There's a case to be made that the Beatles went on to do Sgt. Pepper's because there was nowhere else to go but too far. With Revolver, they had mapped out the pop universe so perfectly that all they could do next was tear it up and start again. [426] Gendron, Bernard (2002). Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. Chicago, IL: University of Chicago Press. ISBN 978-0-226-28737-9. Wakin, Daniel J. (14 February 2010). "From the Pope to Pop: Vatican's Top 10 List". The New York Times. Archived from the original on 4 October 2018 . Retrieved 24 June 2017. Uncut staff (12 December 2013). "The Beatles to release new 13CD box set of their US albums". uncut.co.uk . Retrieved 24 June 2017. Album Top 40 (14/09/2009)". charts.nz. Archived from the original on 21 May 2017 . Retrieved 28 June 2017.

a b Erlewine, Stephen Thomas. "The Beatles Revolver". AllMusic. Archived from the original on 25 June 2017 . Retrieved 24 June 2017. Ingham, Chris (2006). The Rough Guide to the Beatles (2nded.). London: Rough Guides/Penguin. ISBN 978-1-84836-525-4. Mawer, Sharon (May 2007). "Album Chart History: 1966". The Official UK Charts Company. Archived from the original on 17 December 2007 . Retrieved 8 November 2019. a b c d Gilmore, Mikal (25 August 2016). "Beatles' Acid Test: How LSD Opened the Door to 'Revolver' ". Rolling Stone. Archived from the original on 13 July 2019 . Retrieved 16 February 2017.The Revolver box set of course showcases the Grammy-winning original album artwork created by The Beatles’ longtime friend, German bassist, artist — and, for some of the solo-era Beatles, future musical collaborator — Klaus Voormann. But we also get to see the alternate cover art by longtime photographer/collaborator Robert Friedman, who had done many of their album cover photos including the iconic one for With The Beatles (a.k.a. Meet The Beatles in the U.S.). More literal in concept, the alternate Revolver cover design gracing the Sessions LP gatefold cover features a groovy swirling collage of images of all four Beatles. It is very cool in its own way, but I can kind of see why they opted to not go with it. RPM published its first Top LPs chart on 2 January 1967, almost five months after the release of Revolver. [471] EW staff (15 July 2013). "10 All-Time Greatest". Entertainment Weekly. Archived from the original on 17 October 2013 . Retrieved 24 June 2017. Canadian album certifications – The Beatles – Revolver". Music Canada . Retrieved 15 September 2013. a b Medsker, David (29 March 2004). "The Beatles: Revolver". PopMatters. Archived from the original on 19 June 2013 . Retrieved 24 June 2017.

Fifth pressing, Remastered, Parlophone 5099963380415, released September 8, 2014. The album was reissued on 180g vinyl, prepared from the original analogue mono master tapes. Album included in “The Beatles In Mono” box. Cover is replicat from the original Garrod & Lofthouse Ltd. three-flaps sleeve. Vinyl pressed by Optimal Media GmbH, Germany. a b Kemp, Mark (8 September 2009). "The Beatles: The Long and Winding Repertoire". Paste. p.59. Archived from the original on 23 October 2013 . Retrieved 24 June 2017. British album certifications – The Beatles – Revolver". British Phonographic Industry . Retrieved 15 September 2013. American album certifications – The Beatles – Revolver". Recording Industry Association of America . Retrieved 15 September 2013. Savage, Jon (2015). 1966: The Year the Decade Exploded. London: Faber & Faber. ISBN 978-0-571-27763-6.Because of the nature of the bouncing process to make so-called “reduction mixes” along the way, instrumental detailing was no doubt lost or buried in the process — for all its glories, one of the downsides of analog recording is you lose information with each generation of copying. Many times, that lost sonic data (if you will) was crucial to delivering a sense of realism — and that sense of place in so far as studio ambiance is concerned. This is, in part, one reason many analog jazz recordings cut basically live-to-tape in the 1950s and early-1960s sound so great. Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. According to Schaffner, one of the album's few detractors was Jonathan King, an English "pop-star-turned-pundit" who dismissed it as "pseudo-intellectual rubbish". [374] Ray Davies of the Kinks, who held a grudge against the Beatles from 1964, also disparaged the album when invited to give a rundown of the songs in Disc and Music Echo. Davies said Revolver was inferior to Rubber Soul. [375] Larkin, Colin, ed. (2006). The Encyclopedia of Popular Music (4thed.). London: Oxford University Press. ISBN 978-0-19-531373-4. Perone, James E. (2012). The Album: A Guide to Pop Music's Most Provocative, Influential, and Important Creations. Santa Barbara, CA: Praeger. ISBN 978-0-313-37906-2.