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Amaran 100D LED Video Light, 130W 5500K Daylight-balanced, CRI95+ TLCI96+, 39500 lux@1m, Supports App Control, 8 Pre-Programmed Lighting Effects, DC/AC Power Supply

£9.9£99Clearance
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The overall output of 41500 lx at 3 ft is about double that of the 100d — which makes sense. 5422K with a target of 5600K is also excellent. Okay, Amaran series, now you’ve really got my attention. They keep it simple with the main aspect of the product providing high-quality lighting for all users but maintaining acceptable build quality and minimal features to justify its low price. Universal Bowens Mount. Transform the quality of your light with the included 55º Hyper Reflector or a variety of accessories.

I think this is fantastic for all of the solo shooters out there. Rather than having to get up each time you need to add more light you simply select the light on the app and with a swipe of your finger you’re all set.I grabbed a few measurements on my Sekonic C-700U Spectrometer to see how accurately the Amaran 100d handled color temp (kelvin) and output (lx) from a distance of 3 ft and with the included reflector attached. Here are my readings with a target of 5600K: Amaran 100d Sekonic C-700U results. Image Credit: Graham Sheldon

Built-In Lighting Effects. Toggle through Paparazzi, Fireworks, Lightning, Faulty Bulb, TV, Pulsing, Strobe, and Explosion, effects.

In 2014, the Aputure we now know and love was founded, and if you thought Aputure was just a form of misspelt branding like Lyft, the name combines the words “ aperture” and “ future.” The Lightdome SE is more compact and pairs well with the less substantial yoke on the Amaran 100d and 200d. More details on the new Lightdome SE can be found here. Image Credit: Graham Sheldon / CineD Conclusion There’s no doubt that the price to performance is there for the 100d, but its targeted audience is newcomers or budget-friendly users who need something reliable, portable and doesn’t break the bank. The 120D, on the other hand, is built for professionals or enthusiasts who can afford to pay for Apturue’s professional-grade products; they are the users who need the best when it comes to performance, mounting options and top-of-the-line build quality. The Amaran 100d has a CRI of 95, and the Aputure 120D has a CRI of 97. The difference between a light with a CRI of 80 vs 90 will be extremely apparent. And a light with a CRI of 95 will perform notably better than one with 90. The jump from 95 to 97 is only incremental, and we would need to be in a specific setup for it to become quite apparent. However, that being said, a 97 CRI is ultimately better and preferable than a light that has a 95 CRI. The one-person band/YouTube crowd will love them both and so will in-house video teams shooting web content, an activity which has become much more common.

Update: Please keep in mind that a lx reading is not the only indicator of overall output. A tighter beam angle also contributes to a larger lx reading, so you’ll want to keep the beam angle in mind when comparing fixtures. Image Credit: Graham Sheldon / CineD Who is the Amaran 100d and 200d for? accurate color rendering, with increased CRI [96], TLCI [99], TM30 RF [96], and TM-30 RG [103] values. The amaran 100d is a daylight point-source LED fixture with stunning brightness, Sidus Link app control, and compatibility with optical modifiers. Whether used in the studio or for on-the-go content creation, the amaran 100d provides the ultimate portable and lightweight light for content creators, interviews, studio filmmaking, portrait photography, and video production.It’s hard to find fault with there being so many affordable LED options these days – a win-win for filmmakers to be sure. Given the cost of the Amaran 100d and 200d, they may become the new entry fixture for filmmakers with the Aputure 120d, 300d, and 600d Pro lines holding a place on the wish list for when need and opportunity arise. The Amaran was one of the first lines of products that changed the no-to-low-budget film industry, as it was one of the first affordable light fixtures that standard camera batteries could power—offering silent and reliable performance at a fraction of the price of lighting units at the time. They have consistently been the professional standard for lighting units and accessories, offering customers and professionals innovative and unique ways to use light within their projects, from their tiny lighting units like the popular Aputure MC to the powerful and heavy Nova P600c.

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