tc electronic Nova System Effects Pedal

Product Information

But let’s put things into perspective. The drive section can never be ‘amp’ drive, and I ca Intellectual Property Rights. This shall not limit; however, any claim Music Tribe may have of a breach of interpreted to accomplish the objectives of such provision to the greatest extent possible under the applicable

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With its solid build, high visibility and the way that it can be set up for effects switching and calling up patches, the Nova System is an ideal stage workhorse. And with its switchable speaker simulation for the outputs, it could also double as a practical direct recording tool.

The second standout feature is the general build quality of the unit, it’s professional-looking with solid, brightly lit switches, its constructed from solid metal and has it’s own power supply, which puts paid to the constant worry of wall-warts and noise.I thought I had it all worked out, a Cornford Roadhouse 30 combo for my drive sounds, a Zoom G3 in the loop for adding effects and volume boost for solos. an BOSS SD-1 to push the Cornfords front end, a Dunlop CryBaby Wah and even a BOSS EQ to conjure up a pseudo clean channel by reducing the input gain. It worked, and it sounded great. But……… Music Tribe (or of its suppliers or licensors, if and when applicable). Nothing in this Agreement grants you (or

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What makes Nova System so remarkable is NDTTM – Nova Drive Technology – an innovative drive and distortion circuit that offers true analog sound under preset and expression control. While the drive circuit is 100% analog and physically separated from the digital effects, its controls are digital. This way the drive effects can be tweaked, stored and recalled in exactly the same way as any of the digital effects, and the amount of distortion can be controlled in real time by hooking up an expression pedal. You (or the Organization, if and as applicable) shall retain ownership of all Intellectual Property Rights in and to Well, it’s a pretty special pedal. Initially we just wanted to do a compression pedal because even though a lot of guys don’t typically associate TC with compression and dynamics, it’s actually one of the areas we’ve spent the most time researching, and have had a lot of success with in other areas of the music business. We really wanted to take some of that experience and knowledge and apply it to guitar. I think a lot of players will have a field day experimenting with these pedals, but ya know, they are a different beast. Any advice on how to approach them? The Nova System has two distinct operating modes, Pedal or Preset, but this is cleverly implemented so that elements of the other mode are still available in either. Preset mode allows you to instantly call up stored presets using three footswitches - the Reverb, Comp and Drive switches (numbered 1, 2 and 3) access the three presets in every bank. To increment the bank up or down you need to press and hold the Mod and Pitch switches respectively.

Manuals and other files

It’s going between the basic delay types - digital, analog and tape delay sounds. So, you’re not limited to what TC says is the digital sound, or what TC says is the analog sound or the tape sound. You can actually, gradually morph between the different ones. You can set it in between tape and analog if you feel like the analog setting or the tape setting is too much for you. It allows you to tailor the sound exactly the way you want to. That’s the other part of it, with the dual engines, you can do a lot of crazy stuff that you can’t do with any other pedal. With two phasers in the two engines, you can get pretty close to some of the old Mu-Tron and Bi-Phase effects, or put use tremolos with different sub-divisions and you get this sort of rhythmic tremolo thing that you really can’t get with any other type of pedal. as part of the Software (and not independently of it), and only for the effective Term of the license granted to By continuing to access or use our Software after any revisions become effective, you agree to be bound by the There are a lot of guitar players who don’t like to play with reverb. They have this view that it clutters up their sound. I think it mainly boils down to two things, one is that it’s actually pretty hard to set a reverb so that it really matches the sound that you have. If you just put something on there and choose a large hall, then chances are that it’ll sound pretty bad, there’s a risk of that at least. So there are a lot of guitar players that sort of shy away from reverb because of that. The other thing is very valid - that reverb is basically just a million little delay repeats and it will clog up your sound a bit.