There are parts of this book that were so ridiculous that it made me angry (why had she never heard of an INCEL? I know that biphobia is a thing but why are people acting like it's so ALIEN?). I’m sure Florence would say that sentiments like these are exactly what she’s talking about in the overarching message of the book but like, I’m sorry, you had the makings of a book handed to you on a silver platter and you still managed to make it an unbearably frustrating (for all the wrong reasons) read.

Interessant finde ich auch den Wechsel zwischen den verschiedenen Stilarten, wie er hier stattfand. Manche Stellen sind wie ein normaler Roman geschrieben, manche wie ein Drehbuch, vieles auch in Form von Postings mit den entsprechenden Kommentaren oder Chatverläufe. Ich mochte das, ist aber sicher nicht für alle was. Even with a two dimensional non-binary-who-was-clearly-written-as-a-butch-lesbian-and-changed-at-the-last-minute best friend Eartha is completely naïve to everything queer (I'm guessing she hasn't listened to Rose speak for their entire friendship). For example, after coming out Eartha learns that scissoring isn't a thing, why people who sleep with women cut their nails short and what a gender neutral bathroom is. At 25!!! In 2030!!! The hardest thing for me is to extrapolate who I would even be without the internet. Social media is my gateway to the world and to making connections with people. When it comes to the physical boundaries I have with my phone: it’s never in my bedroom, it’s always charging in the kitchen. And when it comes to what you share online, I always take a beat. Ongoing Covid restrictions, reduced air and freight capacity, high volumes and winter weather conditions are all impacting transportation and local delivery across the globe. I know this is meant to be a story about a messy character, but you're given no reason at all to care about this selfish, awful woman from the start of the novel.However, I’d say this book was a bit confused about what it wanted to do. It was almost like two books in one: the first book describing Eartha’s sexual awakening as a bisexual woman, breaking the cycle of abusive relationships in her family; while the second narrative focuses on her journey on social media and the perils of the internet. There were also these parts called the “director’s notes” where the narrator panned out a camera on Eartha, or the situation unfolding, which I didn’t think worked that well. This book was a mess. On paper, it should have been really compelling. Using modern social media as a way to explore the Jekyll and Hyde themes of duality, public life vs. private life, and addiction while also talking about what it's like to come into bisexuality "later" in life, like on paper this should have been a great story.

Journalist Moya Lothian-McClean said: “I’m still thinking about Florence Given’s prose… Once again, publishers and editors involved in that… have a word with yourselves.” And I couldn’t have put it better myself, really. Related stories recommended by this writer: My friends have never spoken to me about their weight. We openly talk about sex we have, we openly talk about masturbation, and we’re very honest about our feelings with one another. We say no when we want to. But it is also because my friends are queer or they’re bisexual.

Florence was handed the keys to the kingdom here and yet, this book was undoubtedly one of the worst things I’ve ever read. If Florence wasn’t Florence, this manuscript wouldn’t even have made it past the assistant’s desk at the publishing firm let alone onto bookshelves globally.