A modern visitor to the site, which lies on the Via Quintilio Varo above the town of Tivoli, could appreciate a similar view of Rome today. However, an important aspect of the complex of ideas and images associated with the campagna is its special place in the history of art as the site of the creation of a new form of landscape painting.

Prior familiarity with a combination of classical texts and the idealised landscape imagery of the seventeenth century established an expectation that the campagna would reveal itself to be a suitably picturesque and poetic setting for the historic scenes which had been enacted and imagined within its expanses. Our preferred travel partner is First Class Chauffeurs who offer a range of chauffeur-driven luxury cars allowing you to arrive in style!The spread of the Italian food culture is our mission in life and we accomplished it when we created Campagna Mediterranean Classics and founded our Italian food export company which today the world recognizes as the ambassador and one of the leading providers of.

The municipality counts the frazioni of Camaldoli, Galdo, Mattinelle, Puglietta, Quadrivio, Romandola-Madonna del Ponte, Santa Maria La Nova and Serradarce.

The painter Ippolito Caffi’s 1847 views of the campagna from a balloon seem to work in the same way, celebrating the aesthetic pleasures to be had by rising above the glowing but sinister evening mists. The invocation of artists’ names is a way to distance the viewer from any sense of discomfort, but yet also to identify with and lay claim to the prospect. Artists were predisposed to seek out locations that matched their expectations of a terrain defined by its purported abundance of the beautiful. Thus, as with atmospheric contamination, and in a way which was fundamentally connected, the city was tied by deeply entrenched bonds of ownership and privilege to its hinterland.