Blood Feather: ‘He writes with Proustian élan and Nabokovian delight’ John Banville

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Blood Feather: ‘He writes with Proustian élan and Nabokovian delight’ John Banville

Blood Feather: ‘He writes with Proustian élan and Nabokovian delight’ John Banville

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Language, Poetry and Rhetoric’, A Cultural History of Ideas in the Age of Empire, eds Johnson and Rosenfeld, Bloomsbury, 2022, pp. 135-162 Language and its limitations feature prominently in the poet’s reflections (‘When she spoke / her voice came from some far-off / dry-stone moorland where it echoed / across the acres razed inside her head’ ECT). Flushed and decided, he assaults at once; Exploring hands encounter no defence; His vanity requires no response, And makes a welcome of indifference. Save In Conversation with MP and Author Rachel Reeves to your collection. Share In Conversation with MP and Author Rachel Reeves with your friends.

Home | Patrick McGuinness

He takes his place among those singers and painters of the haunted, the melancholy, the diminished, the caricatural, the humdrum’ – Michael Hofmann It is a feat to write weight-bearing poems of such lightness. The balance, charm and wit of the writing are remarkable. Kate Kellaway, Observer It’s difficult – and useless – to impose a simple narrative on a collection of poems, particularly in this case. In lieu of a narrative, the images guide us. Grief is not the only theme here, but also the places that are like grief, which also tend to be those places haunted by something or someone. Lacunae of a sort.

For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions. Save Egon Altdorf: Dorian Crone and Catherine Croft in Conversation to your collection. Share Egon Altdorf: Dorian Crone and Catherine Croft in Conversation with your friends.

Patrick McGuinness New Collection of Poems from Faculty member, Patrick McGuinness

Save Environmental Documentaries: BBC Natural History Unit in Conversation to your collection. Share Environmental Documentaries: BBC Natural History Unit in Conversation with your friends. In Blood Feather, a book of doubling and displacement, we see time in a new way: the past, personal and collective, lingering as an ever-present ghost - while lost beyond recall. The image that gives the volume its title and is itself the title of one of the poems – ‘ Blood Feather’ – seems to contain a guiding principle: a pigeon hits a window, makes a sound, presumably causes some commotion, or maybe simply slips away again, and leaves ‘a ghost against the glass’ which remains, for now, until ‘the next rain against the window’. French language and modern literature; comparative literature; modern theatre; modern British and American poetry; translation and translation studies. PublicationsFrench Symbolism’, The Cambridge History of French Literature, eds Burgwinkle, Hammond and Wilson (Cambridge: Cambridge University Press, 2010) Plastic Bertrand: Ca plane pour moi’, One-Hit Wonders: An Oblique History of Popular Music, ed Sarah Hill, Bloomsbury, 2022 This is a writer worth knowing… [McGuinness] combines elegant prose with caustic commentary on romance, education and crime… most people can write for a lifetime and not produce so perfect a sentence." Paul de Roux Between Made and Found’ in The Made and the Found: Essays, Prose and Poetry in Honour of Michale Sheringham, eds McGuinness and McLaughlin



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