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Mind Bomb

Mind Bomb

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Billboard > Artists / The The > Chart History > Alternative Songs". Billboard. Archived from the original on 31 July 2016 . Retrieved 9 June 2017. That, by the way, is not my interpretation of his phrasing. It's a transcript of the album's lyric sheet: Moonbug". nicholabruce.com. Nichola Bruce. Archived from the original on 12 May 2010 . Retrieved 2 April 2011. It features one of Sinead O'Connor's finest performances. It's a heartbreaker. The knowledge and sad acceptance by the one of the other's distance, the other of the one's infidelity. Larkin, Colin (1995). The Guinness Encyclopedia of Popular Music. Vol.3 (2nd reviseded.). Guinness Publishing. p.2190. ISBN 354063293X.

From the snarling visceral "Good Morning Beautiful" to the nihilistically prophetic toe-tapper (written 21 years ago, folks) of "Armageddon Days are Here (Again)" to the sweaty exhibition of a doomed relationship in "Kingdom Of Rain" to the resigned acceptance of mediocrity in "The Beat(en) Generation"- this caresses your head as it fondles your base emotions. Psst - you know what, readers? I think he may have intended that whole sinking American military aircraft thing as a metaphor.) In case that doesn't clinch it, he winds up repeatedly keening, "I KNOW YOU! from a previous incarnation." By this time, Marr's trademark shuddering guitar has taken to circling the beat with a measured, sharp-edged funk riff and the entire business has gathered a torpid but terrifying momentum that can only end with it, and its protagonist, rolling unstoppably atop its object of desire. It's like being courted by a Panzer division. Come hither, or else.

Ο Pan Ξανά Μετακόμισε!

The exception comes with 'Kingdom Of Rain', a tribute of remarkable sensitivity to a dying love. Again, it feels like a sequel, this time to Infected's torturous 'Slow Train To Dawn', where by now the passion and the anguish have a b "dutchcharts.nl > The The in Dutch Charts" (in Dutch). Hung Medien . Retrieved 19 November 2011. recording engineer: Felix Kendall ( UK recording engineer) additional engineer: 'Mini' Matt Howe ( producer and engineer), Stuart James ( UK producer aka "Jammer), Warne Livesey and Roli Mosimann assistant engineer: JP Baptiste, Karen Down, Geoff Foster ( sound engineer), Noel Rafferty and Wellard Walsh producer: Matt Johnson ( English singer/songwriter for “The The”) and Roli Mosimann mixer: Bruce Lampcov bass guitar: James Eller drums (drum set): David Palmer ( drummer (ABC/The The)) electric guitar: Matt Johnson ( English singer/songwriter for “The The”) and Johnny Marr keyboard and melodica: Matt Johnson ( English singer/songwriter for “The The”) percussion: Danny Cummings ( British drummer and percussionist) percussion [water percussion]: Pedro Haldemann trombone: Ashley Slater vocals: Matt Johnson ( English singer/songwriter for “The The”) recording of: Gravitate to Me(from 1988-10 until 1989-05) lyricist: Matt Johnson ( English singer/songwriter for “The The”) composer: Matt Johnson ( English singer/songwriter for “The The”) and Johnny Marr recording engineer and mixer: Felix Kendall ( UK recording engineer) additional engineer: 'Mini' Matt Howe ( producer and engineer), Stuart James ( UK producer aka "Jammer), Warne Livesey and Roli Mosimann assistant engineer: JP Baptiste, Karen Down, Geoff Foster ( sound engineer), Noel Rafferty and Wellard Walsh producer: Matt Johnson ( English singer/songwriter for “The The”) and Warne Livesey bass guitar: James Eller drums (drum set): David Palmer ( drummer (ABC/The The)) electric guitar: Johnny Marr harmonica [electric harmonica]: Mark Feltham keyboard: Warne Livesey percussion: Pandit Dinesh piano and tape [tapes]: Matt Johnson ( English singer/songwriter for “The The”) tenor saxophone: Phil Todd ( UK flautist/saxophonist) and Chris White ( UK jazz saxophonist) other vocals [Childs Prayer]: Esme Livesey vocals: Matt Johnson ( English singer/songwriter for “The The”) recording of: Good Morning Beautiful(from 1988-10 until 1989-05) lyricist and composer: Matt Johnson ( English singer/songwriter for “The The”)

a b "British Band The The Release 'Mrs Mac' – Their First Single in Over Five Years". Billboardpublicitywire.com. Archived from the original on 9 May 2007 . Retrieved 2 April 2011.

Neil Gaiman : The Books Of Magic - Click On The Photo Click Here

Top 100 ( Kent Music Report) peaks to 19 June 1988: Kent, David (1993). Australian Chart Book 1970–1992 (Illustrateded.). St. Ives, N.S.W.: Australian Chart Book. p.307. ISBN 0-646-11917-6. N.B. The Kent Report chart was licensed by ARIA between mid-1983 and 19 June 1988. a b c "This Is The The Day – Library". thethe.com. Archived from the original on 17 July 2011 . Retrieved 2 April 2011. The recording career of The The/Matt Johnson features numerous full-length albums that have never seen commercial release. Despite their unavailability on disc, Johnson includes these albums in almost every official discography issued by the band.

Keyboardist D.C. Collard was added to the official line-up in 1989 (keyboard player Steve Hogarth, who had played on Infected, had initially been asked to join but opted instead to become the new lead vocalist of Marillion). The band embarked on a lengthy world tour in 1989–90 called the The Versus the World. The live film of the same name, directed by Tim Pope, was filmed during the three nights the The performed at London's Royal Albert Hall at the end of the tour. Vocalist Melanie Redmond, who had just completed a world tour with Duran Duran, joined the tour during the European leg as a session musician. In November 1977, Johnson had placed an advertisement in NME seeking "bass/lead guitarist" who liked the Velvet Underground and Syd Barrett. [ citation needed] In 1979 he placed a second advertisement in the NME, stating his new influences as the Residents and Throbbing Gristle. [2] Johnson is still thinking, trying to get things done, contributing his fraction to make the world a saner place.” Since 2007, The The have enjoyed a small surge of attention in the United States thanks to an M&M's advertising campaign, which has been using the band's song "This is the Day" as its theme music.

Original release and 1983 reissue credited to Matt Johnson. The 1993 re-release of Burning Blue Soul credits this album to the The.



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