El desarrollo de la historia me ha parecido entretenido, sin más, el ritmo está bien llevado, trata temas que podrían llegar a resultar interesantes, cómo la culpabilidad, la muerte, el juicio social, la maldad, o el significado del matrimonio para la sociedad japonesa, entre otros.

Even in a manga as short as this, the characters have been depicted quite well. Kirishima Seiichi, the protagonist, comes across as an ordinary writer who only wished to make a decent living out of his writing and live happily with his family but then things start to topple over. His wife Miki adds to his despair by repeatedly reminding him of his failures and that he is at fault for everything. And then there is the ‘beast’ whose sole purpose of existence is to create terror.Arte: Jesús bendito, que increíble dibujo el que tiene este hombre Kakizaki Masasumi un nombre para recordar, literalmente lo que te engancha, lo que te atrapa durante todo el recorrido del manga es este increíble y sublime estilo de arte, que dibujo tan limpio e increíble, hace mucho tiempo que no leía algo y no podía detenerme, cada página que pasaba deseaba más y más, hubo momentos de suspenso que a pesar de que pasaba las páginas por mi mismo sentía el terror al pasarlo porque el dibujo transmite las emociones tal cual el autor quería expresarlas, cada fragmento de lluvia, de pelo de suciedad todo se ve tal cual como debe verse es increíble en verdad como alguien puede dibujar tan espléndido.

Similar to Portus, there is some violence and strange treatment of women’s sexuality, but I felt it wasn’t all out of place in this type of story. Every character is despicable, so the wife not being any different makes sense, and she definitely uses her own strength and sex to get what she needs in a situation. It’s more about survival, whereas the violence against women in Portus can seem gratuitous and unneeded at points. As Eyama administers his sadistic revenge and "divine" retribution, he encounters other captors, each with their own hidden agendas. Meanwhile, Aya refuses to be a compliant prisoner and will go to any length to escape captivity. However, her endeavors threaten to awaken a darkness buried inside Eyama that craves to be unleashed.This reads like the "cliche" horrors and thrillers of the 2000's, and I LOVE IT. In the afterword Kakizaki expresses his passion for the horror genre and the process and conditions of this oneshot's creation. The manga has been critiqued as mediocre and predictable, however I feel these are unfair inclinations. The Hollywood slasher formula works perfectly for the genre of horror and aesthetic portrayed in this, not to mention the art and paneling draws out a sense of genuine unease.

Unlike its human counterpart, planet Remina shows nothing but odd behavior. Its movements are unpredictable and show no clear orbital patterns. Even more mysterious, any star it nears soon disappears. The enigma heightens when Professor Ooguro's assistant claims that planet Remina has stopped moving and looked him directly in the eye. Before going mad, the assistant announces one final thing: the planet is now heading toward Earth. Comenzando con la reseña que no quiero que sea extremadamente larga es bastante fácil de resumir, la obra es bastante sosa, se podría decir que entre más avanza la historia más se siente que pierde peso, además el giro final te deja con un claro "meh" al finalizar de leer, en sí la historia tranquilamente se podría desechar si fuera esto lo más importante, lo importante aquí es el arte. Beginning as an adaptation of one of the hit anime's drama CDs, Mahou Shoujo Madoka★Magica: The Different Story is a tale of the relationship between two magical girls shown from an alternate perspective.

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First of all, I'd like to say I'm not familiar with any of Kakizaki's other works (mostly referring to Rainbow since that's his most famous one), so I'm not going to be making any comparisons to anything else he's worked on. With that out of the way.... That said, while the plot gets a thumbs up from me, the main thing Hideout has going for it is the art. It takes an extremely skilled artist to paint true terror and create landscapes and imagery that are genuinely frightening. Kakizaki is almost up there with Kentaro Miura (the author of Berserk) in the horror scenes department. Everything is marvelously shaded, detailed, and bleak, which makes the gruesome content of Hideout so much more potent than it would be with only a "good" artist working on it, as opposed to an excellent one like in this manga. Written and illustrated by Masasumi Kakizaki, Hideout was serialized in Shogakukan's seinen manga magazine Weekly Big Comic Spirits from June 14 to August 23, 2010. [2] [3] Shogakukan collected its nine chapters in a single tankōbon volume, released on November 30, 2010. [4] Chapter list [ edit ] No. Altogether, Hideout is something you should read not to uncover hidden or deeper meaning, but just simply enjoy all the glorious horror and gore.

Primero que todo les deseo que estén muy bien y estoy feliz de que hayan llegado a mi reseña, quiero aclarar que es el primer manga de este autor que leo, no había leído ninguna de sus obras anteriormente y espero a futuro poder adquirir más de estas.

During her breakout, she receives a crippling head injury that leaves her with a split personality: someone with the mentality of a harmless child possessing limited speech capacity. In this state of instability, she stumbles upon two college students, Kouta and his cousin Yuka, who unknowingly take an injured fugitive into their care, unaware of her murderous tendencies. This act of kindness will change their lives, as they soon find themselves dragged into the shadowy world of government secrecy and conspiracy. It goes from dramatic reasoning to psycho lunacy and only gets better from there. From a man's good intentions of trying to reconcile with his wife to his intent to commit murder, it starts off a tad dreary and goes to hell as things take a turn for the creepy. It's an unpleasant read, but in a good sense. Don't mean to attempt to answer ever one of your questions, but as for the food and water thing, I think that's why people were going missing, and those captured people inside the cave were missing limbs and such. There body parts were being cut from them alive and eaten by the family... some gruesome imagery indeed.