Lindemann appeared as a guest – drummer on the album Hea Hoa Hoa Hea Hea Hoa by Feeling B for the song "Lied von der unruhevollen Jugend", which is in Russian. The song was played at a Rammstein concert in St. Petersburg on 19 November (2001) during the Mutter tour. The main purpose of the band's signature pyrotechnics has also been stated to actually be a tool in taking the audience's attention away from Lindemann, whilst doubling as a spectacle for the audience. Lindemann often opts to just look directly at the mixing booth in the center of the crowd, except when directly interacting with an audience member. In 2011, Roadrunner Records listed Lindemann at number 50 of the 50 greatest metal frontmen of all time. [28] In 2013, Lindemann's second poetry book, In stillen Nächten was published. [29] He commented on the poetry, saying "The vast majority of my poems could have been written a few hundred years earlier." [29] a b Bettendorf, Michele (2002). Ursprung Punkszene, oder: "Rammstein hätte es im Westen nie gegeben" (in German) (1sted.). Book on Demand. p.116. ISBN 978-3831144938 . Retrieved 29 October 2014. After hearing that Till Lindemann (frontman of the German band Rammstein) has published a book of poetry many people assume that it is essentially a collection of lyrics. This is not the case at all. Lindemann's poetry encompasses the themes that are expressed by his music but also much more and in a more artistic fashion. It is still bold, powerful, raw and revealing. Lindemann does not shy from ugly images or heartbreaking truths. But there are also thoughtful moments of quiet beauty alongside bawdy exclamations. Like any good poetry collection On Quiet Nights forces us to think about the human condition, about the world and our place in it. There is a depth and range of feeling here that is probably only possible to express through poetry.

In August, Der Spiegel published reports from an anonymous woman who claimed she was in a sexual relationship with Lindemann when she was 15. Although such relationships are legal in Germany, she stated that she "was way too young" to fully understand what was happening at the time. She also said that she shared her story because it caused her "long-lasting damage" and because she was angry that, in her view, the band had ignored allegations against Lindemann. [64] Lindemann, Till (2013). In stillen Nächten[ In Silent Nights]. Köln: Kiepenheuer & Witsch. ISBN 978-3462045246. Meanwhile,Lindemann has devoted time to solo projects. In 2014, he wrote a song for another friend, German pop singer Roland Kaiser. Time is not up

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During the filming of the band's music video for " Ich tu dir weh", Lindemann wanted a light put in his mouth to create a visually stunning effect. [25] Bandmate Paul Landers suggested that he use a flesh colored wire and run it along his cheek to shine a light into his mouth from the outside. [25] Lindemann refused, and instead opted to have a surgical incision in his left cheek, so that a light could be fed into his mouth directly, and largely out of sight. [25] [26]

Keskeneräinen teksti: Tänään 25.07.2023 on viimeinen päivä mahdollisuus lukea Till Lindemannin runokirjaa kahtaa sähkökirjana BookBeatista Lindemann, Werner (1988). Mike Oldfield im Schaukelstuhl: Notizen eines Vaters (in German). Ingo Koch Verlag. ISBN 978-3938686614 . Retrieved 1 November 2014. Lindemann and Richard Z. Kruspe covered the Aria song Shtil and released it as Schtiel Schtiel (Aria Cover) (2003).Childers, Chad (5 January 2015). "Rammstein's Till Lindemann Forms New Project With Peter Tagtgren". Loudwire . Retrieved 2 March 2015. Barking the lyrics with hisdeep voice, Lindemann began to roll the letter "r" when singing, which wouldbecome his trademark. Landers, Lindemann and Kruspe in 2019; they had already made music together in the GDR Image: Christoph Soeder/dpa/picture alliance Sokea Jonna Heynke ällistyi, kun enneuni kävikin toteen – Näin upeasti Rammsteinin solisti Till Lindemann auttoi kielenkääntäjää urallaan Seuran linkissä Pain, blood, flesh, sex, death and tears; necrophilia, rape and other abysses of human existence —these are the worlds that Till Lindemann conjures up. "The more people get upset about it, the more it spurs me on to write even worse poetry," he once said in an interview with the German newspaper Die Welt.