The Portkeys PT5 HDMI touchscreen monitor is the most affordable monitor, which is a 5″ 4K30p monitor with 500nit bitghtness, new peaking, wide color gamut and 3D LUT. But despite its plastic construction, it still features a full range of monitoring tools that would certainly make your life on set a lot easier. Portkeys PT5 Hardware – Improved Compact Touchscreen The LUT file name is required to be in English or numeric to avoid unrecognized, resulting in incorrect file names. Jon Salmon's short film Fudgie Freddie follows a struggling animator starting to transform into his most popular character, an ice cream cone named Fudgie Freddie. The practical effects and use of a single character created a simple and inexpensive story to pitch Salmon's idea for a feature is something any and every filmmaker can do. Connectivity: HDMI input, HDMI output, 3.5mm headphone output, Proprietary (24 VDC) Input/Output, Mini-USB, USA Type-A input Vertical Shooting Stretch: upright video formats in 9:16 might not be everybody’s favorite framing format, but with the importance of social media, at times you just have to deal with it. The LH7P offers controllable stretching of images and real-time monitoring of the stretch effects.

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As with the BM7IIDS monitor, it has the same split-screen monitoring features, custom freeze frame feature for match cuts, 3D LUT HDMI output, anamorphic lens calibration, customized peaking range, custom rectangular image crop, brightness and RGB signal detection before and after loading 3D LUTs. It also has a false color and ARRI false color feature with customizable overexposure and underexposure IRE scales. The MT22DS Monitor has 2x XLR outputs – Source: Portkeys You can even convert your image to grayscale to make it easier to see focus peaking. To power the unit, creatives have the option to use the DC barrel connector or either a Sony NP-F or Canon LP-E6 battery. If you are using a Sony A7 III, A7 IV, A7S III, A1, A9 II, RX10, A7C, FX3, FX30, or A9 II, you can control REC, Iris, ISO, Shutter, Color Temperature, White Balance, EV, Focus Areas, Single Focus, and Exposure Mode. List of supported cameras for LH7P Monitor – Source: Portkeys He is a Fellow of The Royal Society of Arts, holds a Foundation Degree in Equitation Science and is a Master of Arts in Publishing. He is member of Nikon NPS and has been a Nikon user since the film days using a Nikon F5 and saw the digital transition with Nikon's D series cameras and is still to this day the youngest member to be elected in to BEWA, The British Equestrian Writers' Association.LH7P specifications – Source: Portkeys Portkeys BM7IIDS – bright 7″ wireless camera control monitor Split screen monitoring: you can use two different video sources and several different split-screen options on the monitor. Two screens can use the same 3D LUT file and you can split the screen: dual horizontal, dual vertical, horizontal and vertical, and you can even crop the second split screen from the same source to show more detail. Altogether, this is a really interesting and flexible feature. The PortKeys PT5is a lightweight – 0.28lbs/130grams – entry-level professional monitor for filmmakers who are looking for a compact on-camera monitor. Full HD Display

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Cutting and assembling raw footage, adding music, dubbing colour correction, sound effects and more A 3D LUT is a simple but very powerful way to apply a color grade to footage. 3D LUT files are quite small, (often around 1MB) and can be produced with almost any color grading software, and can be saved on to USB flash drive for use on the monitor or at any point in post-production. Customized peaking range: you can choose a certain peaking frame for regional peaking of your shot. Support for Tilta Nucleus-N/M motors: with the BM7IIDS monitor, you can control the Tilta Nucleus-M and Nucleus-N lens motors with a wired connection between the monitor and the motor, while also displaying the focus scale.Step 2: Enter the [Color] item in the menu main menu and select the [Import LUT ] item, and then execute the item. GUTS writer-director Chris McInroy takes you through a toxic workplace metaphor with some gruesome horror that I think connects to all working people everywhere. This is an HDMI-only display, but it will handle signals in full DCI 4K up to 24 fps, UHD up to 30 fps, and HD up to 60. The TFT-LCD panel itself is HD resolution. It advertises 10-bit colour depth, which, if we look more closely, turns out to mean 8-bit “plus FRC,” which means frame-rate control, a reference to a type of temporal dithering. Few monitors actually do better than this – even some high-end options use FRC to improve brightness precision, which is a respectable specification. What’s important is that it’s not 6-bit plus FRC. A 1000:1 contrast ratio and 500-nit brightness is claimed, although, in use, it looks like any decent cellphone display and is reasonably visible, at least in bright overcast conditions. The sunshade helps, especially when there are fingerprints from touchscreen operations.