Mooer Hustle Drive, drive micro pedal

Product Information

Boss has delivered the RE-201 Space Echo and BOSS CE-1 Chorus Ensemble preamps in a single pedal for the BP-1W booster

Mooer Hustle Drive | Delicious Audio Mooer Hustle Drive | Delicious Audio

Mooer's clone pedals are all very close to the originals they're cloned after. However, in my opinion, this Mooer Blues Crab is by far the closest sounding pedal to the original that I've come across yet. Seriously, It was only until someone pointed out that the Original Blues Breaker is a bit more smooth sounding when compared to the Blues Crab that I noticed this difference. However, this is only barely noticeable and I've actually become fonder of the Blues Crab than the original Marshall Blues Breaker. This is such an incredibly good pedal and great value for money. Mooer Blues Crab vs Blue Mood Apparently, the Pitch Box by Mooer pedals is a clone of the Boss PS-5 Super Shifter. I somehow don't think that this Mooer pedal is actually a clone of the PS-5. That is not to say that it didn't draw inspiration from the Boss. In fact, it is quite obvious to see that this Mooer pedal is based, loosely, on the PS-5, but is certainly no clone.

12 : EXTREME DISTORTION / DJENT (≈ Diezel VH4 amp - Channels 3 & 4)

HP High peak mode, boosts the bottom end and delivers more volume with a slight increase in upper mids The world’s most famous green pedal, which boosts the midrange frequencies to give you that satisfying guitar squeal or ’Tube Scream’ as it’s now most commonly known. This pedal is heavily replicated in all manner of varieties, the Ibanez Mini Tube Screamer is perfectly acceptable with its TS9 tones, although not too high output, one better in many ways is the Keeley Red Dirt Mini which came out of all the Keeley Tube Screamer Mods - here with 4 different dip-switch modes. Best for me though is the One Control Persian Green Screamer which has a switch for TS808 Vintage Mode, as well as TS9 modern. This micro pedal does the job of large, with a quality and very significant for me grain. Some would say that the knobs are very small. Yes to Volume and tone ... but in general I do not touch it during the concert. Remains the drive that is adaptable and goes from nice drive, the distortion that shipments already pate. Whilst this is considered to be a fuzz pedal. I'd say it is both fuzz and a distortion for bass in one. This pedal lets you go from subtle drive all the way up to high gain. It features a two-way selector knob which lets you opt between fuzz or distortion. The distortion channel misses the fuzz and the dry signal for a tone with more definition. The Fuzz setting is your straight up fuzz setting. It has a tone, gain and volume knob. A good tip with this pedal is that you can use the volume knob as a boost function. However, this only works in fuzz mode and not distortion. Lastly, it is believed that this pedal is a clone on the Electro-Harmonix Bass blogger pedal.

Mooer Hustle Drive | Overdrive Pedal | GAK

There's no real scenario where one can justify the price of the Woolly Mammoth when the Mooer Fog does literally exactly the same thing. However, even though the Mooer fog is definitely more affordable, it's hard for me to find a need (besides for if I were the bass player in a Muse cover band) to buy or make use of this pedal. It's worth pointing out that the Zvex has a built-in gate which can be engaged by playing with the "pinch" knob. I'm almost certain the Mooer doesn't have this gate function although I could be very very wrong. So what is the Mooer Flex Boost? Well, it's one of the closest sounding clone pedals of the AC booster by Xotic effects that I've come by. Whilst the Mooer Flex Boost and the AC Booster have the word "boost" in their name, it is actually important to note that both of these pedals are in fact overdrive pedals. All of those are truly great minis and stand up well against pretty much everything at this size, even against larger enclosure types. As far as the volume drop is concerned. I have not experienced this "fault" unless of course, the internet is referring to the fact that this pedal produces a volume-drop type of effects. In which case, it definitely does. Trelicopter Vs Demeter TremulatorThere is also the really high quality Japanese OneControl brand with its excellent Bjørn Juhl -designed minis, and LA-based Italian-made F-Pedals which both could do with more advertising really and more exposure. Yet within all of that Mooer still has a place for providing quality pedals at the right price - the sort of M&S of mini pedals I guess. There are lots of pedal snobs out there, but I personally have a healthy mix of pedals from all corners of the world and I rate them not on where they come from but how they play and how they sound. Admittedly there are only a couple of mins currently in my pedal-chain - largely because I get more options and versatility with compact sized enclosures.

Guitar Pedal X - GPX Blog - 12 Degrees of Saturation - Key

Having said, these pedals do the bass sound from the band, "Muse" pretty well. So if you're a bass player in a Muse cover band, then I highly suggest getting on of these pedals. There are some settings on the fog that you can set which will maintain the low end somewhat. However, for the most part, this pedal tends to cut out the low end. And as a result, you're left with an underwhelming fizzy sound. This can often be the case with not only these bass fuzz pedals but bass fuzz pedals in general. There are a few pedals on the Mooer clone list that are not clones of other pedals. The LoFi Machine happens to be one of these Mooer pedals. If you're wanting a guitar pedal that can achieve the Super Mario theme song sound (and more), then this LoFi Machine is definitely for you. The Mooer Eleclady is a clone of the Electric Mistress by Electro-Harmonix. And, it manages to clone this legendary flanger in a fraction of the size of the original. The Mooer Eleclady, with its small and sleek design, offers three knobs as well as a 2-way toggle switch. The knobs include: I must definitely point out that the Flex Boost has got some grit to it. As soon as you start to turn the gain knob up from zero, you can hear some light and pleasant overdrive. How does it compare to the AC Booster? It comes pretty darn close to the real thing. However, as is the case with a lot of clone pedals, they just miss out on not sounding quite as "organic" as the originals. Still, a great sounding low-gain boost/overdrive pedal. You get more volume and a small increase in the high-mid range when you increase the distortion through the drive knob. Low peak mode adds little to the original sound but is ideal for clean boosting.

OBSERVATIONS AND NOTES

The Mooer Fog along with the Woolly Mammoth is like no other fuzz tones I have heard. A lot say you can get them to sound like Big Muff pedals. But I disagree. The Mooer Fog delivers a synth-like type of fuzz. Also, the words "snarly" as well as, "nasally" come to mind when I hear these pedals. At times, the sound tends to remind me of bit-crusher sounds.I know that there are many bass guitar players out there that swear by both the Mooer Fog as well as the Zvex Woolly Mammoth. I must be honest, I do not enjoy the sound of this pedal in general.