No — well, I don’t know. That song and I, it doesn’t even really feel like I’m being a part of it so much as where it sounds more like crowds celebrate for a second. I never feel like I’m singing it on my own. It kind of feels like something that the crowd takes over, and I can just bounce around to it. (laughs) I do love the idea too that you’re more conscious of your music that way. You put the album on, and you can be your own DJ again. There’s a conscious choice as to how your day is moving, because you’re involved with it. At this time, all the vinyl LP we sell are imported products. Because it passes multiple logistical stages before it arrives in Manila, we cannot guarantee that the vinyl won’t have an imperfection. I do believe that half of songwriting is just believing in your ideas. I don’t know where that kind of positive vibe comes from. It’s the one place in my life where I do have confidence, so it feels very important to me. theme_alert": "Venta únicamente en méxico. Hacemos nuestro mejor esfuerzo para entregar su pedido a tiempo, sin embargo, puede haber retrasos mientras intentamos mantener a todos a salvo.",

theme_alert": "Due to global production & fulfillment delays some customers may experience longer wait times for deliveries on this store. We thank you for your patience & customer care is here to help if you have any concerns.",Songs are blueprints of when you wrote them and they evolve over time, so it will be interesting to see how your songs evolve as we keep going forward. Could you see yourself doing a bare bones, raw, stripped-down version of Call Me Maybe in, say, 20 years down the line? Digital Trends: How do you usually do your demos? Do you sing them into your phone as voice memos and then go into the studio to work on them? Let’s talk more about your recording process. Warm Blood has some interesting vocal effects on it. How do you decide where those effects go, when to be breathy, and when to whisper?

To do just that for her new album E·MO·TION, Jepsen spanned the globe to co-write and co-produce a dozen songs with the likes of Sia, Peter Svensson (The Cardigans, Ariana Grande), Ariel Rechtshaid (Haim, Madonna, Major Lazer), and Rostam Batmanglij (Vampire Weekend). From the percussive glee of Run Away With Me to the perfectly cool ’80s vibe of the mega hit I Really Like You to the Purple Rain-like emotional tug of All That, Jepsen has taken her electro-pop roots to another level. And the lyrics [by Robert Hazard] are just genius! As somebody who’s found herself fascinated by lyrics and how much they can say in such a short amount of time, they just make you want to sing along — even on the verses, where you get the deeper story about this sort of, I don’t know, this chaotic thing that’s going on. Oh, wow, thank you! I wasn’t sure that I would be doing a period piece or not, but I do know that I definitely wanted to have elements of the ’80s in there. And that’s what came out! I think ’80s music can go really dramatic, and it can go really light. Actual color of the vinyl you receive may have different color from the web image. Color shade difference due to manufacturing cannot be the reason for return or exchange. I think it’s a constant challenge to want to make things polished yet at the same time, you have to be careful to walk that line as delicately as possible, so that you don’t ever fall too far on the wrong side of the fence.I found that as I was mixing this album, I listened to stuff from the ’40s as a palette cleanser from making ’80s-style music during the day, which was enough of a vacation from it. I always think of those classic, standard jazz songs in the same way as what I love about pop music. There’s a kind of challenge to really try and evoke an emotion in such a simple way. It’s something that hits you on the first listen, and I think jazz songs have that capability — where they’re simple, but they’re potent. I think pop songs can be the same way.