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Kathakal

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Philip Zarrilli (1984). The Kathakali Complex: Performance & Structure. Abhinav Publications. ISBN 978-81-7017-187-4.

Kapila Vatsyayan (1977). Classical Indian dance in literature and the arts. Sangeet Natak Akademi. OCLC 233639306. , Table of Contents a b c d Farley P. Richmond; Darius L. Swann; Phillip B. Zarrilli (1993). Indian Theatre: Traditions of Performance. Motilal Banarsidass. pp.326–328. ISBN 978-81-208-0981-9.Alice Boner (1935), "Kathakali", Journal of the Indian Society of Oriental Art, June 1935, pp 1–14. Phillip B. Zarrilli (2000). Kathakali Dance-drama: Where Gods and Demons Come to Play. Routledge. pp.xi, 3. ISBN 978-0-415-13109-4. Wootten, Claire F. (2009). "Navigating Liminal Space in the Feminist Ballet Class". CORD: Congress on Research in Dance Conference Proceedings. Cambridge University Press. 41 (S1): 122–129. doi: 10.1017/s204912550000100x.

Ayyappappanikkar (1997). Medieval Indian Literature: An Anthology. Sahitya Akademi. p.317. ISBN 978-81-260-0365-5.Farley P. Richmond; Darius L. Swann; Phillip B. Zarrilli (1993). Indian Theatre: Traditions of Performance. Motilal Banarsidass. p.327. ISBN 978-81-208-0981-9. Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3. The roots of Kathakali are unclear. Jones and Ryan state it is more than 500 years old. Kathakali emerged as a distinct genre of performance art during the 16th and 17th centuries in Kerala. [19] The roots of Kathakali, states Mahinder Singh, are more ancient and some 1500 years old. [20] Links to older performance arts: Kutiyattam and Krishnanattam [ edit ] FACT Jayadeva Varma Kevin J. Wetmore, Jr.; Siyuan Liu; Erin B. Mee (8 May 2014). Modern Asian Theatre and Performance 1900-2000. Bloomsbury Academic. pp.196–197. ISBN 978-1-4081-7720-4. Don Quijote viaja a la India en 'Kijote Kathakali' ". El Norte de Castilla (in European Spanish). 25 July 2016 . Retrieved 20 February 2021.

The traditional themes of the Kathakali are folk stories, religious legends and spiritual ideas from the Hindu epics and the Puranas. [7] The vocal performance has traditionally been performed in Sanskritised Malayalam. [6] In modern compositions, Indian Kathakali troupes have included women artistes, [4] and adapted Western stories and plays such as those by Shakespeare. [8] Etymology and nomenclature [ edit ]

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The Kidangoor style is one of the two, that developed in Travancore, and it is strongly influenced by Kutiyattam, while also drawing elements of Ramanattam and Kalladikkotan. [65] It is traditionally attributed to Nalanunni, under the patronage of Utram Tirunal Maharaja (1815-1861). [65]

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