentic role in theological language.” [8]If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Cruz-Villalobos, Luis (2020). Poesía Teológica. Prólogo de John D. Caputo. 2da Ed. Santiago de Chile: Independently Poetry [6] The political, social, and intellectual experience of the 1960s helped make it possible for postmodernism to be seen as what Kristeva calls “writing-asexperience-of-limits” (1980a, 137): limits of language, of subjectivity, of sexual identity, and we might also add: of systematization and uniformization. This interrogating (and even pushing) of limits has contributed to the “crisis in legitimation” that Lyotard and Habermas see (differently) as part of the postmodern condition. It has certainly meant a rethinking and putting into question of the bases of our western modes of thinking that we usually label, perhaps rather too generally, as liberal humanism. Miller, David L (2005), Three Faces of God: Traces of the Trinity in Literature & Life, USA: Spring Journal Books, ISBN 1-882670-94-9 .

May, Melanie A (1995), A Body Knows: A Theopoetics of Death and Resurrection, Continuum International Publishing, ISBN 0-8264-0849-4

Harrity, Dave (2013), Making Manifest: On Faith, Creativity, and the Kingdom at Hand, Seedbed, ISBN 1628240229 Constructing postmodernism with incredulity to metanarrative: a comparative perspective on McHale’s and Hutcheon’s postmodern poetics Cruz-Villalobos, Luis (2020). Pauper God. Theographies. Santiago de Chile: Independently Poetry [5] McHale, B., & A. Neagu. (2006). Literature and the postmodern: a conversation with Brian McHale. Kritikos: an international and interdisciplinary journal of postmodern cultural sound, text and image. http://intertheory.org/neagu.htm. Accessed 20 June 2013. Lyotard, J.-F. (1984). The postmodern condition: a report on knowledge (Trans. Geoff Bennington and Brian Massumi). Minneapolis: University of Minnesota Press.

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