Khadlaj Hareem Al Sultan Gold - Concentrated Perfume Oil (35ml)

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Sources indicate that Hürrem was originally from Ruthenia, which was then part of the Polish Crown. [5] She was born in the town of Rohatyn 68km (42mi) southeast of Lwów ( Lviv), a major city of the Ruthenian Voivodeship of the Crown of the Kingdom of Poland, [6] in what is now Ukraine. According to late 16th-century and early 17th-century sources, such as the Polish poet Samuel Twardowski (died 1661), who researched the subject in Turkey, Hürrem was seemingly born to a man surnamed Lisovski, who was an Orthodox priest of Ruthenian origin. [6] [7] [8] Her native language was Ruthenian, the precursor to modern Ukrainian. [9] a b Madar, Heather (2011). "Before the Odalisque: Renaissance Representations of Elite Ottoman Women". Early Modern Women. 6: 11. doi: 10.1086/EMW23617325. JSTOR 23617325. S2CID 164805076– via JSTOR. She was portrayed by German–Turkish actress Meryem Uzerli as young adult and adult Hürrem and Turkish actress Vahide Perçin as a Middle–aged Hürrem in television series Muhteşem Yüzyıl (English: Magnificent Century. Her joyful spirit and playful temperament earned her a new name, Hürrem, from Persian Khorram, "the cheerful one". In the Istanbul harem, Hürrem became a rival to Mahidevran and her influence over the sultan soon became legendary.

Hürrem became the first consort to receive the title Haseki Sultan. [24] This title, used for a century, reflected the great power of imperial consorts (most of them were former slaves) in the Ottoman court, elevating their status higher than Ottoman princesses. In this case, Suleiman not only broke the old custom, but began a new tradition for the future Ottoman sultans: to marry in a formal ceremony and to give their consorts significant influence on the court, especially in matters of succession. Hürrem's salary was 2,000 aspers a day, making her one of the highest-paid Hasekis. [11] After the wedding, the idea circulated that the sultan had limited his autonomy and was dominated and controlled by his wife. [25] Also, in Ottoman society, mothers played more influential roles in their sons' educations and in guiding their careers. [25] Selçuk Aksin Somel: Historical Dictionary of the Ottoman Empire, Oxford, 2003, ISBN 0-8108-4332-3, p. 123 There are many historical novels in English about Roxelana: P.J. Parker's Roxelana and Suleyman [1] (2012; Revised 2016); Barbara Chase Riboud's Valide (1986); Alum Bati's Harem Secrets (2008); Colin Falconer, Aileen Crawley (1981–83), and Louis Gardel (2003); Pawn in Frankincense, the fourth book of the Lymond Chronicles by Dorothy Dunnett; and pulp fiction author Robert E. Howard in The Shadow of the Vulture imagined Roxelana to be sister to its fiery-tempered female protagonist, Red Sonja.Pierce, Leslie (2017). Hürrem Sultan. İstanbul: Türkiye İş Bankası Kültür Yayınları. p.5. ISBN 978-605-295-916-9. a b "Ottoman Empire History Encyclopedia - Letter H - Ottoman Turkish history with pictures - Learn Turkish". www.practicalturkish.com. Archived from the original on 1 June 2008 . Retrieved 25 May 2013. European ambassadors of that period called her la Rossa, la Rosa, and Roxelana, meaning "Ruthenian woman" [13] or "the Ruthenian one" for her alleged Ruthenian origins. [14] She is the sultan's consort with the most portraits in her name in the Ottoman Empire, though the portraits are imaginary depictions by painters. [15] Relationship with Suleiman [ edit ] Suleiman the Magnificent

David Chataignier, "Roxelane on the French Tragic Stage (1561-1681)" in Fortune and Fatality: Performing the Tragic in Early Modern France, ed. Desmond Hosford and Charles Wrightington (Newcastle upon Tyne: Cambridge Scholars Publishing, 2008), 95–117.OUD MUKHALLAT NO.1 Arabian Perfume Oil by Abu Zari Fragrances | 100% Alcohol-Free | Arabian Perfume Oil Mihrimah Sultan (1522, Topkapı Palace, Istanbul – 25 January 1578, buried in Suleiman I Mausoleum, Süleymaniye Mosque). Hürrem's only daughter. She was married to Rüstem Pasha, later Ottoman Grand Vizier, on 26 November 1539, and had a daughter and at least a son. In early modern Spain, she appears or is alluded to in works by Quevedo and other writers as well as in a number of plays by Lope de Vega. In a play entitled The Holy League, Titian appears on stage at the Venetian Senate, and stating that he has just come from visiting the Sultan, displays his painting of Sultana Rossa or Roxelana. [46] Uzunçarşılı, İsmail Hakkı; Karal, Enver Ziya (1975). Osmanlı tarihi, Volume 2. Türk Tarih Kurumu Basımevi. p. 401. Some of the fans get so excited to see their favourite characters that we have to remind them not to touch the sculptures,” says Abudaqa.