Sigma 311101 50mm F1.4 DG HSM Art Lens for Canon, Black

Product Information

In summary, the RF 50mm is the sharpest of the three but its supremacy only becomes obvious in images shot at close range or in the corners. If you want the best 50mm with autofocus for your Canon DSLR or mirrorless via an adapter, the Sigma 50mm f1. The next step will be to tune the focus on Sigma 50mm Art using Sigma USB-dock and Sigma tuning software. Earlier this year, Canon announced its first full-frame mirrorless camera, the EOS R, whose new RF mount features a large 54mm diameter and a shorter flange distance than the EF DSLR mount. Some prime lenses are engineered to be incredibly sharp in the center, but at the expense of mid-frame and corner sharpness.

Sigma 50mm f/1.4 DG HSM Art Review - Photography Life

when mounted on a 46MP full-frame body easily surpassing the performance of Canon’s or Nikon’s standard 50mm f1. This lens features aspheric lens elements and an optimized power distribution to minimize distortion from the center of the frame all the way to the edges. aperture, this prime is a pro-level performer for an incredibly wide variety of shooting conditions. is just not good enough for modern high-resolution sensors and its performance at maximum aperture is rather disappointing (and the Canon 50mm f/1.In this review, there is a good comparison with Canon's 50L with regards to bokeh on identical situations. The Sony has a linear gearing while the Z-Nikkor has non-linear gearing which makes smooth focus pulling almost impossible for videographers.

Sigma 50mm F1.4 DG HSM A Canon - DXOMARK Sigma 50mm F1.4 DG HSM A Canon - DXOMARK

It delivers exquisitely balanced images with a beautiful bokeh effect, setting a new benchmark for large-aperture standard lenses.The original 4/3 mount is pretty dead these days and adapting a DSLR lens to mirrorless doesn't make sense (it's a waste of space behind the rear element). MPB will also keep you informed about the status of your gear at every step of the way and the whole process is carbon neutral. This matters less for distortion since there is hardly any to correct but you may have to manually adjust the strength of the vignette to suit your taste. We noticed some ‘onion ring’ effect with the DG lens in defocused lights and bright spots but this is much more minimal in the DN lens. The Z-Nikkor also focuses fast and reliably and is sealed thoroughly – an important feature that is missing on the Sigma Art.