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The oversaturated, bubblegum tones of Doug Emmet’s cinematography reflect the plastic superficiality of this sleek, anonymous, urbane world.” Marla’s demise was not inconceivable, given her utter disregard for the people whose lives her greed destroyed, but it begs the question: why do so many (cis-het, white) male villains not only survive, but also often thrive after their misdeeds? What message does this send out to the thousands of queer women watching this film, hoping for a glimmer of representation and the happy endings that are by no means such a rarity in real life? I think about this lens when it comes to attitudes to sex work, a lot. I think what makes all women want to speculate on sex work, and also makes them nervous, is that it often seems like sex work is a labor that’s available to basically every woman, whether or not that’s true. (Maybe it kind of is but there are things like racism and ableism that make it harder or sometimes impossible to work etc.) (And even if it’s available, we know it’s trans workers and workers of color who face more violence that can be fatal.)

countries where it is illegal to be gay Homosexuality: The countries where it is illegal to be gay

It's hard to speak about an anthology like this in a cohesive way, because they are all so different: in art style, tone, topic, and identity. Overall, I really enjoyed it. Although as always there were some comics I liked more than others, there weren't any that I felt were weak. It's a great opportunity to be exposed to a lot of different artists as well. This is one I would happily recommend. It's not focused specifically on lesbians and bi women, but there is definitely sapphic representation. I'm happy to see that queer anthologies are expanding to be a little more challenging and diverse than they were just a handful of years ago. A positively delightful, insightful, educational, and beautifully illustrated collection of comics exploring/depicting queer history, personal memoirs, satires, etc. It found that members of such communities, referred to as sexual and gender minorities, experienced a rate of 71.1 violent victimizations per 1,000 persons a year, compared with 19.2 per 1,000 a year among non-sexual and gender minorities. While the oversaturated, bubblegum tones of Doug Emmet’s cinematography reflect the plastic superficiality of this sleek, anonymous, urbane world, the plot is in fact grounded in the horrifying reality of legal guardianship in the US. Blakeson’s aim is not a Ken Loach-style sweeping statement, however. Legal guardianship simply serves as the roots from which Marla’s evil flowers flourish. It is more a vaguely scathing commentary on American hypercapitalism than anything else, but Blakeson ensures that it’s nevertheless an entertaining one. The plot is exhilaratingly unpredictable, until the more generic second act takes a turn for the banal.

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c/p from my review on TheStoryGraph) It's hard to rate an anthology. I loved most of these but a few didn't hit with me. I think it's great to see these works collected because this is the kind of thing I would have loved to have had when I was a child growing up queer and reading comics. For the most reason I really enjoyed reading this. It also made me cry a few times SO THERE IS THAT Prism Health is committed to offering safe, compassionate, and affirming primary and mental health care to all members of the LGBTQ+ community." It begins with a bang: “Tonight you better listen because I am going to tell you/ What you always wanted to hear./ All you bad hombres better take a deep breath./ I shit you not./ This is the night of nights./ Take a chance on love.”

Is It Safe to be Gay in the UK? - Evening Standard

Blakeson’s otherwise subversive take on the crime thriller is ultimately tarnished by its formulaic ending.” A beautifully and fluidly done work of art that I think everyone should read, whether they identify as LGBTQIA+ or not. There is something for everyone here. First published in 1947, Varsity is the independent student newspaper for the University of Cambridge. It's not just about film this June, either. There will be a live BDSM performance from Daemonum X and Sara Elise before the screening of Bloodsisters, a live drag and a burlesque performance from Switch n’ Play before the screening of Bound, an intro from Scream, Queen!filmmakers Tyler Ray Jensen & Roman Chimineti before Nightmare on Elm Street 2, and a brunch special created by local Park Slope eatery Dog Day Afternoon for the screenings of the film Dog Day Afternoon. New York City's industrial DIY doomsayers refresh 2022's excellent W.A.R. in the Digital Realm LP with seven punishing remixes. Bandcamp New & Notable Oct 11, 2023 go to album

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In contrast, the U.S. lags far behind when it comes to representation in government. According to the political action group Victory Fund, the LGBTQ+ community would need to increase its representation by 22,544 elected officials to achieve parity. So far, only two openly queer people have ever been elected to the Senate. AI, Ain't I A Woman?" On the Blindness and Limitations of Artificial Intelligence November 1, 2023 by Joy Buolamwini Part 6 is just part 5 for lesbians. Like fr Jolyne's love interest's original design was clearly female (feel free to now headcanon male Anasui as trans or sth). It took me a while to read since some of the comics were very in-depth, and I felt like I needed time to digest them while I was reading, so I'd read a few and then put it down for a day or two. It was definitely cool to see so many different perspectives on what it's like to be a queer person, and also to have them united in the general message that, no matter the struggles and hardships that might be faced along the way, it's actually still pretty great! Some of the comics were short and funny, and I think the mix of more serious pieces with the shorter, lighter ones also helped make the whole thing more readable.