The song used in the game's trailer is "Downfall" by a musical artist, Nuclear Sun: http://www.newgrounds.com/audio/listen/595287 The above video may be from a third-party source. We accept no responsibility for any videos from third-party sources. Please let us know if the video is no longer working. While Jolly is clogging the door, if the light is turned on and put the cameras are active, the banging sound when an animatronic leaves the window will be heard, but Jolly will not move, allowing any animatronics in the window area to move to the office.

In rare occasions, a red-colored version of Jolly can appear on the poster in CAM 4, which spawns Red Fantasy Jolly Prototype. He sits in the office, causing hallucinations of his face with white glowing eyes and the phrase "HELP ME". He then jumpscares the player with a flashing close-up of his face, causing the game to crash, much like Golden Freddy from FNaF. In Night 5, you play as Jolly again, but the style switches from an 8-bit mini-game to a cutscene. The perspective of the cutscene is of the lens of Jolly in the Kitchen for a few seconds before the cutscene ends and the words "look at what you've done" will appear. According to Jollibee's, after this minigame takes place, the children ate the food and died from food poisoning.

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In addition to this, there is a camera system, which can be controlled. Not only can this be used to monitor the animatronics' locations, but it can also be used to prevent Tweetie and Jolly from travelling through the elevator to the floor the player is located on. The camera system can also be used to shut both vents next to the party rooms that Maxie and George reside in. It is revealed at the end of the short-lived Jollibee's: Phase 2 that these animatronics were part of a Soul Captivation project, where Kevin Johnson was experimenting with these animatronics to preserve human life within them. Due to the Jollibee games being taken down they are most likely considered non-canon now to the Jolly series. This game's story had been abandoned completely according to IvanG here until Jollibee's was announced as the sequel to this game.

This game, along with Jolly 2, are the only games in the series without transparency issues in their mobile ports. Antonette is present, but doesn't do anything. It's possible that she could've moved around the restaurant like the other animatronics and went through CAM 08 (a.k.a. the useless camera), due to the wires mechanic not existing. The Jolly Christmas Postman follows a postman on Christmas Eve as he delivers letters by bicycle to characters from traditional children's stories that are well known in Britain. These are characters like the Big Bad Wolf, Red Riding Hood, and the Three Bears. In the mobile version, if the player is on the same camera floor as the elevator and taps where the "Toggle Elv. Floor" button would be on a different cam, the elevator will still move.

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From Far Around They Saw Us Burn is filled with people who are desperate to be heard: “please please will you just let me speak” begs the female narrator in Smooth and Sleek, a text that weaves together, paragraph by alternate paragraph, two distinct tales. One, a woman who is repeatedly raped in a house in a “God forgotten country” torn apart by war; the other, a man with a mortgage somewhere in England, who won’t stop talking about his childhood dream to own an Aston Martin. The charging panel at the far right must also be used to take power from the generator and transfer it to the building power. The Night 1 minigame involves the player controlling Jolly, and starts on the Main Stage next to Tweetie. The player needs to get to the Parts N' Service room, where Metalionette is first located. Once you get there, she will lead the player to the Elevator, where the game will end and move on to the next night. People just can't get enough of Jolly and his gang. Work hours are now extended! Can you survive five nights?

Welcome to Jolly's Fantasy World! Eat our food or plan a party, Jolly's Fantasy World is the place to go! In the mobile version, tapping both the left and right side of the screen while the night is loading will cause both the generator panel and the camera panel to flip open, while they can still be interacted with. However, the generator panel is static and cannot be interacted with, meaning that it is not possible to look around the office. In the mobile version, switching to the elevator camera while fixing a wire will work, but it restricts the ability to view any other camera until the wire has been fixed. Despite this it seems IvanG has made attempts to make Jolly 1 canon again with Jolly 3: Chapter 2 and the Jollibee's series. Jolly’s characters feel misunderstood. They try to communicate, to give their take on this world, but language trips them up. In Ray the Rottweiler, which won the VS Pritchett Memorial prize in 2014, an old misfit has lived for so long among dogs, he seems to have lost control of his tongue with humans.

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During the events of the game, the player will go through multiple minigames, which explains the story of the game. The game uses two music box melodies, the "1900 Swiss Mira Music Box: Play Song; Vintage Entertainment, Mus" (originating from "Miserere from Il Trovatore") and the "1860 Nicole Freres Grand Format Music Box: Play Song; Vintage En" (origin currently unknown). Both melodies can be found here and here.