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TheCineView HE Wireless Video Transmitter & Receiver Kit, like all of the 2.4GHz and 5GHz systems that are out there on the market, shouldn’t be compared with more expensive systems that send uncompressed video. All of these affordable options that don’t send uncompressed video are going to have some level of latency. The picture quality of the signal coming up on the app is pretty good. It will probably be good enough for most people who are buying a system such as this. In all honesty, it is one of the better-looking pictures I have seen from a wireless app-based system at this price. Image Delay Above you can see what the delay looks like in real-time with the Kinefinity MAVO LF when the CineView HE TX and RX was in the Normal Mode. This is the default mode when choosing the Data Rate Setting. You can clearly see the delay from what is happening in front of the camera to what is being displayed on the camera’s monitor, an external monitor connected to the RX unit, and what is being seen on the App.
The CineView HE TX and RX can be powered via a single Sony NP-F style battery. According to the company, a Sony NP-F970 battery can power the unit for up to 12 hours. I found the battery performance to be good and you can use the system for a whole shooting day without having to constantly worry about when the battery will run out. As the TX unit has both an HDMI In and an HDMI Out you can loop through a video signal which is handy. How is it powered? The CineEye 2S uses HEVC compression and as I have already mentioned, it can send video signals up to 1080 60p. You can do focus magnification by pinch to zoom directly on the screen. While you can move around in the image when zoomed in I would have liked to have seen an indicator appear on the screen that lets you know that you are zoomed in. So what is the delay like over HDMI from the Kinefinity MAVO LF? I measured the delay average over a series of three tests when using the Accsoon Go app and outputting directly to a monitor from the RX unit. Below you can see the results when the system was set in all three transmission modes:The weight and footprint, especially if you are using the TX with a Sony NP battery, do make the CineView HE feel quite big on small-sized mirrorless hybrid cameras, however, just about every other competing product on the market features a similar size and form factor. These LCD displays are designed to simplify mounting and alignment with a unique front-access mounting system that allows for precise alignment, in-wall servicing, and an extremely low, ADA-compliant profile depth from the wall (as low as 3.6”). Martin Scorsese is 80 and Ridley Scott is nearly 86, but neither director is showing any signs of slowing down. In recent years, in fact, their films have grown longer, more expensive and more ambitious than ever. The latest example is Napoleon, Scott's 160-minute biopic of the French military commander and ruler, which sweeps through several countries and several decades, and has several thunderous battle scenes along the way. It's an awe-inspiring achievement, although it may leave you with a greater appreciation of Scott's leadership skills than of Napoleon's.
On one side of both units, you have a dial to change the Group, a 5V USB-C input, and the DC input. You can also use the CineView HE as a wireless webcam device, however, the image does get flipped and I found that the colors being shown did not reflect those being seen on my camera. There is also quite a large image delay.If you have booked a wheelchair space at the rear of screens one, two, three, eight or nine, there's lift access from the foyer to the upper level. There is a Data Rate Setting that you can adjust on the TX unit. There are three different modes you can choose from: Phantom Camera Control (PCC) is the main software application that allows users to get the most out of Phantom cameras. Fine-tune the resolution, frame rate, exposure, memory segmentation, trigger modes and automatic functions prior to recording. PCC also makes it easy to work with synchronized cameras, manage Phantom Cine raw files and convert files to the format that makes sense for the final project. At power on, CineView HE will automatically select the best channel for audio and video transmission. The Dual-Band transmission technology will further improve CineView HE’s anti-interference capability to ensure that the high-quality audio and FHD video can be transmitted with nearly undetectable latency via its reliable dual-band transmission signals. One of the most important things for me apart from image delay and the operating range is reliability and usability. There is nothing worse than a wireless video system where you continually have to reset the system or restart apps.
Use PCC’s advanced image processing features for complete control over Phantom Cine files. PCC’s image tools menu includes a histogram to judge exposure, and controls to adjust both basic and advanced image parameters for the best-looking images. The Cine file can also be cropped and re-sampled. Because Phantom Cine files are 100% raw, these parameters are applied as metadata and only baked-in when converted to a different format. You can select from a range of different operating channels or just set the TX unit to Automatic channel selection. The CineView HE TX has a single full-sized HDMI input and an HDMI output, while the RX has a single full-sized HDMI Out. Because CineView HE utilizes both frequencies at the same time it is inherently more stable than its rivals. As a comparison, the average delay over HDMI for the Hollyland COSMO C1 when doing the exact same test was 76ms.
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The CineView HE sports a sleek new design that is both smaller and lighter than previous models, with transmitter and receiver each weighing in at a mere 200g. The modern fanless design is still extremely solid, being beautifully sculpted from aerospace-grade aluminum alloy and built to last. The perfect fit for modern mirrorless cameras and smaller cine cameras. Accsoon has forged a good reputation for making affordable wireless video kits that are well made, feature-rich, and most importantly, have reasonably low latency. The CineView HE certainly follows in those same footsteps and it is certainly worth looking at if you are in the market for an HDMI wireless video system that won’t break the bank. There is also peaking and zebras and you can change the intensity and color of the peaking, but only the intensity of the zebras. Strangely the zebras come up as a rep/purplish color. If you want to have the HDMI input on the same side as the HDMI output of your mirrorless hybrid, then you can simply just face the front of TX unit forward. The only caveat with doing this is that you can’t see the screen anymore. What do you get?
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