Those Who Leave and Those Who Stay: A Novel (Neapolitan Novels, 3): 03 (Neapolitan Quartet, 3)

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Jenny Turner, " The Secret Sharer. Elena Ferrante's existential fiction", Harper's Magazine, October 2014. It's a sorting that happens before many of us have even decided what we want to major in, before many of us have even had our first sip of beer. But that migration pattern is swimming against the tide of broader forces — most notably, the recent trend of fewer millennials moving. In this moment, crucially, Lenù cares less that her daughters are being petty gossips and more about the prospect that not only her creative work but also her politics have been small and wrong because they focused too particularly on her life rather than on substantive social change. While writing about the politics of literature, she has in fact mostly been focused on herself and her own comforts. The interdisciplinary conference ‘Those who leave and those who stay: the consequences of emigration for sending countries’ aims to bring together researchers from different fields – political science, education, anthropology, history, political economy, and sociology, among others – who explore the socio-political and economic consequences of emigration for sending countries, regions and communities. The field of international migration is predominantly focused

First, advertising dollars go up and down with the economy. We often only know a few months out what our advertising revenue will be, which makes it hard to plan ahead. The Neapolitan novels, in form and content, necessitated for us a consideration of pettiness: of how pettiness, gender, criticism, and politics interact. By way of conclusion, we’d note another sphere where pettiness’s forceful ambivalent power seems necessary to consider: the election of Trump, the world’s pettiest candidate, over Hillary Clinton, a candidate who (because she is a woman, rather than for her questionable politics) was evaluated in the most petty way. Storia del nuovo cognome, L'amica geniale volume 2 (2012; English translation: The Story of a New Name, 2013). OCLC 829451619. [36]Luzzi, Joseph (September 27, 2013). "It Started in Naples: Elena Ferrante's 'Story of a New Name' ". The New York Times . Retrieved July 20, 2015. But the responses showed very little demographic difference between people who left and people who stayed — even along partisan lines. May I point out something? You always use true and truthfully, when you speak and when you write. Or you say: unexpectedly. But when do people ever speak truthfully and when do things ever happen unexpectedly? You know better than I that it’s all a fraud and that one thing follows another and then another. I don’t do anything truthfully anymore, Lenù. And I’ve learned to pay attention to things. Only idiots believe that they happen unexpectedly.”

Krule, Miriam (2015-08-28). " "Dressing a Refined Story With a Touch of Vulgarity": An Interview With Elena Ferrante's Art Director". Slate. ISSN 1091-2339 . Retrieved 2023-02-27.The main reason to love My Brilliant Friend is that it contains one of the most honest, unsentimental depictions of friendship—female or otherwise—in either literature or television. Storia di chi fugge e di chi resta, L'amica geniale volume 3 (2013; English translation: Those Who Leave and Those Who Stay, 2014). OCLC 870919836.

People who stayed had a 33 percent greater chance of having to attend a funeral of someone under the age of 65 compared to those who left home. Nino Sarratore (their eldest son, two years older than Lila and Elena, as an adult is a professor and politically active) The question was posed by reader Paolo Di Stefano to Elena Ferrante in the Italian newspaper Corriere della Sera, "how autobiographical is the story of Elena [Greco]?". Ferrante replied, in "her characteristically direct yet elusive manner, 'If by autobiography you mean drawing on one's own experience to feed an invented story, almost entirely. If instead you're asking whether I'm telling my own personal story, not at all'." [15] By the time he reappears in the novel, Nino could pretty much come into Elena and her dull husband Pietro’s living room, fart loudly, and she’d run off with him. He’s Nino, the hot intellectual ladies’ man. (Everything’s exciting when he’s around and empty when he’s not and Nino Nino Nino, sigh.) But that’s not what he does! No, Nino seduces Elena (if one can call it that, given her preexisting decades-long infatuation, this despite his liaison with her best friend) by appealing to her professional ambition. He does some swooping in of his own and declares – and he’s not wrong – that Pietro has asked to much of Elena in the domestic sphere, putting his own work first and leaving her to squander her (superior, Nino notes, again accurately) intellect. The first is looking at migration patterns over different age groups. It shows people in their late teens and early 20s are the most likely to migrate — and they generally leave their smaller towns and suburbs to live in the urban core, whether for school or work. And rural communities are hurt most by this movement:

In this low-migration period, virtually all age cohorts have been less mobile. And that includes people in their peak migratory years which, right now, happens to be millennials. These are the people who would normally return. In 2019, The Guardian ranked My Brilliant Friend the 11th best book since 2000. [18] The overall series was also listed in Vulture as one of the 12 "New Classics" since 2000. [19]