Sigma - 56 mm-F/1.4 (C) AF DC DN lens, Fuji X-MOUNT mount mount

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show some distortion but again is easily correctable in post, is perfectly usable wide open until the extreme corners, unlike the SEL50F18OSS which is a joke, immediately soft off the dead centre until stopped down to f/2. Hence, I rely on the aperture ring to tell me the lens is at its widest without having to check anything other than feeling it can’t rotate any further. both of which have optical stabilisation), but all new Olympus, Panasonic and Sony bodies feature built-in stabilisation, so it’s not an issue going-forward.

Just like the bokeh, it’s awkwardly just floating in the middle of being nothing specific, but not an all-rounder either. These insurance polices are designed to meet the demands and needs of those who wish to insure their item, for example, digital camera and/or camera accessories, against breakdown and accidental damage.on M4/3 as well as with my wider <20mm lenses, tho I definitely don't shoot tight head very often shots with the latter (head and shoulders maybe, half body more likely). Very reasonable to be used on a6500, and doesn't encounter severe vignetting as on FF body, but I still prefer the FoV of my Sigma 19/2. All content, design, and layout are Copyright © 1998–2023 Digital Photography Review All Rights Reserved. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.

The reason behind this is that the arenas that MMA fights take place in are very dark and the fights are only dimly lit.

With all lens corrections switched off, the lens exhibits obvious pincushion-type curvature of lines towards the edge of the frame – more than we’d expect for a mid telephoto zoom that’s equivalent to 84mm on an APS-C mirrorless camera like the Sony A6500 we tested it with. And/or for people using XC lenses, aperture rings aren't as fun if you can't have them on your *whole* prime kit. Like others have noted it's peculiar to say the least to include a full frame DSLR lens (the mirrorless version just has a built in extension tube) in this list. To me, the colours that a lens produces are incredibly important to me and I’m stunned every time I use my Fujifilm 23mm f2 lens on how much contrast that lens has and how punchy and lovely the colours are.