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Machine Gun Etiquette

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The Damned didn’t care about definitions, which is why their classic third album sounds as fresh now as it did in 1979. Available again on vinyl. Issued with a B&W illustrated card inner sleeve which has rounded corners and a wide die cut thumb section to the top opening.

Machine Gun Etiquette by The Damned (Album, Punk Rock Machine Gun Etiquette by The Damned (Album, Punk Rock

Ed Hollis – producer ("Love Song" (Ed Hollis version), "Noise, Noise, Noise" (Ed Hollis version), "Suicide") Great band. Thank you for posting this. However you seem to have missed their 1984 release under their alter ego Naz Nomad and the Nightmares called 'Give Daddy The knife Cindy'. Its a great garage / psych cover album that's well worth including. As The Damned made "Machine Gun Etiquette," The Clash were in the studio next door putting the finishing touches on "London Calling," but while The Clash looked to America for inspiration, The Damned remained resolutely British; eccentric, exciting, and barking mad. Some great punk songs & some more ambitious songs but they're all relentless with hardly a gap between them, except for outbreaks of Monty Python style humour (the line at the top was from the Hitch Hikers Guide To The Galaxy and was on the runout groove of side 2 of the vinyl version and so repeated over and over until you took the needle off). It is a very 'British' sounding album, cancel that, it's a very English album! Hutchinson, Barry (2017). The Damned – the Chaos Years: An Unofficial Biography. Barry Hutchinson. p.119. ISBN 978-0-244-30256-6.

Outro "Nibbled To Death Buying a Copy"? by Peter Jones (10) as The Narrator from Douglas Adams - The Hitch-Hiker's Guide To The Galaxy Use italics (lyric) and bold (lyric) to distinguish between different vocalists in the same song part a b c "New Documentary Explores The Damned's 40 Year History of Anarchy, Chaos And Destruction". Decider. 27 May 2016 . Retrieved 26 May 2021. For this silver anniversary edition of MGE I have added all of the single B-sides none of which were on the original LP. Also there are alternative versions of all three A-sides and finally the video clip for Plan 9, Channel 7. It is such a complete album that I didn't want to clutter it up with demos and out-takes. Maybe they'll appear elsewhere someday.

The Damned - Machine Gun Etiquette - Ace Records The Damned - Machine Gun Etiquette - Ace Records

I discovered The Damned by way of the cassettes my brother left in my room for safe keeping while he was away in the Peace Corps. I was at that age where I was looking for something loud and rebellious so it would seem a band called The Damned would scratch the itch. Needless to say it wasn’t nearly as dark and offensive as I had hoped but it was terribly catchy. Time went on and I started to collect as many Damned releases as I could get my hands on (witch was quite a bit) but the only ones I listened to with any regularity were _Damned Damned Damned_ and _Machine Gun Etiquette_ (ok, _Light at the End of The Tunnel_ got a lot of play as well). _Machine Gun Etiquette_ is quite simply the best Pop Punk album ever made, just barely topping _Singles Going Steady_ which isn’t a true album so there ya are, the best. To this day I slap this disc on and sing along with every word, pretending like I’m 15 and in my bedroom pissed off at my mom about something or another. without a doubt. there is so much excellence on this album. love song, s/t, melody lee, anti-pope, plan 9, smash it up It was also a Damned which – whatever the humour – was dead serious about setting its stall and making a mark. There was no filler: even the cover of the MC5’s ‘Looking At You’ slotted in without breaking the flow. “Machine Gun Etiquette” hit shops within weeks of “London Calling” and Public Image Limited’s “Metal Box”, both benchmark albums showing how far their creators had moved beyond what had been defined as punk. The same applied to the Damned, who likewise recognised no musical barriers and did what they wanted: the true defining characteristic of punk. They didn’t care about definitions anyway. Which is why this classic, essential album sounds as fresh now as it did in 1979. Coleman, Mark (1992). "The Damned". In DeCurtis, Anthony; Henke, James; George-Warren, Holly (eds.). The Rolling Stone Album Guide (3rded.). Random House. pp.176–77. ISBN 0-679-73729-4.Henry Rollins usually begins his regular Friday night listening session with “Machine Gun Etiquette”. He is, as he says, a “Bowie-fixated, Zeppelin-worshiping Stooges freak” but the Damned’s third album sets the bar for what follows, issuing a challenge to all his other favourites. PS - I see that this has been released in a 'Deluxe' version - does it improve the slightly dodgy production? Captain Sensible plays the guitar very well and masters the guitar pedals to achieve different effects that go beyond the typical distortion plus chorus or reverb. There is more musical richness in the compositions without losing a bit of the strength, the grit and the madness that they had inside. The bass work is tremendous and Vanian's vocals sound as always soaring.

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