Iris Compiet is the rarest of artist: That who invokes a complete and cohesive reality with every image she creates. Beautiful, powerful and contemplative all at once. -- Guillermo Del Toro Let me tell you about Faeries, let me take you away on a journey, an adventure.

Products Archive - Iris Compiet

Like creatures in our world, the faeries lives in different habitats. What were some of your favorite types of environments to explore? For me fantasy is reality, or reality is fantasy. To make fantasy real you have to root it in reality. There needs to be a link, a “what if” moment. The moment that sows a seed of doubt about the reality of the fantasy. As kids we can see a world that is magical. We look at really ordinary things with wonder and amazement. It makes sense that a certain stone just is a dragon egg. These are things we unlearn as adults. Fact and logic take over, but is it really fact and logic? Isn’t it much more fun to sometimes wonder about the possibilities that lie in the what if? I did have some issues with this book. If you are looking for a story about faerie, this isn't that at all. It's chapters that go through different types of faeries, but even that isn't very well organized. I struggled at points to see how certain drawing of faeries really belonged in the chapter they were put in. In the end, I just had to kind of go with it and stop paying attention to what chapter I was in. Una guida completamente illustrata, ricchissima di bozzetti e stupendi disegni dai colori quasi acquerellati, alle magiche, misteriose e spesso pericolose creature che dimorano nella Faglia, un Altrove nascosto che, a volte, si svela agli umani. Iris Compiet is the rarest of artist: That who invokes a complete and cohesive reality with every image she creates. Beautiful, powerful and contemplative all at once."

The book is a collection of notes and illustrations on the many fae and faeries that Compiet has encountered on her travels on the Faultline, the space where the world of the Other and our world intersect. Connections such as talking about Michelangelo possibly using crushed faery pupae cement the Faultlines even more as a real place. Can you talk about developing those kind of touchpoints?

Faeries of the Faultlines : Expanded, Edited Edition Faeries of the Faultlines : Expanded, Edited Edition

My guess is that artist Iris Compiet has a similar heartfelt connection to Froud and Lee's work (I mean, messrs Froud and Lee have written forewords for the book, so..), as she more or less has in this book made a sequel of sorts. Her art hewes close to Froud and Allen's style, but also builds on it. And the art is truly magnificent. (And it turns out she's Dutch, which is a fun coincidence.) Belíssimas gravuras e desenhos. Fabulosas descrições e pequenas histórias sobre os habitantes desse mundo que nos é apresentado. Iris Compiet: From a very early age I was intrigued by the world of faery. I was always reading stories and listening to fairy tales. When I stumbled upon the book Faeries by Brian Froud and Alan Lee, I figured that could be my job when I grew older: paint faeries, be an artist. At first, things didn’t really work out because I lost touch with fantasy and the faery world as I grew older and went to art school. Fantasy was frowned upon in art school so I had to put it aside for a bit.

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Series Info/Source: This is a stand alone book. I got a copy of this book as a gift for Christmas last year. Davvero imperdibile per gli appassionati di magia, del piccolo popolo e delle creature fantastiche in generale.

Faeries of the Faultlines - Iris Compiet

I enjoyed that there were pencil sketches and full-colour illustrations for each type of faerie as well as their variations (presented as local incarnations). It gives the book that kind of field guide feel. The text is in italics, which sometimes makes it hard to decipher, but no doubt is also intended to reinforce that field guide feel. I can't tell you how many times I read Faeries, as a kid. You'd find me hunched in some little nook of the house, listening to Enya on my Walkman. Iris ha un talento mozzafiato, i suoi schizzi sono pazzeschi, e gli acquerelli ti catturano fino a portarti all'interno della narrazione stessa: è davvero coinvolgente, ricco di dettagli e storie che ti traportano in un'altro mondo. They can stay underwater for a very long time, rarely rising to the surface to breathe. When they do, only their glowing white eyes are visible, as their otherwise dark features hide them from sight. Their thin, dark, and long hair allows them to cover the water's surface, creating the illusion of solid ground. Once a child steps on this treacherous surface, they will find themselves ensnared in the dark tangle of the nykr's hair, choke, and drown." Aside from the above this is a nice "coffee table" book for anyone who loves faerie mythology or cryptozoology in general.

Can't remember the title or the author of a book? Our BookSleuth is specially designed for you. Visit BookSleuth A choice between a signed or a signed & sketched copy of the English edition of Faeries of the Faultlines. This edition has the green cloth with gold foil embossing cover and wrap around cover. Disclaimer: I received a free digital review copy of this book through Edelweiss+. All opinions in this review are my own and are honest and unbiased.)

Faeries of the Faultlines: Expanded, Edited Edition - AbeBooks

Iris Compiet knows the world of faery. With a careful eye, the artist and writer explores realms beyond our own, discovering beautiful creatures and beings. You might have come to know her work through the gorgeous The Dark Crystal Bestiary: The Definitive Guide to the Creatures of Thra. If so, you’re in for a treat as you enter the world of the Faultlines. Compiet created this place full of fantastical wonders, and the new Faeries of the Faultlines: Expanded, Edited Edition takes readers on a journey. Gebunden. Condition: New. Über den AutorrnrnIris Compiet is your guide to the Faultlines, a world filled with faeries and creatures from beyond the veil. A traditional artist and illustrator from the Netherlands, Iris has always known exactly wha. This is fashioned to look like a sketchbook from a naturalist wandering in search of faeries. Oh, the lengths I had to go to to get my hands on this. Sadly, it didn‘t hold up to the hype/promise.In all honesty the whole look and idea behind it was totally in line with the art itself. Nothing was really planned out, it was all very natural and it made perfect sense to create a book which people could take with them when they’d go out into nature. Something they could open up and read a bit then look at their surroundings and maybe see the creatures they’d just read about. I didn’t really have any book in mind when I created this one. I just knew I wanted it to be as close as possible to my own sketchbooks, that’s why I used a specific type of paper to print on, the finish of the cover—it all helps with the idea that this is my sketchbook and my journey. The field notes style of the book really pulls you into the world. What made you land on this particular presentation? Did any naturalists who documented our world inspire you?